The Failure of Amanda in The Glass Menagerie Essay

The Glass Menagerie by Tennessee Williams is a celebrated and cherished play that has affected generations. Written in 1945, the play very well may have been an outlet for Williams to accept what had happened to his own sister. Rose Williams had been lobotomized due to schizophrenia, affecting her brother greatly. While Williams’ family may be real, his characters are over dramatic and eccentric. The characters of Amanda, Tom, and Laura make up an extremely dysfunctional family living together in a 1930’s Saint Louis. By the end of the play, each character has affected themselves and each other. The characters spend the majority of their lives inventing someone who will make the rest of their family members happy, and when these facades crumble,

The characters that come alive in Williams' works represent people from his life. Amanda Wingfield from The Glass Menagerie holds strong resemblance to Tennessee's mother Edwina Williams. Williams described his mother as "a woman whose endurance and once fine qualities continued to flourished alongside a narrowness of perception and only the dimmest awareness of human feeling (Susquehanna. "Biographical Criticism)." Amanda easily mirrors this description of Edwina because of her selfishness concerning Laura's being unattached; Edwina was much like Amanda, getting numerous gentlemen callers as a young woman. Laura Windfield in The Glass Menagerie is very much like Williams' sister Rose Williams. Rose was institutionalized for having schizophrenia and was not able to interact with the outside world. Having pleurisy, Laura was also kept from being a part of the world she longed for. By using examples of people from his own life in

If there is any signature kind of character that marks Tennessee Williams’s plays, it is without a doubt the faded Southern belle. The Glass Menagerie’s Amanda Wingfield, the mother of Laura and Tom, is a perfect representative of this type, not unlike Blanche DuBois in A Streetcar Named Desire, also by Williams. A proud and effervescent woman, Amanda passionately holds on to memories of a happier time, of days long gone by. Generally, a faded belle in a Tennessee Williams play is from a wealthy Southern family, raised by parents with traditional beliefs, and has suffered an economic or social, or both, downturn of fortune at some point in her life. Like Amanda, these women all have difficulty accepting a status in society different than what they are used to, as

Williams’s play is a tragedy, and one of quietude. He once expressed that “Glass Menagerie is my first quiet play, and perhaps my last.” It is a play of profound sadness, and through relationships between characters, portrays the “cries of the heart.” There is no cry more powerful that the cry and inner desperation of the heart. Williams’s has very little social context, but rather focuses on the conflicts within a domestic family. Such a focus is powerful, and the playwright expresses this power and importance implicitly through the estranged relationship between Amanda and Tom Wingfield.

    Tennessee Williams allows the main characters in the plays, A Streetcar Named Desire and The Glass Menagerie, to live miserable lives, which they first try to deny and later try to change.  The downfall and denial of the Southern gentlewoman is a common theme in both plays.  The characters, Blanche DuBois from A Streetcar Named Desire and Amanda from The Glass Menagerie are prime examples.  Blanche and Amanda have had, and continue to have, many struggles in their lives.  The problem is that Williams never lets the two women work through these problems and move on.  The two ladies are allowed to destroy themselves and Williams invites the audience to watch them in

"If there is a signature character type that marks Tennessee Williams's dramatic work, it is undeniably that of the faded Southern belle; Amanda is a clear representative of this type". Amanda fits into the category of a typical William's southern

The glass menagerie symbolizes Amanda Wingfield's overwhelming need to cling to her past and her fulfilled fear of being alone.  Amanda resents the poverty-stricken neighborhood in which she lives so

    Tennessee Williams has a gift for character. Not many playwrights do, and even fewer possess the unique ability to craft a character as paradoxical and complex as Amanda Wingfield. In The Glass Menagerie, Amanda is a very difficult character to understand because of her psychological disposition. Williams realizes this and provides the reader with a character description in hopes of making the character more accessible to meticulous analysis.

Amanda needs Laura to get married because Amanda had internal pain from when her husband left her and she didn't want her to go through the same thing. Tom told Amanda about a gentleman caller he got for Laura. Amanda's husband used to drink and she is very self-conscious about not wanting Laura's gentlemen callers to do the same. Laura has no autonomy because of Amanda.

Amanda had stated herself, “Everyday I think why I am still here?” She says this because she was constantly being bullied and harassed online to the extent that she no longer believed she should be on this earth. She also stated, “I felt like a joke in this world… I thought nobody deserves this.” By her being bullied and harassed by the blackmailer and the blackmailer continuously being a problem she believed nobody really understood her and only seen her as the girl who showed her breasts online to a stranger.

Amanda's dark humor applied to her current life makes a mockery of her future. Her

Every relationship between a parent and child should consist of a good bit of balance to work well. Unfortunately for the characters in The Glass Menagerie, this wasn't ever achieved. Tension was the main ingredient in nearly every familial interaction in the story, based mostly on a good bit of dishonesty, disrespect, guilt, and selfishness. Amanda and Laura especially have a tense relationship, due mainly to Amanda's overbearing personality, her ambitious aims, and her trying to vicariously live out the glories of her youth through her daughter. Laura adds a good bit of tension to this relationship by being about as self-loathing, self-conscious, and all around pitiful as possible.

The Glass Menagerie is a play set in the 1930s, and the 1930s was an era where society expected women to live a domestic life. According to a journal titled “‘Women Who Have No Men to Work for Them’: Gender and Homelessness in the Great Depression, 1930-1934” by Elaine S. Abelson, “Women, unlike men, have never been fully detached from family, domestic life, and a quasi-dependent role” (106). This quote demonstrates that women have long been family-oriented, homebound, and reliant individuals. It is significant because it clearly depicts societal expectations for women in the 1930’s. During this time period, women felt oppressed because society wanted them to stay home, care for the children, cook, clean, and maintain the household; they were subservient to men. In general, a woman was not encouraged to work outside of her home because men were the traditional breadwinners. As a result, it was rare and unacceptable for women to be apart of the workforce. The workforce often discriminated against them because of their gender. This quote reveals important insight into the play by portraying the role that Amanda and Laura have in their family. Being that Amanda and Laura are women, their duty is to live a domestic life in which they accomplish daily household tasks while Tom provides the income. Amanda and Laura are not given the equivalent opportunities as Tom, so they must heavily rely on him.

Amanda Wingfield was a complex character that encompassed many facets of her personality. She longed to have the life she had as a girl and young woman with gentleman callers and being the center of attention; her reality though, was a much more dismal existence with a son who worked at a factory making little money at a job he despised and a daughter that was as emotionally and physically

Through Amanda’s inability to separate the real from the fantasy, William’s proves that Amanda’s main coping mechanism is to retreat from reality. Amanda’s role as the forgotten southern belle also impacts her relationship with her daughter Laura, who suffers from crippling social anxiety and an inferiority complex as a result of her disability.