The Fall House Of Usher And The Lottery By Shirley Jackson

An analytical essay of “The Fall of the House of Usher,” and “Where is Here?”

Most times, anything abnormal or odd tend to be pushed under the rug. Edgar Allan Poe subtly brings attention to topics the are typically ignored. E. A. Poe had far from a perfect childhood. His father left when he was young and his mother died when he was three. Poe also seemed to have a lonely childhood after his parents were gone. He was separated from his relatives and didn’t appear to have many friends. He attended the army and after went into West Point. His academics there were well but he was eventually kicked out because of poor handlings of his duties. Before Poe died, he struggled with depression and a drinking problem. Some believe Poe’s tragic lifetime was the inspiration for some of his stories. Such as, “The Fall of the House of Usher”. A possible theory about this story is that Roderick and the Narrator were one in the same. This essay will discuss the possibility of them being the same through plot, characterization, and personification.

When writing “The Fall of the House of Usher,” Poe used the setting outside of the mansion to illustrate the theme of the fear of death. From the outset, the Rodrick Usher’s home is portrayed in a way that gives the reader a feeling of alarm. For example, the narrator mentions the house gives him a feeling of “insufferable gloom” (Usher 1). By pointing this out, the reader begins to feel on edge as the connotation of “gloom” is unwelcoming and distressing. The home is also said to have “vacant eye like windows” (Usher 1) which make the narrator

One of Roderick's fears was death. He was from a well-known and honored family, and he and his sister were the last of the long line of Usher descendants. His sister, Madeline, had been fighting a severe and long-continued illness for quite some time, which had added to much of Roderick's gloom. " Her decease, would leave him the last of the ancient race of the Ushers." Roderick seemed not only to fear the death of his sister and ultimately of himself, but also the uncertainty of the future. "I dread the events of the future, not only in themselves, but in their results. I shudder at the thought of any, even the most trivial incident, which may operate upon this intolerable agitation of soul."

The Usher mansion is slowly deteriorating, just like Roderick Usher himself. The “sombre tapestries,” “ebon blackness,” and “phantasmagoric armorial trophies” did not just start showing in the house; these elements have had time to develop and is now represented as a never ending darkness, which is just like Roderick Usher’s mental illness. Not only does Poe create an image of the house, he also uses lucid details describing the Usher’s mansion and the rooms inside the home to show that Roderick’s mental illness has physically and mentally trapped him. Roderick is a gloomy and mysterious character who looks as if he is dead. Poe describes Roderick’s appearance as one to not easily be forgotten (Poe 152). In Roderick’s mind, he feels as if he has no escape from this illness, which terrifies him. His biggest fear is fear himself. The evil that has overcame his body will take a toll on his life and he is aware of it because he says “I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed no abhorrence of danger, except in it absolute effect-in terror” (Poe 153). As described in the story, the Usher house has rooms that create a somber life and with this creation, Poe is able to portray the kind of life that Roderick Usher is living and will live. Not only is this technique used in “The Fall of the House of

Another theme that Poe explores in The Fall Of The House Of Usher is fear. It is fear that drives the story, fear that traps the narrator, and eventually fear that kills Roderick Usher. Poe foreshadows the paradox of Roderick’s fear early in the story: “There can be no doubt that the consciousness of the rapid increase of my superstition…is the paradoxical law of all sentiments having terror as a basis.” Roderick Usher is quoted as saying “I have, indeed, no abhorrence of danger, except in its absolute effect--in terror." This means that he is not afraid of death, but of fear itself. And it is this fear of fear that eventually leads to his death, when Madeline ‘returns from the dead’ and scares him to death.

A Sense of Tension in The Fall of the House of Usher by Edgar Allan Poe

Through her use of setting, which on the surface appears to be light-hearted and commonplace, Jackson masks and emphasizes the shock and horror of the story’s ending. Jackson first depicts a light and merry setting when she describes the day of the lottery. “The morning of June 27th was clear and sunny with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green.” By detailing the day in a bubbly way, Jackson veils the idea that nothing bad

In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The

The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.

Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.

From the beginning of the story, the narrator has been a window to see the life of Roderick Usher. The narrator is questioned to be unreliable in the story as he is believed to be so accustomed to the life of Roderick Usher. The narrator in the story is reliable to an extent as he is Roderick’s childhood friend and would not falsely tell details about his experience in the mansion. The narrator doesn’t seem as shocked to the outburst from Roderick and Madeline coming back from the tomb which shows he is familiar with gothic emotions. He starts off as an outsider but begins to see the story unfold in front of

Roderick Usher is a victim of circumstance. The House he has known his whole life seems to have turned against him. Poe

After evaluating the work of Edgar Allan Poe’s The Fall of the House of Usher, he utilizes with imagery to build up the feeling of terror. First of all, the passage is about an ill man, Roderick Usher, who invites his old friend of his to come meet him. In this passage both him and his sister, Madeline Usher, are the last remaining of the Usher race and is diagnosed with an unnatural illness. The narrator begins to feel terror with the supernatural things going on in the house of Usher and the illness of the Ushers. Although the narrator feels the sense of terror from the moment he entered the house, through the use of imagery, Poe is able to bring emotion to the reader. Throughout the passage, the author continues to build up the sense of terror by asserting the image and setting of both the passage and the atmosphere. For instance, he starts the passage by stating “a dull, dark, and a soundless day...clouds hung oppressively low in the heavens” (Poe 194). In relation to the previous quote, the quote illustrates the image of the atmosphere and the setting of the story. In particular, because Poe expresses the sense of terror by describing the atmosphere as dark, quiet, and gloomy, the reader can get an image of the surroundings and get the feeling of the darkness and horror. In addition, according to Poe, during the first glimpse of the house of Usher, the narrator describes it as gloomy and unpleasant. In particular, Poe states “the shades of the evening drew on… a sense of insufferable gloom” (Poe 194). Additionally, the description of the house adds on to the sense of terror that Poe established in the beginning of the story. Based on the past two quotes stated by the author, the reader can begin to picture a dark and dull day with a gloomy house adding on to the darkness. Lastly, in regards to Edgar Allan Poe, the house of Usher is

“The Fall of the House of Usher” follows a similar symbolic storyline. Throughout the story, the narrator uncovers significant details regarding the mysterious childhood friend of his and many of the important elements are revealed. Specifically, Poe designed the plot in such a way that the Usher siblings represent two sides of the same individual; Madeline and Roderick as the body and the mind respectively (Miller par 32). Since the twins are the first in their family, it shows the separation from original unity (genetically) and foreshadows that the twins must die in order for the restoration of peace. The House of Usher also has a significant symbolic value in the story; it represents Roderick’s psychological state of mind and is described by the narrator as having disturbing realistic qualities (Poe 893). Nevertheless, toward the end of the story, the epitome of the symbolic nature of this story is revealed and is concluded by an epic turn of events. Madeline collapses on Roderick as the narrator rushes to leave the house; the siblings death at the end symbolize the destruction of the physical world as shown by Madeline and the destruction of the spiritual world as displayed by Roderick’s immediate death