The False Personality In The Picture Of Dorian Gray

“England is bad enough I know, and English society is all wrong” (Wilde, 145). The Picture of Dorian Gray and The Importance of Being Ernest are both ingenious literary works by the witty Oscar Wilde. The lead roles Dorian Gray and Jack Worthing are the perfect examples of how the Victorian society was phony. Although one is tragic and the other comedic both works by Oscar Wilde offer a social comment on the hypocrisy of the Victorian Era. Through the protagonist’s superficiality, deception and consequence of living a double life such comments are presented. While their superficiality and ability to deceive people are quite similar their consequences for their actions differ a great deal.

In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.

Most people are taught from a young age what is right, and what is wrong. These teachings set up the basis for later discovering one’s personal values. In Oscar Wilde’s The Picture of Dorian Gray, these same principles are applied and challenged by Wilde. Not only does he question morality and human nature, but also the ideas of the Aesthetic movement- which influenced the ideals and behavior of Dorian Gray. Through Dorian’s morally ambiguous character, Wilde asserts that one is not purely good or evil, but a mixture of the two; Wilde establishes this theme when Dorian breaks up with Sibyl Vane, murders Basil Hallward, and stabs his decaying portrait.

The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.

In the book, The Picture Of Dorian Gray by Oscar Wilde, there is a character named Lord Henry Wotton. He is the story's antagonist and whom critics often think most resembles Oscar Wilde. Wilde remarks "Basil Hallward is what I think I am: Lord Henry what the world thinks of me: Dorian what I would like to be-in other ages perhaps." Within the preface of The Picture Of Dorian Gray, there lie the lines "Those who go beneath the symbol do so at their peril. Those who read the symbol do so at their own peril." From Wilde's statement, we can assume that there is a part of Wilde represented in each of the main characters, but how they represent him is up for the reader to decide.

   Oscar Wilde's novel, The Picture of Dorian Gray, explores the themes of influence, corruption and conscience. “The obvious influence of Lord Henry upon Dorian shows how one may corrupt another to such an extent that one's own conscience withers and dies”(Weintraub 116).

The Picture of Dorian Gray, by Oscar Wilde, is a novel about greed and ruin. Dorian Gray, received infinite youth from a portrait of him, which portrays all his sins and wrongdoings on itself, rather than his body. This freedom from morality leads Dorian Gray down a road of destruction until his sins are returned to him and he meets his end. Through a psychoanalytic Freudian lens, it is clear that Dorian Gray exhibits many of Sigmund Freud’s theories, including his theory of personality, the Oedipus complex, and the defense mechanisms.

What good does it do a man to gain the whole world yet forfiet his soul? None, perfection, the goal we all reach for, yet is it really attainable to become perfect without giving something in return, possibly your soul. This is a theme challenged in the novel The Picture of Dorian Gray by Oscar Wilde. We see the tragedy of a young beautiful Englishman, Dorian Gray, who becomes a vain sinner dedicated to pleasure. Dorian's inner secrets and weakness of mind becomes his downfall. In this novel Dorian Gray's apparent perfection is destroyed by his weakness of mind and naiiveness, which becomes the downfall of his soul as his mind is opened to sin and Hedonism by Lord Henry Wotton.

The Picture of Dorian Grey as a novel in the Victorian Era was shocking to readers of the time due to the open nature of topics like: sexuality, greed and corruption. A Freudian perspective of the characters: Basil, Lord Henry and Dorian can be seen as the Id, Ego and Super Ego. Basil is the Super Ego, he conforms to a certain extent and tries to make Dorian lead a moral life when it comes to desperate times of the loss of the 'real Dorian'; Lord Henry can be seen as the Id, the immoral character who tries to convince Dorian to submit to his natural urges and passions; Dorian is the Ego, one who in the beginning is in between the two and has a power struggle within as to how he should act as a character in the novel. In answering this question and exploring the conflicts shown in the novel one must look at the gender, identity and sexuality.

Within chapter 11 of The Picture of Dorian Gray, Oscar Wilde casts a momentary spotlight on darkness of solitude that Dorian feels due in part by the esoteric scars that haunt and weigh on his mind. In the first sentence of the last paragraph on page 121 Dorian clearly states “he was quite conscious” which emphasizes the clarity of Dorian’s mind. In elements of fog, haze, mist, or cloudiness Dorian seems to be morally and mentally clouded and tends to get himself into trouble. For example one of those four settings are present when he is in the opium den and has a runin with Syble’s brother or another is the night he killed Basil.

Every single book is essentially the same. However, every book is written in a different and unique way. When writing their books, each author borrows from other authors to make their book a masterpiece. Thomas Foster, author of How to Read Literature Like a Professor, explains in great detail the differences between books, but also their connections. Foster writes “There is only one story . . . Whenever anyone puts pen to paper or hands to keyboard . . . They all take from and in return give to the same story” (Foster 185-186). One book that is a part of Foster’s story is Oscar Wilde’s The Picture of Dorian Gray. In this essay, Thomas Foster’s methods regarding both symbolism and ¬¬¬¬heart disease from his book, How to Read Literature Like a Professor will be discussed and applied to one of Oscar Wilde’s novels. Throughout his novel, The Picture of Dorian Gray, Oscar Wilde uses the portrait of the young protagonist as a symbol of many things, one of them being a mirror. Wilde also uses Gray’s death to not only signify suicide, but his true unhappiness through the stabbing and thus killing of his own soul.

Oscar Wilde introduces his novel, The Picture of Dorian Gray, with a reflection on Art, the Artist, and the utility of both. After watchful investigation, he finishes up: "All art is quite useless". In other words, genuine Art takes no part in embellishing the social or moral constructs of the society, nor should it. Art ought to be lovely and give pleasure to its spectator. The masterpiece of an artist is very absurd and abstract no matter how clear it appears to the eyes. In the novel, The Picture of Dorian Gray, Wilde tries to show this aspect of artist and art.

Beauty and youth is a very fickle topic to most. It is highly desired and some go through somewhat unconventional means to achieve their version of beauty. But how far would one be willing to go? Even if one were to preserve their beauty for an extended period, how far would one be willing to go to prevent others from finding out their true selves? This is what Dorian Gray faces in “The Portrait of Dorian Gray.” Before seeing his portrait, Dorian was a young, pure, and beautiful boy who was very modest and would brush off the many compliments he received. But after taking in his beauty and realizing the fragility of it, he goes in a crazy rage, and wishes that the painting would be the one to grow old and ugly instead of him. His wish is granted and he is horrified as he watches himself decay through the painting. This causes a drastic change in his character and morals as he develops from an innocent boy into a sinful and wretched man.

In chapter 20 of The Picture of Dorian Gray by Oscar Wilde, Dorian reflects on his past crimes and wonders whether he will ever change and retrieve his innocence again. Throughout the final chapter of the novel, the elements of Gothic novel that Wilde explores conveys the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings highlight Dorian’s personal yearning of removing himself from his past.

In Oscar Wilde’s Popular nineteenth century novel, the Picture of Dorian Gray demonstrates the importance of the aesthetic movement in Victorian England. This suggests youth and physical attractiveness is emphasized and are valuable additions to society. Therefore, what matters to Dorian, is not the internal goodness an individual possesses but the appearance they present. Consequently, Dorian is able to forget the violent acts he commits as long as he appears beautiful on the outside. Since external beauty is valued, Wilde argues that people tend to lose their individualism and conform to society’s expectations. With this in mind, Dorian gray grows more corrupt, self-centered as he focuses more on the pleasure for himself as he becomes more vulnerable to his own misgivings. He loses his individualism, because he is conforming to society’s form of asethics. I agree with Wilde’s arguement about Dorian Gray, that individuals lose their sense of idenity when conforming to society’s influence, such as in today’s beauty standards portrayed on social media, racism described through facism, and LGBTQ rights violated by intolerant individuals. (too wordy)