The Fashion of Whiskers in Victorian England Essay

There were a variety of different hairstyles, particularly for girls. Boys copied clean-cut hairstyles of 1950s boy bands, however the Beatles changed that quickly. The Beatles influenced boys to grow their hair longer, wear thinner ties and wear tighter pants, creating the look that became known as 'the mod'. Girls, however had different hairstyles including short hair, styles like lacquered hair effects and the up-do known as the beehive. The beehive originated in America during 1958 and became popular in Australia after a few years.

The main thesis of Borel’s (1994) essay is that there is “an unfathomably deep and universal tendency pushes families, clans, and tribes to rapidly modify a person’s physical appearance.” There is also another underlying meaning that further amplifies why a person’s genuine physical makeup, one’s given anatomy, is always felt to be unacceptable and that “the body only speaks if it is dressed in artifice.” (Borel, 1994). Borel’s main purpose of writing her essay was to inform, persuade and entertain her audience about the history of body

Another new concept the flappers shocked the world with was short, bobbed hair. Long hair represented elegance and respect, but “flappers had no time for elaborate hairdos” (Fashion . . . through the Ages 1). Many of them would wear their hair in small waves called “marcels,” named after the man who invented them, Marcel Greateau. Sometimes they would pin the hair back with another new invention called a bobby pin, which is still in use today. The shorter hair added to the “boyish look” that the flappers wanted. They would also wear newsboy caps and bras that made their chests look smaller, because big chests were considered ladylike. The flappers liked to believe that they were the complete opposite of ladylike. The center of attention was the desired goal.

One hairstyle, known simply as “the bob,” would be at the center of this great debate. First introduced during the Great War, the bob haircut would eventually cause a revolution in the way women would wear the bob forevermore. It all started in 1915 with the introduction of the Castle Bob, named after the acclaimed ballroom dancer Irene Castle. While cutting her hair for convenience, little would she know that she would forever be linked with triggering a revolution in 20th-century hair fashion. The Castle Bob would be the first indication of the rage of short hair. The bob haircut was simply a hair cut leveling with the bottom of the ears all around the head. It was worn either with bangs or with the hair brushed off the side of the forehead. It was a simple look but an oppressive departure from the long feminine looks created by Gibson and Marcel. http://www.hairarchives.com/private/1920s.htm

In this essay I want to examine how the corset evolved from a staple of the British feminine wardrobe of the Nineteenth Century into a symbol of an outmoded tradition – only to later return as a statement of female liberation. I am going to look at different aspects of this development including technological advances, economic facts, external events, particularly the First World War and changes in social, political and aesthetic attitudes. I will also look briefly at the role of Chanel on the silhouette and how this impacted on the corset: focusing on the trend to towards ‘opulent androgyny’ in the 1920’s. Finally I will examine the resurgence of the corset

In the 1920's, women's fashion experienced an enormous change, the Bob haircut was the newest fad, makeup was no longer simple and basic, and dresses were not the traditional length. The Bob haircut was a blunt cut, it was a simple look, but a drastic departure from the long feminine look (Warner). This was an exciting fad for women, because they were displaying that they can be like men, and they are equal to them as well. Due to the imbalance of the ratio between men and women, the women had to compete for the fewer men's attention, making the 1920's makeup more desirable (Jessop). The fad of making was exciting for Canadian women, because they began to explore makeup its self and develop new products and techniques. Dresses became short, showing off women's legs (1920's). By 1926, dresses reached their shortest length, reaching no further than the knees (1920's). This event was very exciting for

Hairstyles for the period 1750-1900 cover the Georgian era, Regency, and Romantic period hairstyles, as well as Victorian and Edwardian period hairstyles. These Era’s note not only hairstyles on men, women, and children, but also wigs and hats as part of the hairstyles of those times. When plays began being performed, even from Shakespearean times, there were never props, backdrops, or other decorations to show the audience where the play was taking place; the only visual concept was through costumes that helped the audience understand what type of stature the character had, what nationality and religion they were, and even the kind of personality they revealed. Various elements were highlighted via costumes, to include make- up, wigs, shoes, and accessories. Typically, costumes reflected what was fashionable at that time including hairstyles. Interestingly, there have been cases where theatre costumes had an effect on what people wore. Period hairstyles helped depict various times in history and wigs often help display the hairstyles of past eras for theatrical productions.

With a fury I had been scrolling through google, tumblr, and youtube, reveling in the feminine faces that had hair closely cropped to their scalp. Some had bangs. Some didn’t. Some were even shaved. I still ache for something like that-something edgy and out there. Something different. I begged my parents, arguing and becoming angry, defending my

In 1914 till 1918, the years of the war, factory work was being done by women in order to help produce for the war. This meant that caps were worn due to the factories being dirty and it provided the hair with some protection. The

Women who considered themselves Flappers were rebelling against the status quo, so they cut their hair in snappy little bobs, exaggerated

The Mullet hair design focuses on having the lower area of the back of the head having hair that is longer than the hair on the remainder of the head. The Mullet hair design is informally described as company in the front, celebration in the back, and the Mullet ended up being hugely popular in the '80s with the development of rock & roll into the mainstream.

Too many accidents were occuring. Women were encouraged to cut their hair short to reduce the risk of being injured in general or could be worse at work. Those in the armed services had rules to follow and terms to agree on which involved their hair to be off the collar while on duty and a hat that was mandatory was part of the uniform to be worn. Hair was cut with a rounded U-shape at the back still involving the waves and curls curving up towards the ears and majority of the haircuts had alot of layers which we see mow a days. If there was a parting done then the hair was generally parted to one side. The shape of a roll could be helped with backcombing and gel or hairspray and everything would be held in places with

Women's fashion had undergone many characteristic modifications prior to 1750 and more so into the eighteenth century. Fashion trends were being set in the Old World, from France to England, and Colonial women were all too painfully aware of the need to adapt towards a sophisticated and up-to-date appearance.

During this time men wore their shirts, tight, pants wide and facial hair like moustaches and beards

Another area in which women made changes was with their appearance. Women used their attire and style to show an independence, a certain freedom in which they alone had control. Starting with the “Gibson Girl”, women dressed in long, slim dresses, freeing themselves of the poufy petticoats of yore. Women started wearing shorter dresses and shorter hairstyles, leading to “Flapper Jane”. “Women started wearing “less” clothing, shorter dresses, cutting off their hair, and just being more “sensual” than normal”, (Bliven, 1925).