The Fate Of The Furious

The set consisted of separate panels made to look like the walls of a subway station, as well as stairs on either end of the stage and benches for the characters to sit on. There was an immense amount of detail in it, with the walls graffitied onto as if it were actually part of a subway. The costumes were reflective of the characters’ backgrounds. For example, the lawyer, the businessman and woman, and the professor all wore suits, as to indicate their professionalism. On the other hand, the homeless girl wore dirty clothing, reflecting her state before her death. The lighting in the play helped create the atmosphere of being in a subway underground. It came from different parts of the set, including the sides, with some of the lights being different colors, which gave it some variety. As a whole, sound was not particularly prominent in the production. At the beginning and the end, there is the sound of a train, as to indicate its departure and arrival. Additionally, there was also a sound queue with the conductor calling out, but it was barely audible due to a technical error. No special effects were implemented in the

Having projectors placed all around Wright-Curtis was a genius idea, allowing the photos that were projected to be seen by all. The decisions made for lighting were new and surprising. When Irena goes through the mass shooting of the Jews by the Nazi’s the stage was flooded with a brilliant shade of red. Another example of the outstanding lighting was when Major Rugemer and Irena were talking quietly, was the soft yellow spot light that washed over them. The use of dark lighting in scenes that took place in the cellar was innovative, the actors were still well lit while being shrouded with darkness. Not only was the use of different lighting styles amazing, the props were too. The crates, as mentioned earlier, actually opened and held clothes, an iron, and other sewing materials for the use of the Jews and Irena when they still managed to work in the factory production line. Brought in later to the play were intricate glasses used to serve Major Rugemer and Sturmbannfurer Rokita ‘alcohol’. The guns used were scarily real, especially when Major Rugemer, acted by Stehpen Paul Cramer, held it up to Irena’s head upon finding out she was housing Jews directly under his nose. The guns looked authentic, which with the audience as close as it was may have been very difficult to

There are links in the description of the room by Offred to what is going on with Atwood's use of literary devices, such as the white carpet representing purity and the 'sprigged curtains' and 'skirted dressing table' being a representative of

The room is “shrouded”(dead people are often shrouded in a sheet) in black velvet and is decorated with black decorations>>> black is often used to symbolize death

Often music is consisted not only by sounds made from musical instruments, but also by voice and verbal messages. The structure of the voice, or as Roland Barthes describes it ‘the grain of voice’ is the element in a certain piece of music which is responsible for creating the emotions when listening. The grain and the lyrics make the signified and carry out the message. The vocal part of music is formed of words, text, which communicate and make the representation and expression of what it is sung - talked about. According to Barthes the emotive modes of the voice and the changes of the tones from low to high is what delivers the final message and makes us feel the music. (Barthes, R. 1977 [1972]).

music used by the brothers help to make this picture as revered as it is. The different genre's of music used

There was a relaxing feeling coming from the room. The colors were pretty mellow such as the cream-colored walls. Although the room gave off this aura, there was a very elegant tea set in the middle of the room. The wall contained a fireplace while the corner of the room contained a combination of both a bookshelf and a desk. The desk had a pair of golden glasses that belonged to one of the men who lived in the home (I can’t recall exactly who they belonged to). Aside from these things, the room also contained what looked like a very comfortable couch. The guide stated that all of the pieces in the house aside from one fireplace and most of the replicated sales pieces in the General Store.

This music is not useful as background music. It cannot be used in the same way the 30 years worth of Miles’ previous music can be used. It demands attentiveness. It is militant and arrogant. It is sometimes more a display of audacity and an assertion of absolute independence then a lovely palette to summon dreams. The dream is over. All the romantic ballads and pleasurable entertainment is history. With this sound he describes a new reality for which he invents a

Die Hard, a film directed by John McTiernan, successfully utilized several aesthetics, which offered viewers various meanings throughout the duration of the film. Although the diverse meanings grasped by viewers may differ, it was clear to me that McTiernan effectively applied elements of cinematography and mise-en-scene that resulted in viewers being allowed to interpret a range of different meanings or functions of the elements.

The tall structure somewhat helped with the noise coming from outside but the people inside of the theatre would still cause a problem with noise because they would not always keep quiet. To help the situation, it is recorded by historians that costumes and mask were worn on stage by the actors to show the different persons on stage for those who were watching but could not hear but this method would have allowed them to see and to still react to it, the different symbols that they represented were decided on as

I agree with people who say movies aren’t based on real life experience, but I am pretty sure producers have specific messages to tell their audience. Movies might be long and time taking, but when there is free time to spend why not lay back and watch a good movie? Today I will be reviewing one of my favorite movies of all time, Tokyo Drift.

Action-packed and highly-rated, Mad Max: Fury Road is a critically-acclaimed film about a journey of survival through a post-apocalyptic wasteland. There is no doubt that post-apocalyptic films are becoming increasingly popular among audiences as seen with movies such as the Hunger Games. However, Leggatt (2012) describes another variation in the post-apocalyptic genre, one that has been dubbed post-9/11 after a string of patterns prevalent in some post-apocalyptic films. Leggatt’s definition of post-9/11 apocalyptic films are ones that have a pessimistic tone towards the future of a society. As the world evolves and progresses, many new issues overlap and outgrow previous issues that have plagued the world before - though this transgression, the film industry follows suit in order to invent stories and media that is thought-provoking and relevant to changing society. Mad Max: Fury Road (2015) is a film that encapsulates many elements of Leggatt’s post 9/11 apocalypse film genre through the apocalyptic setting, derailment of redemption, and societal obsession with apocalypse over utopia.

There is an increasing mutual exchange as the synthetic and the human-made equally invades what we once thought of as natural. In electronic music, the human element that people input in their work is crucial to say the least. People provide the unpredictable pieces in their work to make it stand out from the rest. Most robotic or technologic generated music often is in the form of a pattern. Without human interface, electronic music, for the most part, is predictable. When electronic music is played without the human element, a sense of something that is missing usually occurs. Today, technological advances allow electronics to replace most of the human interactions. Now technology can mimic the sounds of non-electronic instruments. Instruments such as the flute, violin, and guitar are just some of these mimicked sounds that could be replaced. In this “genre” the human body is often held as a relatable tool. The audience notices the human element and realizes that they can create such works as well. Electronic music to some may feel that it is missing the human component in the normalized concept of seeing the artist. However, when developing the art itself, electronic music, whether it be in live performances, editing the material, or commercializing the music for use, the human element is still very prominent. The human component is implicated in music directly or indirectly.

A 2011 American Action Film directed by Justin Lin. The movie was written by Chris Morgan. The movie is the 5th film for The Fast and Furious Series. It was first released in Australia on April 20, 2011 and then later released in the United States on April 29, 2011. Cinematography for the movie was put together by Stephen F. Winden. The film was distributed by Universal Pictures.

The center of the room is what draws your attention. It leaves your mouth open in amazement. The long rectangle table is made of strong mahogany solid wood, trimmed in a thin layer of gold. The top of the table is filled with brownish marble. The long back and tall legged chairs are also made of mahogany wood. The cushion on the chairs are soft like down alternative pillows. The square crystal clear dinner plate, trimmed in platinum, sit in front of the 30 chairs that surround the table. A fresh mixed green centerpiece is in the center of the