The Fear Of Zombies By Franklin D. Roosevelt

Busy Wife’s Achievements is an article that was published in Life Magazine in 1956. The article describes the life of Marjorie Sutton, who was a mother, civic worker, and housewife. The article describes the lavish lifestyle that Sutton and her family shared. The Black Silence of Fear is an article that was written by William O. Douglas in 1952. The article describes Douglas’ beliefs regarding the heightened fear of communism. Douglas believed that the heightened fear drove people to distrust one another and it led people to silence their opinions instead of debating and communicating with fellow Americans on their present concerns. The Truman Doctrine by Harry S. Truman was written in 1947 and is a document in which Truman describes typical life in undemocratic nations and why he believed that the United States should provide support for countries in need. The Affluent Society was written by John Kenneth Galbraith in 1958. In the essay, the difference between the poorer classes and the middle-class in America, in the nineteen-fifties is defined. The middle class had rising retail sales, rising amounts of privately produced goods and rising personal incomes; the poorer class’ life was quite the opposite. The essay also describes why Americans ignored poverty and how they were able to be oblivious to beggars and poverty stricken people. The Feminine Mystique was written in 1963 by Betty Friedan. This essay describes the feminine mystique, which is the false idea that a woman

During World War II, the Jewish race was one of the most persecuted of all the minorities harassed by Hitler and the Third Reich, and a day to day basis, Jews across Europe lived in constant fear, wondering if today would be their last. Especially in cities close to the expanding Nazi empire, there was no telling when their last breath would come. In the memoir, the closely knitted town of Sighet is controlled by the Germans, leaving anyone of Jewish descent to obey their commands in total fear of their personal safety. Elie Wiesel describes this genuine fear when he wakes up a close friend of his father, “‘Get up sir, get up!...You're going to be expelled from here tomorrow with your whole family, and all the rest of the Jews…’ Still half asleep he stared at me with terror-stricken eyes.”

Watching frightening films such as “It,” Stephen King’s masterpiece, which is engrossing its monumental audience, is a favorite pastime of many young people. This industry is vast and creates a large amount of wealth for many of the people behind it. However, parents should diligently research these films’ psychological effects on minors before allowing their children to engage in this form of entertainment. After all, “‘Given that very young children may not yet know what types of stimuli frighten them most, nor do they enjoy the power to choose which media the family will view, they are in special need of protection from exposure to such scary stimuli before coping strategies are necessary’” (“Scary”). This shows that parents must carefully consider the content they allow their children to see. People watch horror movies for myriad reasons, as shown in Stephen King’s essay “Why We Crave Horror Movies,” and watching these films have both positive and negative effects that parents should be aware of, which are displayed in Stephen King’s essay “Why We Crave Horror Movies” and in the USA Today article “Scary Movies and TV Programs Have Long-Lasting Effects.”

In human nature there exists a morbid desire to explore the darker realms of life. As sensitive beings we make every effort to deny our curiosity in the things that frighten us, and will calmly reassure our children that there aren't any creatures under their beds each night, but deep down we secretly thrive on that cool rush of fear. Despite our efforts to maintain a balance of respectable emotions, we are a society of people who slow down to look at traffic accidents and find excitement in the macabre. We turn off the lights when watching scary movies, and when it's time to go to bed, we secretly make sure the closet doors are shut. Fear keeps our hearts pumping and endorphins rushing, for it is an emotion that reminds us of our

Being in scary situations, “ can be a real self-esteem boost”(92). For example, if you are in a scary maze and feel you can not get through it but do, it gives a self appreciation. Individuals can get, “high from the flight-or-flight response,”(91) which shapes individuals to be more alert and stronger. Julio Cortazar’s short story, “House Taken Over,” helps secure individual's safety by having a normal house. The narrator and the sister, Irene, live in a house together unmarried and have a family business farming. The siblings hear voices coming from the back of the house. The narrator talks to Irene saying, “I had to shut the door to the passage. They’ve taken over the back part”(40). Even though they are scared they still continue living in the house. This meaning it is obvious it is just their imagination. In the night time, it is hard for them to sleep because of the noises, but in the day they act as if there is no “they.” The setting in this story contributes to transformation by having a normal house changed by an imagination of voices.

The fear creeping up my skin as goosebumps begin to appear with the first steps into a haunted house filled with monsters, screams, and darkness. The weird smells and sounds and occasional air blasts lead to a rush or adrenaline, which create a dreadful sensation. The idea of having someone creep up behind me causes my spine to tingle and the hairs on my neck to rise. Fear is an inevitable emotion that comes in various forms whether it be monsters, Gothic elements, or transformations within stories. Through the three short stories, the readers are introduced to the effects that the transformations in the mood, characters, and setting have on the tension and build of fear in the readers.

Asma states, "Monsters can stand as symbols of human vulnerability and crisis, and as such they play imaginative foils for thinking about our own responses to menace.” This means that human weaknesses and fears are represented through monstrous figures, and these fictional situations provide perspective into how we react in fearful environments. In our current society we fear many things, including but not limited to failed or corrupt governmental systems, the afterlife, the unknown, and captivity, which makes this claim valid. Although we may not realize it, these fears are embodied by the horror monsters we see in popular culture. Society shares common fears, and often times the most prevailing fear is reflected in the most popular characters at any given time. Monsters are the fictional representations of society’s dark subconscious, exploring not only why the author’s statement is accurate but what we actually fear.

Have you ever wondered why you enjoy being scared? In Allegra Ringo’s interview, “Why do some brains enjoy fear?”, with Dr. Kerr, a scare specialist, he states that many enjoy being scared because the brain triggers “a flood” of adrenaline, dopamine, and endorphins. To enjoy the feeling of being terrified, our brains have to process that we are in a safe space. Scary movies, stories, roller coasters, and haunted houses all create a breathtaking response to fear. These experiences we have with fear are said to create self-confidence, relieve stress, and even bring us together. Americans spend over 7.5 billion dollars on Halloween activities and costumes. Dr. Kerr states in the interview, that people love Halloween so much because it constructs a strong emotional response and build stronger memories. Dr. Kerr also says that when we are happy, or afraid we release hormones that help those moments “stick” in our brain. We all love a good scare! “The Raven”, by Edgar Allen Poe, and “Beware: do not read this poem”, by Ishmael Reed both analyze the allure of fear through symbolism and descriptive imagery, which is a part of gothic literature. Both Poe and Reed signifies their themes differently but both themes allude to the fascination of fear.

“What if contemporary people are less interested in seeing depictions of their unconscious fears and more attracted to allegories of how their day-to-day existence feels?” (Klosterman 1).

It seems a simple task to create the potential of fear. People have grown to fear mainly similar things and ultimately anything that endangers the innocent part of human kind. Sadly, there is only a slight hint of true innocence that exists in us as humans. How come fear intrueges us, it is not the knowing of its unrealness, because for a moment there, it seems real. Therefore it is an art, how can one be freigthened and fascinated in its most beautiful way. How is it conjured, not just the fear of actual danger, but the art of darkness.

One way authors plant fear in your brain is by transforming something we already know and love into something frightening. One example of this is in the short story “Windigo” by Louise Erdrich. Over the course of the story, the windigo takes an innocent little kid and turns them into a monster. The author introduces an inculpable child, even calling them “little one”. She then takes the kid and transforms them into a monster, a windigo. Following that, she even goes so far as to bring the child home. Home. As a monster. To haunt her own village. It says, “...I carried you home,” and that is when the fear she planted at the beginning really starts to take root. This transformation is a great illustration of an author transforming something you know and love, in

This fear stems from being a bunch of innocent boys stranded in the heat of war on an island in the middle of the Pacific. At first there is no fear if anything there is joy; “there is an air of adventure and even celebration at their newfound freedom from grownups.” (Document A) But as night slowly descends over day their fears grip them. At first these fears are simple nightmares or ideas that make no sense, but over time their fears are exerted onto the island.

People nowadays love being scared in any way, shape or form. Wether it would be ranged from going to an amusement park to a haunted house. In the article King states, “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie, we are daring the nightmare. To show that we can, that we are not afraid, that we can ride this roller coaster”. In the article King compares horror films to roller coasters, to show that they are similar. They both have their element of surprise, you never know what is coming till it happens. Everyone loves the adrenaline rush they get when they get scared. It leaves them wanting more of what they are getting. Today the most popular type of films are horror, there is always that hype over the new horror film that will be coming out. No matter what the circumstances are, these things are done to

”the sound of stealthy flight” (10) shows that a child’s fear is overpowering, deepening our understanding of the amount of attention that the author pays to each sound that others would often disregard.

Fear is deeply embedded in the human genome as a defense mechanism. It is so old it is coded into the oldest part of the human nervous system. Throughout history, fear has been used to manipulate whole populations into starting wars and revolts, and perpetrating genocide and discrimination. Never has that been more true than in Adolf Hitler’s Germany, and his rise led to the deadliest conflict in human history, World War II. His consolidation of power and control over the people of Germany can be attributed to using fear as a weapon of manipulation. In the Garden of Beasts by Erik Larson, follows the first American ambassador into this dystopia, and the fear he experiences while there. Erik Larson chose to set In The Garden of Beasts in