The Fears Of Fear In The Movie 'White Zombie'

The article “Dead man still walking: Explaining the zombie renaissance” by Kyle Bishop is about the revitalization of the zombie genre. The article talks about the inception in the late 1960’s, the category of zombie films has had its roller coaster ride of ups and downs, starting with its decline in the early 1980’s with the release of Michael Jackson’s “Thriller” video. Furthermore, during 1990’s, due to the shift in the cultural consciousness that came with the Clinton Administration and the countries isolation from global tragedies, the popularity of these films continued to decline. Cultural consciousness refers to the understanding and awareness a shift in feelings, sensations, thoughts, of not only our own culture, but adjoining cultures.

My grandma once told me, “If you stay up too late at night, the boogeyman will get you”. I never believed her but I knew I wouldn’t want to see the Boogeyman if he actually existed. Most people would actually want to watch these horrible beings. In this case, they would want to view a horror movie such as “Friday the 13” or “Nightmare on Elm Street”. It is part of our Human Condition to be attracted to the films and asking for more. Stephen King’s claims in “Why we crave horror” asserts us that humans crave horror to face our fears, to re-establish our feelings of normalcy, and to experience a peculiar sort of fun.

In 1929, the American stock market crashed. The economy was crushed, leaving millions of Americans hopeless, scared, and vulnerable. The Great Depression had a huge impact on the culture at the time. The fears they faced were usually portrayed through literature, art and movies during that time period. In the 1932 film White Zombie, Halperin uses the metaphor of a monster to show how our biggest fears come from the actions others are capable of.

She allows the reader to truly imagine themselves in a zombie apocalypse by using description and comparison. “If you work in the many white-collar fields that have suffered in this recession, zombies are the perfect representation of the fiscal horror show” (Bosch, 651). Any reader that works in the white-collar fields, or knows anyone that does, can relate to what Bosch is saying because she used a vivid description and a comparison in one sentence. Readers will read this line and imagine their work chaos during the recession and immediately visualize zombies taking over the world and the madness that goes along with that. “There was a recession. It was a time of unemployment – of white-collar employment…” (Warner, 197). She also uses another type of figurative language: a metaphor. When she talks about the reality of zombie television shows and movies, she used a metaphor to compare modern day zombies to unicorns. “[n]o longer are zombies the beloved genre of the lonely, virgin teenage male, the macabre flipside of the girls’ obsession with unicorns” (Bosch, 651). She uses this metaphor to enhance the reader’s reading experience with humor but also by allowing the reader to understand how modern day zombie television shows and movies are looked upon. It is no longer for guts and gore but for fondness of shows and

Reading through the whole essay, there are many appealing strategies found in order to strengthen the essay academically. Brooks attracts the audience with a pathos-style strategy, giving specific movie examples to straighten up the essay. The movie Night of the Living Dead resonates the viewers with an image of a flesh-eating and harmful zombie figure instead of a harmless voodoo-created zombie, which makes the notion of zombies transformed into a horrifying figure, provoking the sense of fear of audience with emotional appeal. The revolutionary creation of zombie film was led by George A. Romero, the father of the entirely new horror genre. In his work, zombies are characterized as a form of undead

Arthur Miller wrote “The Crucible” in 1952 and about forty years later explained his purpose in an article titled “Why I Wrote the Crucible.” Miller expresses some of the emotions he went through as his book gained popularity saying, “I remember those years...but I have lost the dead weight of the fear I had then. Fear doesn't travel well; just as it can warp judgment, its absence can diminish memory's truth.” At first, he refers to fear as dead weight as if it was useless but still pulling him down but then he explains the importance of fear. He claimed that fear can warp our judgement which seems realistic because when people are in a situation the causes fear they are known to take out of the ordinary action. Miller also suggests that fear is a crucial part of our memory and without fear our memories can fade and the truth of the issue as well. Miller was likely fearful of the

The foundation of horror genre was set by monsters that not only haunted your dreams but also conveyed rich themes found deep beneath the surface. Vampires are considered a symbol of seduction and sophistication while Frankenstein monsters represent misunderstanding, oppression, and rebellion. Some of the strongest symbolism is found in standard films of the horror genre does not come from the frequently updated relics. Utilizing fear and horror as mechanisms for subtext, social commentary, and symbolism, George Romero created a new horror genre, one that scares and shines just as much as great horror classics. Romero’s Night of the Living Dead revolutionized the once stagnant zombie film and made into something unstoppable, still to this day zombie movies rake in millions of ticket sales at the box office while remaining culturally relevant.

Obviously, to not believe in what Christ’s taught and fought against, inevitably becomes the same thing as not believing in Him.

When many Americans look back on the Salem Witch Trials, they wonder how it could have happened; they don’t realize that they are currently living in the midst of a modern day witch hunt - this time with a different targeted group: Muslim Americans. In the years since 9/11 occurred, Americans have become obsessed with terrorism and looked for people to blame these terrible attacks on. However, it has been within the past nine months or so that hysteria has hit a fever pitch. Leading up to the 2016 election and following the appointment of President Donald Trump, terrorism and national defense have become topics of intense interest across the nation. Although not supported by many Americans, a hunt for terrorists in the country began, with Muslim Americans being the first to be targeted. Arthur Miller’s The Crucible reveals how fear can make a group of people act in irrational and misguided ways, a lesson that is extremely applicable today in how Muslim

When analyzing this piece of writing it is clear that the purpose is not to entertain or persuade. The purpose, instead, is to inform and give a new perspective on zombie movies in a simple way that an audience of all ages can understand. In Andrew Cooper and Brandy Blake’s, “George Romero Zombie Films: A Plague of Meaning,” the authors walk the reader through how as time changed zombie movies changed with it. The authors further explain how zombies in many movies represent the time and culture. The writers inform the reader through their use of information from past zombie movies and analysis of the events of the times they were made.

There has been a resurgence of zombie films in the last decade, ranging from Danny Boyles 28 Days Later to Paul W.S. Andersons Resident Evil. This renaissance of zombie cinema has resurfaced in response to the cultural, political, and social volatility experienced in today’s society, much like its predecessors. A zombie film, unlike other monster movies, plays more with the real-world fears and anxieties, presenting the audience with inescapable realities. However, to understand why this subgenre has been brought back into the mainstream cinema, a comparison is needed across generations of film. This paper will focus on the comparison between George A. Romero’s Night of the Living Dead and Danny Boyles 28 Days Later; in an attempt to show how zombie cinema is a reaction to cultural shocks.

Rodney Clapp, writer, editor for Wipf and Stock Publishers and expert in topics such as theology and culture, in the article, “Attack of the Zombies”, argues that many things in life are beginning to resemble zombies. Clapp assumes that the audience also views zombies as lifeless creatures that go around spreading their disease. The author’s purpose is to persuade the audience to believe that many things they see today are starting to resemble zombies. The author writes in a challenging tone for people who question the similarity of zombies to every day life. Clapp supports his argument by comparing and contrasting, and exemplification.

In the “Night of the Living Dead”, it illustrates the year on which it's based pretty accurately in some ways, but not so accurately in others. In one case where the motion picture portrays 1969 accurately is when they said the cause of the dead rising was revealed as high-level radiation from a space probe, but you could compare that radiation to what nuclear fallout could be due to the cold war looming with the Russians. It also depicted how gruesome the Vietnam war was, like the blood, guts and how relentlessness the zombies were compared to the Viet-Kong. The way the movie depicted 1969 inaccurately was that there wouldn't be a black man in charge of a household of white men and women. That would be due to the reason that black people back then barely had any rights at all and weren't even seen as human due to racial discrimination. Also, movies during this time barely showed any skin on women, but you could clearly see in the movie that some women zombies were completely naked which was extremely unusual for 1969. In this movie, it puts in a lot of diversity that was very uncommon at this time, but it also broke the ice for future leadership roles to be African Americans.

A major contributing factor to this great change is the fear and uncertainty that is instilled by the zombies. I believe that Brooks defined fear through people’s reactions to the outbreak. He explains how fear is the most basic emotion and how fear is the reasoning to perform an act. In one of his stories, he writes, “fear is the most valuable commodity in the universe” (Brooks). This is true because we buy products and services based on the fear of not having those products and the results of not having that commodity.

Fear is something every single human being has at some point in their life. When you are in dangerous, threatening, or scary situations, fear is what your body will feel. It is the ability to identify danger and make a choice to either confront that fear or flee from the situation like for example, if you were to break a vase, you would hide from your parents. That choice is completely up to the victim, and depends on the person. Although fear is handled differently by every person, it is a common emotion that everyone feels. Some seek out to overcome their fears, and seek the feeling of adrenaline they get from overcoming. Others flee the situation and don't think twice about trying to overcome their fear. In worst case scenarios people freeze