The Female Characters Of Women And Prejudice

The novel “Pride and Prejudice” by Jane Austen depicts a social structure in which there are clear gender expectations. These gender expectations control and restrict the lives of both genders, most notably women. In. Austen’s world, women have few opportunities to support themselves, and have high expectations attributed to them. Men were held to similar standards. Upper and middle class men were expected to add to their families’ wealth, be charming, and eventually marry. Deviation from these spoken and unspoken rules, such as Lydia and Wickham’s elopement, would result in becoming a social pariah. In “Pride and Prejudice”, the characters of Elizabeth Bennet, her sister Lydia, and Mr. Darcy challenge the aforementioned gender roles put in

Angela Carter’s ‘The Bloody Chamber’ attempts to change this ideal by re-establishing the feminine narrative through her story. Although the view of female as a commodity is far older than psychoanalysis, psychoanalytic theory has consistently re-enforced the ideals of women as objects and of a lower status than men (Loftus). In ‘The Bloody Chamber’ Carter works to discredit the concept of the female as a commodity. When reflecting on the Marquis’ previous wives, the narrator of ‘The Bloody Chamber’ references the portrait model saying “her face was common property” (pg. 5). From the surface, this is an allusion to the fact that she allowed herself to be painted,

Jane Austen’s Pride and Prejudice was first published in 1813(Gary vii) a time when women had “few legal and economic rights or even receiving little respect, women can be seen as oppressed victims of a patriarchal society, subordinate first to their fathers and, then, to their husbands who had, of course, been selected by their fathers” (Swords, 76-82). At first glance one might think that Pride and Prejudice reinforces sexist stereotypes, however upon further examination of Jane Austen and her heroine Elizabeth it is clear that Pride and Prejudice in fact erodes the sexist stereotypes of women.

“Pride and Prejudice”, a novel written by Jane Austen represents eighteenth century English women as illogical, domestic individuals who economically depend on male members in their household. Major decisions in their life are decided by their fathers and brothers. They perform subordinate roles, and are considered inferior to men. This novel reinforces the sexist stereotypes of women.The female characters in the novel possess these virtues in varying degrees depending on their role. Marriage is considered essential to secure a woman’s future ,they are expected to behave in a certain manner to earn the respect of the society, and are treated unfairly by the social and justice

In a powerful experiment we were able to see through the eyes of a kindergarten children prejudice dynamics. In a famous experience by Jane Elliot she separated her class between blue-eyed and brown-eyed students. Professor Elliot had separated her students by making one eye group inferior to the other making them have certain benefits and better treatment than the other group of students. Eventually, the students were switched the following day. This experiment have showed this group of kindergarten students how colors and discrimination affected the minority population. After this successful experiment with the kindergarten student’s professor Jane Elliot had done many other experiments using adults using the a similar technique blue-eyed

The male gaze is a penetrating force every woman has dealt with in her life. It is normalized in our society as a whole, despite the fact that it involuntarily violates women and leaves them vulnerable. Victorian society was no exception to this unfortunate constraint upon women. As such, Thomas Hardy deconstructs the destructive male gaze through the heroine of Far From the Madding Crowd, Bathsheba Everdene, and her unique command of her love life. Moreover, in doing so, he creates a self-directed woman who does not need a man’s aid to find happiness. She may not be the perfect female character, but she knows what she wants from life and she is ready to take it.

In "A Woman's Beauty: Put-down or Power Source," Susan Sontag portrays how a woman's beauty has been degraded while being called beautiful and how that conceives their true identity as it seems to portray innocence and honesty while hiding the ugliness of the truth. Over the years, women have being classified as the gentler sex and regarded as the fairer gender. Sontag uses narrative structure to express the conventional attitude, which defines beauty as a concept applied today only to women and their outward appearance. She accomplishes this by using the technique of contrast to distinguish the beauty between men and women and establishing a variation in her essay, by using effective language.

The Victorian Era was known for its propriety, and for its social standards that could be as strict as the caste system in India. Citizens in England of low social regard faced many prejudices and limitations that could be almost insurmountable to overcome. Much like the caste system, people considered to be the dregs of society were often alienated and had little room for opportunity. In Charlotte Bronte’s novel Jane Eyre, the main character, Jane, suffers social prejudice because she is a simple governess, revealing much about the social stigmas about the working class during the Victorian Era. Jane’s social status limits her not only from being with the one she loves, but also hinders her endeavor to achieve true autonomy.

An expecting couple awaits to discover the gender of their baby. The nurse announces that it’s a girl. The couple is extremely excited, but do they truly grasp the weight of what this implies? Gender is not simply a physical trait, as it affects nearly every aspect of a person’s life. Stereotypes repress the potential in all men and women. The same stereotypes are found throughout literature such as Medea by Euripides, Chaucer’s “The Wife of Bath’s Tale”, “Sonnets” by Shakespeare, “The Yellow Wallpaper” by Charlotte Perkins Gilman, and Frederick Waterman’s “The Best Man Wins”. A common thread between these pieces is that power can be gained by those who are suppressed by defying gender stereotypes and social hierarchies.

Hall once complained that “It’s not often you get female characters who don’t fit into a box.” What Hall means is that there is so many books that have a stereotypical woman who fit into a stereotype of what a woman “should” be. Being a stereotypical woman character, would require them to not have problems and to not at any moment have unhappy emotions. They would have to be able to fit into the perfect image of a woman box, to be under this stereotype. The woman in The Scarlet Pimpernel aren’t stereotypical woman who “fit into a box,” they have actual emotions, real life problems and they make their own decisions even if that’s what people don’t expect.

This passage out of Lady Audley’s Secret by Mary Elizabeth Braddon does an excellent job of narrating the role of gender in the domestic realm-a major theme throughout the entire novel. A good deal of the Victorian gender stereotypes is emphasized. Lady Audley for example, has an outward appearance that reaches the peaks of traditional femininity that seems to make men fall at her feet. However, several of the actions she commits throughout the novel- such as attempted murder and arson- are traits that are expected out of men and have no place in the character of a classic Victorian woman. Lady Audley is secretive, cunning, and quick; this much we have already learned from Robert Audley. Her next attempt to cover up her actions (by sending

Beauty has been a word that people use to described objects, things and most important people. Beauty can be defined in so many ways. The play “Beauty” written by Jane Martin has more than just one meaning. The author uses beauty to be her main objective that makes almost every situation in the play revolve around “beauty.” Being that beauty is considered something almost all women want and it can lead to devastation when you get greedy and envious about it, as it did to both Carla and Bethany.

In Jane Austen “Love and Friendship” she illustrates the gender disparity of power and rebellion. The Romantics feature prominently the ideals of rebellion and revolution. In William Wordsworth essay “Preface to Lyrical Ballads” he describes the poet “He is a man speaking to men: a man, it is true, endued with more lively sensibility, more enthusiasm and tenderness, who has a greater knowledge of human nature, and a more comprehensive soul, than are supposed to be common among mankind” (pg 299) However, Jane Austen uses parody and satire as a way to show the sexism behind the Romanticism particularly the sensibility novels. That the portrayals of rebellion in “Love and Friendship” were just as important as our heroines pursuit for love and friendship. “Love and Friendship” is a perfect parody of sentimental genre and shows the sexism in England at the time and how the exaggeration of the middle-upper class characters to show how ridiculous the depictions of women are fiction at the time.

Living almost a century apart, Jane Austen and Thomas Hardy each explore similar themes of love through strong female characters. While society strove to keep women’s value directly tied to their marital status, Austen and Hardy wrote the stories of characters who defied these expectations. Bathsheba Everdene of Thomas Hardy’s Far From the Madding Crowd is a fiery young woman who inherits a farm, and Elizabeth Bennet of Jane Austen’s Pride and Prejudice is an educated woman who prides herself on speaking her mind regardless of the consequences. Both women are of marrying age, and both novels feature their romantic exploits. Besides their differing socio-economic and temporal settings, Bathsheba’s and Elizabeth’s behaviors indicate that they are facing similar feelings and conflicts when it comes to issues of love and marriage. Bathsheba goes to greater lengths to defy societal pressures than Elizabeth does, but Bathsheba’s circumstances warrant the effort. The real difference between these characters is the way in which they are written. One could not know how similar Bathsheba’s thoughts and feelings are to Elizabeth’s, because the reader rarely sees through Ms. Everdene’s eyes. Bathsheba Everdene is the greater feminist heroine when taken alongside Elizabeth Bennet; however, Hardy writes her story almost exclusively from the perspective of his male characters, leaving her represented as two-dimensional in comparison to

"For most of history, anonymous was a woman", quotes Virginia Woolf. (1) Throughout history, women’s lives were restricted to domesticity and family, and they were left oppressed and without political voice. Over the decades the roles of women have dramatically changed from chattels belonging to their husbands to gaining independence. Women became famous activists, thinkers, writers, and artists, like Frida Kahlo who was an important figure for women’s independence. The price women paid in their fight for equality was to die or be imprisoned along with men, and they were largely forgotten in written history. However, the roles they took on were wide-ranging which included working in factories, tending the troops, taking care of children