The Femme Fatale : An American Genre That Became Popular During The Great Depression

F. Scott Fitzgerald tackles numerous grave themes in his renowned novel The Great Gatsby, one of the most prominent being sexism and the disparities of gender equality in the 1920s. The novel tells the story of several upper class men and women navigating prohibition and their own personal drama in their otherwise almost wholly uneventful lives. Every character, regardless of their gender, ends up dead, alone, unhappy, or some combination of the three by the end of the story. But as with most literature, the journey is paramount in comparison to the destination. The way Fitzgerald frames the outcomes of each character varies significantly based on their gender. It is not as simple as “all of the men continue without consequences and get the girl while all the women are either hit by a car or stay in unfaithful marriages” or vice versa. No one gets an entirely, or even mostly, favorable ending. It is instead the reason why one’s finale is inauspicious that must be examined. Men are nearly exclusively characterized in older fiction as being aggressive doers; they are the ones that the story is about and they drive their stories forward. Women, on the other hand, are passive reactors; they are the secondary plot devices to be used to propel the story forward. The men of the novel end up miserable because of things that happen to them, while the women of the story have cheerless conclusions because of actions they took that actively landed them in that place. The Great Gatsby

In the article, “Types of Women in Romantic Comedies Who Are Not Real”, actor and writer, Mindy Kaling, classifies the women’s roles from classic romantic comedies, while a critical analysis piece over the genre as well. Starting the article, She discusses her inspiration for the piece itself, furthermore expressing her love for romance, as well. Throughout the article, she separates the different types of women in these roles, whether it’s the obnoxious glamour girl, or the girl with an amazing personality, in latent terms, the difference between “The Klutz” and “The Ethereal Weirdo.” By the end of each example, she differentiates how cliche the storyline of the female character

One unfortunate mistake can not only ruin the world, but the lives of innocent children and their families. Although America has had an amazing growth in economy over a course of decades and centuries, there was a time when everything plummeted. In history, this time was called the Great Depression, and essentially the stock market crashed. However, the impact of the Great Depression not only affected the economy, but the many lives of innocent American humans. Like Walter Cunningham in, To Kill a Mockingbird, the more poor families struggled to give even the basic necessities to their children. The headlines were splattered with photos of the eerie visuals going on regularly during the time; adults not being able to find jobs, and children

Feminist ideas are used throughout this story in both explicit and implicit ways to help describe the gender roles placed upon females in the 1950s. “That figure was a garish blond showgirl, a Hollywood ‘sexpot’ of no interest to intellectuals”. (Page 79) The author explicitly includes the

The 1920’s which was also called the Roaring Twenties was a era of economic prosperity and dramatic social change. The 19 amendment that was ratified on August 1920 gave the right of women to vote and the impact of World War I resulted in women questioning traditional morals and values, becoming rebellious. When men left for the war it caused women to have new jobs such as working in factories. Also, “the number of women attending college rose to 10% of the population by the end of the 1920's." Due to women having the opportunity to have jobs and go to college women became more mobile. The corset limited women to be mobile in this era which caused the production of coresets to quickly decline. Less women wearing corset made their figure to be more boyish and straight. The women of this era was called the Flappers, free spirited women, representing the new change of how women looked. The Flappers “lacked hips, breasts, and a defined waist”. They would dress in dresses above their knee and ankle showing more legs and having bare arms. They would also stray away from having long hair and cut their hair into a bob to symbolize freedom and independency. As a reason of women questioning traditional values they began to drink, smoke and be more sexual in this era. The 1920’s was also the age of Jazz which influenced women to go out and dance and women having more flamboyant and exuberant moves. In the 1920’s to be equal among men they had to have a figure of men,

She shows a female character doing what previously only men had done; directly committing herself to the criminal underworld, walking dangerous streets at night, boldly trespassing into perilous areas and defending herself- all the things that only men would do in conventional versions of the genre. On the very first page, Day introduces this concept of ironic mockery by creating confusion as to the gender of the character. A tough voice that fills the requirements of hard-boiled school men is established, and only after turning the page does the reader realize that the terribly hung-over narrator is a female private-eye and the blonde in the bed is a good-looking male.

Throughout, the history of the United States, there has been many different events that helped change and shape the America known today. One particular event that has had a great significance was the Second World War. The war came as a salvation to the United States because it helped liberate it from the Great Depression. However, one gender population, during this time, had the opportunity to demonstrate their potential. This gender population was women. WWII was not only a life changing event for all men in America, but also for women because it would become the first time in history when they begin to break the stereotypes between gender roles.

A ten year gap can really impact a society. This is evident in the times of the 1920s through the 1930s. These decades are very different from one another. This paper compares and contrasts the traits of these times in the world of pop culture. Pop culture is an accurate way to observe the past because it shows everything that was mainstream and a staple of the time.

The 1920s was a pivotal era in women’s fashion—an era that saw Prohibition, Jazz and celebration of war’s end. Gone was the hourglass figure of the 19th Century, swept away by the World War I, and replaced by the figure of a modern, independent woman. This book covers fashions from 1920 to 1924, an often overlooked period of fashion which was a time of transition between the draped and layered fashions of the post World War I era and the free and easy gowns of the jazz age flapper.

The classic femme fatale in forced to resort to murder to free herself from an unbearable relationship with a man who would try to possess and control her, as if she were a piece of property or a pet. According to Sylvia Harvey, author of Women's place: The absent family, the women of film noir are "presented as prizes, desirable objects" for the leading men of these films. The femme fatale's unique power is her brazen willingness and ability to express herself in sexual terms. By this the femme fatale threatens the status quo, and the hero, because she controls her own sexuality outside of marriage. She uses sex for pleasure and as a weapon or a tool to control men, not merely in the culturally acceptable capacity of procreation within marriage. Her sexual emancipation commands the gaze of the hero, the audience, and the camera in a way that cannot be erased by her final punishment. Attempts to neutralise the power and blatant sexuality of the femme fatale by destroying her at the end are usually unsuccessful, because her power extends beyond death. Noir films immediately convey the intense sexual presence of the femme fatale by introducing her as a fully established object of the hero's obsession. Since the camera often represents the hero's subjective memory, revealed

The Great Depression can be a tough subject for most people, but still inspiring to others. The Great Depression was a very difficult time for America as well as women. The women of the Great Depression struggled through many trials, as did many others in the United States, but they were able to get through it all. The women of the Great Depression worked their hardest to stay true to themselves, and their family, as well as, to keep a job, a stable household, and for some, a strong marriage.

Milberg’s book dives into the popular screwball comedy genre that arose in the 1930s. The first few chapters discuss the structure and major attributes of screwball comedies, highlighting the clever dialogue, battle of the sexes, and physical elements that harken back to slapstick comedy films. Popular tropes, such as ambitious newspaper reporters, and popular stars like Cary Grant from His Girl Friday are featured. Milberg takes an in depth look at how films within the genre derived

The “femme fatale” was a common theme in the 1940’s it is a female lead who uses sensuality and mystery to seduce and manipulate the male character of the film. No American detective novel written in the thirties would be complete without the figure of the "femme fatale," a French term meaning deadly woman. A femme fatale is an irresistibly beautiful woman who uses her sexuality to seduce men and lure them into dangerous situations to serve her own selfish interests. There is a fair few of these in The Big Sleep, but none of them is quite the dynamo that Vivian turns out to be. I also believe that Carmen Sternwood could be considered a femme fatale as well.

The male gaze puts his fantasy onto the female figure, which is styled, in a unique sort of way. In this traditional exhibitionist, role women are continuously being looked at and their appearance is delivered to the male gaze in such a way as a strong visual and erotic impact and provides male desire. The presence of a woman in a normal narrative film is the key of the movie. However, the key of the narrative film works against the development of the story-line and stops the action due to the erotic gaze. Butt Boetticher said: “What counts is what the heroine provokes, or rather what she represents. She is the one, or rather the love or fear she inspires in the hero, or else the concern he feels for her, who makes him act the way he does. In herself the woman has not the slightest importance”.

Femme fatale. Every culture has a mystical femme fatale that is known for being beautiful, enticing and deadly. A female being that has the ability to entice a man with the intent to destroy his very being. The Mermaids, Nymphs, Undines and Sirens, these beautiful and deadly creatures are known all over the world. The alluring charms of these creatures are legendary and have been known globally for centuries. The femme fatale is known for being able to charm and lure wayward men for safety into an out of element location. These men have been away from the company of women or just wanting the female company. The idea of a beautiful and seductive female looking for carnal pleasure is usually desired when a person is in need of physical and