The Fiery Inferno - Original Writing

After crossing the Phlegethon, Dante the Pilgrim and Virgil cross into a dark forest where there are “no green leaves, but rather black in color, no smooth branches, but twisted and entangled, no fruit, but thorns of poison bloomed instead” (Dante, Inferno 186). The forest is depicted this way to give a picture of the barren nature of suicide. Dante sees the Harpies nesting and tearing at the trees surrounding them, “....in Greek mythology the Harpies are storm-winds which act as ministers of Divine vengeance, mysteriously snatching offenders away out of the visible world” (Dartmouth). The Harpies are a depiction of how those who commit suicide snatch themselves away from the visible world. He hears wails of torment within the woods all around him and Dante is confused by the noise and its origin. He first thinks that the yelling comes from individuals hiding behind the trees, but learns the truth once prompted by Virgil to break a branch. Dante tears off a piece of a “great thornbush.” The emphasis on the size of the bush may be a way to signify the importance of the man entrapped inside it, possibly like Medieval art in which artists stress the importance of a specific character by making it larger (Dartmouth). To Dante’s surprise, blood began to spew out of the branch, and the tree starts to speak directly to the Pilgrim. This tree, named Pier, committed suicide after being accused of treason. Pier continues to swear on “the new roots of this tree” that

Fire coursed my lungs and I struggled to breathe as I fought the flames. In spite of that, I still couldn’t get through. I panicked. Guards were bound to arrive any second now and we would be sitting ducks I these flames. Hoping my team were following, I moved my nimble body to the wall. If I couldn’t get through the flames we had caused, then we’ll have to go over them. My skin tingled as the orange flames began to scorch the coat I was wearing. My head was clouding. I couldn’t see. I couldn’t breathe. The lack of oxygen was breaking me down. What a relief if I would just let go, let go….. A jolt from behind woke me up from my daydreams. Grinning like a madman, Alex shouted from behind me “Come on Robin!” Using his incredible gymnastic skills he vaulted over the wall and across the barrier of flames. When he got down he doubled over laughing at my shocked expression. And seeing what he had done, soon the rest of the team joined him. Though where was the captive? Alex’s amused expression soon turned to horror as he realised the same thing I had. We had lost the captive. Again. Furthermore, we did not understand what sort of cruelty he could do now we brought him to his home territory. Even more, now we had nothing to offer to get Ruth back. My shock turned to anger and I jumped off the wall with a determined posture. I seethed Alex with a glare, although it was not just his fault our snake-like prisoner managed to slither away. “We need a new plan,” I growled clenching my fists. “And it better be pretty

In the book fahrenheit 451 they mention burning I think it’s a way of showing how we censor things in this day and age.

Ilan Stavans says that Juan Rulfo’s book, The Plain in Flames, is best represented by the phrase realismo crudo. Stavans defines this phrase as “a type of realism interested in the rawness of life”, meaning that he characterizes Rulfo’s writing as an unfiltered view into the lives of the average Mexican (Stavans, xi). By writing in this style, Rulfo is able to provide “an image—instead of just a description—of our landscape” as stated by Octavio Paz (xv). To create this image, Rulfo broke his story writing the process down into three separate steps. As paraphrased by Ilan Stavans, the first step “is to create a character”, the second step “is to place him in an environment where he might move around” and the third step “is to discover how the character expresses himself” (xiii). Rulfo was able to repeatedly crafted stories that were filled with high levels of realismo crudo by using that special three-step process. By creating his protagonist, crafting an environment for said protagonist, and allowing the character to express themselves within this environment, Rulfo crafted a three-tier image of post-revolutionary life in Mexico that has never been seen before.

Suddenly I gain consciousness. Unable to open my eyes, I feel a cluster of dried sticks poking my back as if I was lying on a bed covered by pins. A constant ringing noise almost blankets the sound of the leaves dancing with the wind around me. With a gentle sigh I allow myself to build enough energy for me to open an eye. My eye began to follow a path towards the only light source it sees, the fire from a wooden torch gripped with my left hand. I open my other eye and began to force my lean body to a kneeling position. The smell of decomposing leaves irritates my nose as I gaze at the identical oak trees surrounding me like a wall of armoured gladiators. Using my wrinkled hands and injured legs I crawl towards

At the start of the poem we find Dante in the dark forest(Inf. 1.2). Not much description is given maybe to show Dante’s disorientation. Whether the disorientation is spiritual, physical, moral or political; that is unclear at the start of the poem. The poem us written this way so reader can identify with Dante. It is also written in such a way that sometimes it is difficult to understand some parts, you sometimes have to read it backwards to get a better understanding.

Actions that a person commits usually have some sort of consequence to follow them. If someone commits a good deed then they are rewarded. On the other hand, if someone commits a bad deed then they are punished. The punishment should reflect the sin in some way for that punishment to be just. Dante and Virgil go on a journey through the underworld and look at each circle. Each circle represents a different sin, and every soul that comes into Hell is told which circle to go to. Each circle also has it's own punishment or punishments. Each punishment in Dante's Inferno is just because each soul that experiences the punishment they deserve can see that eternity would have been easier if they did not commit the sins that they did. The sins and punishments that stick out the most to me are the ones about the gluttons and the wrathful. The souls punished for gluttony are punished in so many different ways and each way fairly reflects their sin. The fairness of the punishment for the souls that were filled with anger on Earth is not as easily seen, but it is the only

The siren woke me up. A sip of smoke slipped through my throat and my eyes. Everything around me was burning by the blazing fire. Through the smoke I was blind. The ominous feeling passed through my body. Running through the fire made my skin stinging but It couldn't make me stop. The only thing that in my mind was to getting out of this place. The grey smoke surrounded me, I saw him and closed my eyes.

I liked him—I couldn't—but I still did. Despite the fact that I couldn't (shouldn't). He was so far ahead of me in

Inferno, written by Dante Alighieri illustrates the idea of justice through the belief that with each action arise a consequence. What you sin above ground, you deal with under. Through this he gives examples of the sins done and the punishment that is inflicted from doing such thing as a disgrace to God. All through Dantes imagination and his views as to how it should be done, there is a punishment for each area of sin committed which is why a person who bribes will be in the further in the level of hell, as compared to someone who has killed an innocent.

In the first circle of hell Dante talks about the "noble castle" otherwise known as the seven-walled castle. The addition added to medieval thinking offers explanations about who was residing at the seven-walled castle. While Dante and Virgil were on this journey, they come to an area full of light. Those who reside here are favored by heaven. Virgil is then welcomed back to his home, where Homer and three great poets also live. All five people accept Dante as one of themselves. They continue on and reach a seven-walled castle. Inside is a green meadow and people who are famous for their deeds. This reveals that Dante believes that people believes there are good people in hell that should be allowed to be in light and favored by heaven for

Journeys can be taken many ways. Some people take the path less traveled and some people take the easy way out. Dante happens to be on journey that is less traveled, by exploring the depths of Hell in the Inferno. The epic poem’s story is about self-realization and transformation. It sees Dante over coming many things to realize he is a completely different person from the start of the Inferno journey. Dante sees many things that help him gain courage in order to prove to himself and the reader that accepting change and gaining courage can help one to grow as a person and realize their full potential. After seeing people going through certain punishment Dante realizes that he must not seek pity on himself and others in order to fully realize his true potential.

In his first article of The Inferno, Dante Alighieri starts to present a vivid view of Hell by taking a journey through many levels of it with his master Virgil. This voyage constitutes the main plot of the poem. The opening Canto mainly shows that, on halfway through his life, the poet Dante finds himself lost in a dark forest by wandering into a tangled valley. Being totally scared and disoriented, Dante sees the sunshine coming down from a hilltop, so he attempts to climb toward the light. However, he encounters three wild beasts on the way up to the mountain—a leopard, a lion, and a she-wolf—which force him to turn back. Then Dante sees a human figure, which is soon revealed to be the great Roman poet Virgil. He shows a different path

“To Build a Fire” by Jack London is a short story about a man traveling through the Alaskan Yukon to meet up with his friends for lunch. The author keeps the character nameless and refers to him only as “The Man” which is used to show a connection between humanity and nature. The story shows the hardships the man goes through to get to his destination through the Alaskan Yukon, yet unfortunately doesn’t make it. The conflict is a man versus nature theme which contrasts strong and direct relations of the hardships in nature. Throughout this analysis, I am going to explore the conflict between the man and the merciless nature he has to go through before his death.

     The Inferno by Dante is a story of a mans voyages through the treacherous depths of hell. Dante is a man who has strayed from the path of a catholic way of life. Now he needs to travel through hell to reach the virtuous path that will take him to heaven. He is guided through hell by a man who is in limbo, the first circle of hell, named Virgil. Virgil takes him through hell and shows him people suffering for the sins that they have committed. Together they travel through the nine different stages of hell observing who is in each stage, what there punishment is, and what sins they committed to get there. Virgil was sent to guide Dante through hell by Beatrice who is the love of Dante’s life. Beatrice plays a