The Fiftieth Gate And Maus Analysis

In the novel “W, or the memory of childhood” written by Georges Perec, we see the story of a Jewish child that lived through his childhood during World War 2 and the time of the Holocaust which was a depressing time for Jewish people. This is an autobiographical novel which uses alternating chapters to help better describe his journey through this depressing time as a child, with trauma comes emotional and psychological harm which causes you to do whatever it takes to numb the pain, whether it is to find the source of the pain or to submerge them deep inside your heart to forget it. In this case, Perec used alternating chapters

As with all human beings, there are happy memories and bad memories. Some have no effect, and others can change someone’s life completely. Elie Wiesel’s autobiography, Night, writes about Elie’s external conflict of the horrors of the Holocaust’s violent concentration camps. Elie resolves this conflict by having all the hope of the world in him and enduring the evident deaths of his family members; however, Elie’s trek also illustrates his character as both enduring and dependent. Elie’s decision to staying hopeful and stay enduring also reveals the universal theme of, “The toughest and darkest of times and experience can test your hope”

The terrors of the Holocaust are unimaginably destructive as described in the book Night by Elie Wiesel. The story of his experience about the Holocaust is one nightmare of a story to hear, about a trek from one’s hometown to an unknown camp of suffering is a journey of pain that none shall forget. Hope and optimism vanished while denial and disbelief changed focus during Wiesel’s journey through Europe. A passionate relationship gradually formed between the father and the son as the story continued. The book Night genuinely demonstrates how the Holocaust can alter one's spirits and relations.

The Jewish identity is reintegrated among the monuments through Hebrew inscriptions, the Star of David, and ritual practices (Appendix B, Figure 3). Eva Reimers (1999), interprets that a collective group identity is based on the idea of common historical origin (p. 148). This idea is important when analyzing the role of identity in the process of mourning Holocaust survivors. It illustrates that the formation of identity is founded on historical events. Therefore, the Holocaust serves as a historical event, which reinforced the importance of Jewish identity to the Jewish community. The practices of collectively mourning Holocaust survivors serves as an extension over the generations, which reduce the threat death poses to reduction of Jewish identity (Reimers, 1999, p.148). Furthermore, remembering the victims of the Holocaust creates a collective

The two poems “Never Shall I Forget” and “We Remember Them”, written by Elie Wiesel and Rabbi Sylvan Kamens, have their fair share of similarities and differences. These poems are both highly influenced by the Holocaust, the genocide of over 11 million people, 6 million of them being Jews, during World War II. In “Never Shall I Forget”, Elie Wiesel talks of his sufferings in a concentration camp and “We Remember Them” pass on the memory of those who died during the Holocaust. “Never Shall I Forget” and “We Remember Them” both have a shared theme of remembrance, but Elie Wiesel wrote of what he would rather forget than remember, whereas Rabbi Sylvan Kamens wrote of what he wishes to never forget.

As said by Audrey Hepburn; “Living is like tearing through a museum, not until later do you really start absorbing what you saw, thinking about it, looking it up in a book, and remembering - because you can’t take it in all at once.” In Elie Wiesel’s memoir, Night, the Holocaust took place in an order of layers. As time passed, the extremity was increased each chapter he succumbed to. Elie expresses raw emotion in his memoir, Night, and leaves you in a complete, utter state of wonder and sadness. Not only this, but remembering and cherishing the importance of all the emotions from this time in history. In Elie Wiesel’s memoir, Night, the theme of remembering is present before the Holocaust and in today’s society.

As the famous journalist Iris Chang once said, “As the Nobel Laureate warned years ago, to forget a holocaust is to kill twice.” After experiencing the tragedies that occurred during the Holocaust, Eliezer Wiesel narrated “Night”. Eliezer wrote “Night” in an attempt to prevent something similar to the Holocaust from happening again, by showing the audience what the consequences are that come from becoming a bystander. Elie illustrated numerous themes by narrating the state of turmoil he was in during the Holocaust. In Night, Eliezer provided insight into what he experienced in order to teach the unaware audience about three themes; identity, silence, and faith.

The purpose of a story is not solely just to share lessons and truths about human nature but to also share stories of the past. Recognizing history and the knowledge acquired through stories is crucial in growing as an individual and as an entire society. People may be inclined to forget awful wars or events of the past. However, the act of forgetting these stories is an effort to avoid confronting the terrors and mistakes of the past. For instance, in Night, Elie Wiesel’s purpose in writing his memoir on his experiences of the Holocaust and in the death

The holocaust was a tragic time which involved the killing of Jews to create a ‘pure race’ in Germany. Jacob Boas analyzes the stories of five young Jewish children through the book “We Are Witnesses,” who were forced through the hardships of war. Through the perspectives of David Rubinowicz, Yitzhak Rudashevski, Moshe Flinker, Éva Heyman, and Anne Frank, the struggles of the five children are clear as they try to hold on to their ideals while still fighting for their lives. “We Are Witnesses,” by Jacob Boas adopts repetition and diction through the eyes of David Rubinowicz, imagery using Yitzhak Rudashevski, repetition and imagery via Moshe Flinker, repetition with Éva Heyman, and repetition and syntax by Anne Frank to brandish how Jewish

Throughout the years curiosity regarding the holocaust has become more evident in the 21st century as people across the globe anxiously learn about the events that took place in Germany during World War II. The importance of this event is not only being taught to Americans and people of the Jewish religion, but it is also being taught in other parts of the world. The popularity of knowledge being obtained regarding the holocaust grows: books, documentaries, and poems. Poems, like that of William Heyen’s “The Trains”, are being introduced to the generations in the 21st century. Heyen pinpoints the curiosity of his audience to make them want to learn about the holocaust

The Holocaust becomes the center of this. Whether it be at his Hebrew school, where Jewish history shaped not only the curriculum they learn. But, also as a collective identity shared by a new and contemporary Jewish generation. While still being connected to the past. This is a struggle for Mark, who does not even identify himself as Jewish for most of the story, He is continuously challenged with where to place himself in this new world, as a second-generation immigrant to Toronto. For Mark, being a young Latvian Jew is not easy.

The artistic representation of the Holocaust has created a controversial dialog that revolves around ethical, moral, and historical questions. Is art an accurate representation of the trauma and events that had occurred during the Holocaust? If it is, which mediums are the best in which to represent with? The purpose of art is to evoke strong feelings in the viewer, to create questions about society, and to depict the argument of the artist. Since art - be it a painting, a sculpture, a poem or a novel - is subjective, using it to represent the Holocaust has benefits but also restrictions. Portraying the lived experiences of survivors from an objective point of view is difficult as the horrors faced cannot be accurately captured; however, using art to express a traumatic experience for many people is a safe, therapeutic way of coping. This expression is highly individualized and therefore cannot represent the Holocaust as one cohesive experience. If the Holocaust is to be represented through artistic mediums such as a creative piece of writing, it must be supplemented with historical knowledge and be subjected to criticism.

A powerful and provocative graphic novel, Maus, generates a Jewish individual’s life of grotesque and horror. With its ability of perception and interpretation, it tackles the main points of the ominous Holocaust and delivers a spooky aura to the absorbed audience. In comparison to Schindler’s List, the graphic novel shines brightly than the pale movie due to its realism and humor that is constantly present throughout the storyline. The novel has the ability to connect to the audience; thus, it gives an in-depth look and overall comprehension of the massacre that Spiegelman is trying to communicate. The graphic novel, Maus by Art Spiegelman, brings an honest account of the Holocaust to a wide audience because of its historical truth and intriguing viewpoints and characters that shows the effect and process of the genocide.

The average person’s understanding of the Holocaust is the persecution and mass murder of Jews by the Nazi’s, most are unaware that the people behind the atrocities of the Holocaust came from all over Europe and a wide variety of backgrounds. Art Spiegelman’s Maus: a Survivor’s Tale, Christopher Browning’s Ordinary Men: Reserve Battalion 101 and the Final Solution, and Jan Gross’s Neighbors: The Destruction of the Jewish Community in Jedbwabne, Poland, all provides a different perspective on how ordinary people felt about their experiences in the Holocaust both perpetrators and victims.

The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.