The Film 300 : The Movie 300 And The Movie

A supporting role in “The 300 Spartans” is Demaratus. He was once a king of Sparta, but eventually he became a traitor and helped fight against his own men at the Battle of Thermopylae. In “The 300 Spartans” he is often seen beside the Persian king, Xerxes, telling him about Spartan culture and bravery. In the movie he says that Persia should not underestimate Spartans. Even with their small numbers he says that they are great fighters who are courageous until the end. The information that the movie says about Demaratus is true and accounts from Herodotus can confirm this. In, The Histories, Herodotus talks about the history of Demaratus. Herodotus says that Demaratus was once a king of Sparta and then was eventually forced into exile by Cleomenes. Once in exile he

Secondly, they only lasted for a little over 300 years. In the Background Essay it says, “During these years, Sparta was under terrific pressure, fighting Athens and the same time looking over its shoulder at a restless helot population at home. These two factors led to the Spartans down

In the end of the book the Spartans end up being surrounded, their flanks taken and completely out numbered Xerxes asks Leonidas one last time if he will kneel. In one last act of defiance Leonidas and his men make a final stand and a attempt on Xerxes life fully well knowing that there was no escaping a certain death. Their commitment to their cause was unwavering believing fully in what they fought for they were committed to the point of willfully giving up their lives for their cause and they did so with pride. This one final act ties into how the Marine Corps is very much like the Spartans of old as the

Lastly, the spartans killed innocent people. In document C it says, “By day they scattered into obscure places, where they hid themselves and kept quiet; but by night, they descended upon the highways and slaughter any helots they caught.” The spartans killed helots, or slaves, without care. Yes some helots sent threats to the spartans to rebell against them, but without finding the ones who did they miscellaneously killed innocent helots. They also killed some of the best and strongest helots. The Spartans were very cruel to the helots, and so many more

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

Another wrong in 300 is that that the Spartans did not own any slaves while in real Sparta they did. The Spartans and other Greeks were very like the Persians in that when they conquered a foe they made these conquered foes their Slaves. In the movie the whole Spartan economy could not survive because the Spartans had no slaves and the Spartan depended on slaves for everything ranging from agriculture, to masonry, to minimal tasks. One thing they actually got right in 300 is in the role of a Spartan woman in affairs. Distinct difference compared to other city-states the Spartan woman has many more rights, including but not limited to of advising the men, holding the household, and woman are even involved in sporting events. Another thing the creators of 300 got right was the cruel eugenics policy taken place in Sparta. Yes the Spartans would murder unfit or deformed babies. The last thing the movie got right is how the Spartan child is raised and how the child is taken from the mother at an early age of seven to be trained to fight like a Spartan warrior.

Spartans military was a hard core and well rounded out military in its time. Part of the reason why they were so successful is because of their rigorous training each boy had to go through. Why I said boy is because the Spartan military training would start at age 7 for a chosen boy. The boy gets chosen to live in spartan society at birth. If the Spartans did not believe that the boy would be rounded out for their society they would leave the boy to die. During the boys training hazing and fighting was encouraged to help improve strength among the boys. During spartan training each boy was mainly taught mathematics, music, and how to fight. Also during their training, they would learn how to steal but without getting caught. If they were caught they would not be punished for stealing but only for getting caught. This type of training continues until the boys would become men. Which is at the age of 20 for the Spartan's. At age 20 Spartan men would have to pass a series of demanding

In Zack Snyder’s 300, the battle of Thermopylae, the life of the Spartans and the glory of war comes to life on the big screen for all audiences worldwide. The movie, 300, released in 2006 is based on the graphic novel written by Frank Miller, 300. The movie focuses on the use of the Classical past to portray everything from the upbringing of a Spartan to the bravery of King Leonidas and the 300 Spartans on the battle fields of Thermopylae against the mighty Persians. Unlike most Hollywood movies proliferated based on real events, the movie 300, keeps accurate to the novel and the events that occurred in history. Despite the minor alterations and exaggerations such abandoning body armor and over-glorifying the Spartans, the movie still remains faithful to both the novel and history by using the classical past to explore social norms, accurately depict the way of life, events that occurred such as the battle of Thermopylae and the nature of people during 500 BCE.

The Greeks may be considered as one of the civilizations that treated better their slaves as the Spartans came

In all versions of the Battle of Thermopylae, Leonidas and the Spartan army are seen as tough soldiers who grew up under harsh conditions. Spartans typically leave home to begin training on their

Being a city-state of warriors, they killed weak babies to keep their population strong, as well as killing Greek slaves for sport. In fact, Ctesias of Cnidus reiterates how “The Persian army was massacred while only two or three Spartans were killed. Then Xerxes ordered another attack with 20,000 men who were again defeated” (Doc B). This is further evidence that the Spartans were ruthless murderers because they annihilated tens of thousands of Persian soldiers. They could have realized they had the upper hand in battle and negotiated for peace instead of steadily slaying their opponents.

Leonidas was the king of the Spartans during the time of the Persian War. The Spartans were the elite of the elite when it came to military strength. One of the greatest displays of his courage and honor was in his last battle, The Battle of Thermopylae. At the Battle of Thermopylae the Persians were trying to come down into Greece through the mountain pass Thermopylae. The odds were heavily against the Greeks with the Persians numbering in the hundreds of thousands and the Greeks only having a couple thousand Athenians and only 300 Spartan warriors under the command of King Leonidas. The Greeks stopped-up the pass with phalanxes and were slaughtering the Persians. The battle was looking like a major victory for the Greeks until the Persians discovered a back-road on a mountain pass and were about to surround the Greeks. King Leonidas told the remaining Athenian Greeks to flee back to Athens while he and his 300 hundred Spartans held off the Persians. The Spartan army caused massive damage to the Persian army by killing off thousands of them. All the Spartans died in that battle, along with Leonidas, but this weakened the Persians and allowed the

Not what Xerxes expected from a small force about to face his hundreds of thousands of troops. What Xerxes didn’t know was that to a Spartan, fighting was almost like a game to them and that death on the battle field was the most honorable way to die. The Spartans were not afraid of King Xerxes or his army so they sat and waited behind their small stone wall for the Persian horde.

This film analysis will delineate the diverse directorial decisions of The French New Wave cinema movement, and how they have been utilised and developed to challenge and subvert the typical Hollywood filmmaking conventions and techniques of the 1950s and 60s Hollywood cinema, in François Truffaut’s The 400 Blows (1959). Hollywood produced films of the time used a very limited variation in film techniques such as camera, acting, mise-en-scene, editing and sound. This can be mainly attributed to the low innovative thought of creative and expressive camera movements, angles, etc… due to technological hindrances. In particular, this film analysis will de-construct the filmmaking elements of the revelatory French New Wave movement in Truffaut’s The 400 Blows ending scene (01:34:42 – 01:39:32) portraying the main character Antoine Doinel’s escape from juvie and trek to the bespoken beach.

The film I have chosen to do my critique on is Zack Snyder’s 300. 300 is a film about King Leonidas, the King of Sparta, and his 300 Spartan warriors who all stood up against the God-king Xerxes and his massive Persian army from annihilation. After watching the film very closely for my critique I believe there is a serious underlying theme that everyone has the right to be free and sometimes you have to stand up and make sacrifices to keep your freedom. Standing up for freedom is never an easy task as shown in 300 but, everyone deserves to be free. In discussing the storytelling, acting, cinematography, editing, sound, style and directing, the impact of society on the