The Film Floating Life Directed By Clara Law

Through his prose fiction novel, The China Coin, using the protagonist Leah, Allan Bailie delivered how discovery of owns culture, identity and relationships can change an individual’s as well as others’ perspectives. Leah who was born to an European father and a Chinese mother was forced by a half broken Chinese ancient coin to go to China which allow a renewal on her perspectives of her own self, her identity as well as relationship with her mother. “You’re not Chinese, you don’t look like them.” Inner monologue was used to show Leah’s certainty of her Australian identity which will change later throughout her discoveries. Having misunderstandings with Joan, Leah spoke out about her disgusted feeling of China after she fought with Joan using

Amy Tan’s short story “A Pair of Tickets,” has June May crossing an ocean to visit her family that she has never met, where she connects with her Chinese heritage in a way she was never able to before. On her trip, she discovers the depth and importance of her culture through her family members. The main character, June May, is a woman of Chinese heritage, from San Francisco, California. Growing up in the United States, in a very American environment, June May feels as though she never truly understood what it meant to be Chinese. As she soon learns, however, June May realizes that through her own family she can connect with the heritage that bonds them all together.

This chapter describes the story a Vietnamese boy Lac Su. His father was a Chinese and now his family is settled in America. Lac Su from the chapter seems to be an extremely sensitive, timid and scared kid who is finding difficulty in settling in such a different culture. This chapter is divided into two parts. The first one describes a horrible situation for the kid when he has to stay alone in the house and take care of his sister as his mother has left the house without telling any reason. Next morning he receives a call from his mother when she informs him about the reason that his father is hospitalized as he was beaten up and robbed by some Mexican thugs.

There is a linguistic gap between the mothers, who are the first generation of Chinese immigrants, and their American-born daughters. The mothers speak only fragments of English and their daughters speak little or no Chinese at all. So the communication often becomes a matter of translations and leads to misunderstandings. The first misunderstanding with translation is shown when Jing-mei tries to explain the significance of the club’s name,

Four Chinese mothers have migrated to America. Each hope for their daughter’s success and pray that they will not experience the hardships faced in China. One mother, Suyuan, imparts her knowledge on her daughter through stories. The American culture influences her daughter, Jing Mei, to such a degree that it is hard for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her

The piece describes what she envisioned her time in China would be like; visions of small talk and drinking tea danced in her head (Schmitt 125). This is a bit admirable to a more reserved person because it shows how outgoing she is when diving into a new culture. However, the reality of a language barrier and day to day behavior settled in. A series of uncomfortable exchanges illustrate the challenge of being accepted into a new culture. Described in the essay are people standing around in bath robes and under garments and popping in and out of rooms like some sort of clown

* Joan explains that once their shop had been burnt, they left Penang and went to Singapore. Her philosophy is that once things are gone, you must change – turn away. Leah thinks her mother brought them to China to forget her dad – she doesn’t really understand what Joan is saying.

Ha’s mother is grieving the disappearance of her husband and the fall of Vietnam to Communism. The fallout of the Vietnam War causes separation for Ha and her family. Once in America, Ha finds that many in the small township move to ignore her culture and her heritage. Vietnamese culture and

To begin with, The Joy Luck Club centers its content around the lives of eight women of Chinese heritage each with their own stories to tell; yet, all striving to satisfy their aspirations in America. A concisive cross is common between the mothers’ hopes compared to those of the American born daughters. Immigrating to America for various reasons, the four mothers all had one goal in mind, to not only construct themselves a better life, but also ensure the finest future for their daughters. For the mothers in the Joy Luck Club, the American dream was to instill Chinese history, heritage, and habit in their daughters while providing American opportunities of growth, gratification, and gallantry. Carrying heavy pasts, the four original American Joy Luck Club members arrived in The United States to start anew, “America was where

The tale “American Born Chinese” by Gene Luch Wang depicts the story of three characters, Monkey, Jin, and Danny. They all have the problem of fitting into their new environments. Jin Wang has to deal with Asian stereotypes. Danny has to deal with embarrassment of his cousin. Lastly, Monkey has to deal with the fact that there is no position for him in the heavenly ranks. However, over time, these characters have to come together to fit in. Yet the question remains: what exactly about fitting in is the problem? Although Jin Wang takes the form of Danny to reject his Chinese roots, the embarrassment of Chin-Knee shows he cannot hide behind a false American identity, thereby delineating that race is the source of his problem.

Early in childhood Jing Mei dreamed of finding her prodigy and being a famous Chinese American, mostly because of the views and actions her mother placed on her. Her mother believed you could be anything you wanted to be in America. (pg 405) Her mother was always pushing new tests and talents on Jing Mei. She even went as far as having her daughter Jing Mei models her physical appearance and actions after a child-star Shirley Temple. Her other was always testing her with many different things trying to discover Jing Mei’s talent. Later Jing Mei started to feel like her mother was just trying to make her into someone she was not and started to just fail and not try to do anything right hoping her mother would give up. When her mother died she had realized what her mother had been trying to do. Her mother had only wanted her to do her best. She had then to realize what her mother had

“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.

Jack’s predicament with finding himself being stuck between his original lifestyle and new desire to fit in was cleverly established in the story, drawing my sympathy, as I have also personally experienced this struggle. In the middle of the story when Jack began to realize that his Chinese life was different from others’, he narrated, “Mom learned to cook American style. I played video games and studied French” (4). These succinct sentences stood out, as the surrounding

between the first generation, American daughter and her immigrant mother. At this point of the

In Dinaw Mengestu’s essay “Home at Last,” Mengestu uses his feelings of separation from his heritage as an incentive to find a new origin. He also creates a tone that goes from a sense of loneliness to belonging. He reflects his thoughts through narration: