The Film Production Of The Movie Production Industry

Imagine a distant post-apocalyptic future in which a group of researchers discovers a stack of DVDs of 20th and 21st century Hollywood movies of Asian American actresses. After watching those movies, what might the researchers conclude about the characteristics of Asian American women in the movies? Certainly, they will view Asian American women as sexual and erotic objects of the society that white men can score with ease. Why do I assume they will think that way? The answer is a simple, yet controversial one: mostly, the media, as the history proves, portrays Asian American women either as erotic sex slaves of white men or as insidious personalities who lure their prey into a trap with their sex appeal. If we look into the history,

Asian American actors and actresses are portrayed in Hollywood movies as always being the silent and yielding foreign victims to social injustice and prejudice. Whether or not these depictions are true, they are nonetheless stereotypes that Hollywood producers have come up with. According to the US Census in the year 2000, Asian Americans make up 4.2% of the entire American population, and knowing that most Asian Americans live on the west and east coast of the United States, many Americans living in central parts of this country have not really been exposed to any Asian Americans. Because of this fact, it is highly probable that most Americans get their exposure to the Asian American lifestyle only through television and movies. Even if

Whether it is on TV or movie screens, the faces of white actors and actresses have always been prevalent in the media. For generations, many teenagers have been exposed to countless movies with white people in major roles. Moreover, the few roles that are cast to minorities feature the characters in their stereotypical personas (Bonilla-Silva 179). Even in advertising, Asians are placed in business settings, upholding the hard-working Asian stereotype (Taylor and Stern 50). As Taylor and Stern mention in their paper, the “model minority” has made the issue of stereotyping seem less important for Asians. The majority of these actors that are examined, regardless of race, are typically middle-age and well established in their acting careers. However, there is a lack of research behind Asian youth acting and their perceived roles. To account for this knowledge deficit, I examine how whiteness influences the media to portray youth actors as individuals that stray from their stereotypes in an attempt to achieve whiteness. My research site centres around Fresh Off the Boat (FOB), a comedic television series featuring a Taiwanese family. The title of the show Fresh Off the Boat or “FOB” is also a term used to describe a person that is considered too ethnic and as a term of denigration. I utilize Pyke and Dang’s categorization of “FOB” and “whitewashed” to analyze the narrator, Eddie Huang. I chose to limit my research primarily to the first “pilot” episode where the audience is

Despite the fact that Asian Americans have been in Hollywood for decades, there are very few positive representations of them in film. More often than not, they’ve been depicted as stereotypical caricatures, and more specifically, as foreigners who can’t speak grammatically correct English. Moreover, the negative representations of Asian Americans in film has perpetuated certain misconceptions about their culture. Chan is Missing (1982) calls for more genuine representations of Asian American identities through its cast of complex characters and defiance of Asian stereotypes. The film also urges its viewers to critically think about their own notions of identity through the use of several recurring themes and filmmaking techniques.

Although Asian Americans comprise only about 5% of the U.S. population, this group is the fastest growing segment of American society. Despite such rapid expansion, Asian Americans are widely underrepresented throughout media, whether in television, cinema, or literature. Moreover, there are different stereotypes associated with Asian Americans. One of the most pervasive stereotypes details how Asian Americans are a “model minority”. In essence, this myth describes how anyone who is Asian American will become a successful individual able to achieve the “American dream”.

Television and film is a huge part of American culture. As the “face” of America changes, it is expected for our media to reflect it. Unfortunately, this is not the case. Since the beginning of film, minorities have been misrepresented and underrepresented. While there has been a significant increase in minority actors since the beginning of film, there is still a huge underrepresentation present in American television and film. Our media needs to reflect out diverse country. This topic is always important and relevant because race, gender, and sexuality, in general, have been issues throughout the growth of television and film. Even today, minorities are subject to

As an Asian-American woman, I want to see better representation for the Asian community; if media is supposed to reflect the real world, then there is no excuse for leaving Asians out in American films. I want to dissect why Asians are still marginalized and stereotyped today when there is a demand for more diversity in media. In addition, I want to cover the history behind the stereotyping and whitewashing of Asians in Hollywood and how that still has a negative impact today. In fact, recent movies have white-washed Asian roles in favor of white actors. In May 2015, Sony released “Aloha,” where Emma Stone portrayed Allison Ng, a part Chinese-Hawaiian fighter pilot. This blatant erasure is also evident in Dreamworks’ casting of Scarlett Johansson

Who’s next? It seems that the issue about race in American history never reaches an endpoint. The intersection of race, gender, contradiction has been continually crucial to shape the identity of minority American. As early as the first wave of Asian immigrants, Chinese immigrants, arrived in west coast, Asian Americans was haunted by anti-Asian movement and intense hostility. Foreign Miners’ Tax passed in 1852 was a representative of racial campaign between whites and nonwhites. The requirement of monthly three dollars’ tax intentionally crashed the earliest American Dream of Chinese immigrants who expected to lead a better life in the US. Such Anti-Asian movement was eventually ushered into legalized level. California Supreme Court declared in People v. Hall in 1854 that Chinese migrants were not entitled to testify against the white citizens in US court based on the fact that people, other than whites, could never enjoy the same rights as white Americans. Since then, Asian immigrants were subjected to numerous social and legislative initiatives that specifically targeted them on a racial basis. In David Henry Huang’s semiautobiographical play Yellow Face, he mixed his own memory and fiction to depicting an image of Asian American racial identity. In 1990, Hwang led a group of Asian-Americans to protest the casting of a white British actor as a Eurasian character in the musical Miss Saigon. However, later in his own play Face Value, he mistakenly casted a white actor,

I will use four to five articles in my essay to show what roles Asian Americans get in the Hollywood movies. In general Asian Americans students are most academic achievers but when it comes to act in movies they are stereotyped and their English accent is used as foreign accent even thorough they are born American. I will give all the information that is used in media about Asian Americans. In the movie when a Caucasian movie star lies to be an Asian American. When the director know about that he is lying he is not an Asian he a Caucasian they start fighting and for the race. But he becomes a famous star in movies later on. After a while the director heard that his friend who is the Caucasian star’s girlfriend. He meets her and explains her and says, “I think he make you fool do you know he is not an Asian? He lied you for everything but she didn't listen and she starts arguing with his friend. Yellow face gives us a unique understanding of Asian stereotypes.

The view of POCs (People of Color) within mainstream media has always been strewed. From the roles of Flora Robson as a Haitian maid in Saratoga Trunk to Mickey Rooney as I. Y. Yunioshi, the view of POCs in American popular culture has always been warped to portray an often negative or demeaning stereotype that appeases the white audience of American pop culture. Although many races are negatively impacted by the conceptions of the white American public, the portrayal of Asian American stereotypes in television has especially given an illusion to the American public on what to assume when facing an Asian American. Even with the growth of the Asian American voice in television and the increase in representation through new shows such as “Fresh Off the Boat” and “Marco

There is perhaps no bigger and more expansive social construction known to man than the construction of race. In earlier times race meant a tie to national origin, Greek race, Roman race, etc. race underwent a big change in meaning to it’s more contemporary form to distinguish biological differences of physical features and skin color (Wiegman 157). Film and television in this century and the twentieth century have aided and perpetuated stereotypes of race. These stereotypes have been most associated with minority or non-white groups in particularly, and most discussed pertaining to African-Americans in these mediums. Dating back to the earliest silent films all the way through the 20th century and into the new millennium

My entire life I have been fascinated with film and commercials. As a kid, I would stop what I was doing to watch a commercial. This has not changed through the years. My goal in life is to work in the film industry and work with video. This may have developed from my brother’s short term love for the video arts. Like most little brothers I followed in his footsteps through a lot of things and most of them would not stick. As I grew older I developed my own different ideals and likes. But, video just stuck with me. Even if film production doesn’t work out I have always had a childlike excitement for fighting fires. Being the person to save the day is something that everybody wants to do, but not everyone peruses this dangerous career.

Films have the power to both influence and reflect society. The stereotypes prevalent throughout American culture are reflected in most films. While the United States is becoming an increasingly diverse country, this diversity is not portrayed within American cinema. Minority figures often occupy

The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry's existence, demonstrates a lot of information about the nature of capitalism.

“Oscars So White” a phrase that began trending on social media sites after the 2016 Academy Awards announce their nominees for Best Actor and Best Actress, it was predominately white for a second year in a row. The movie industry is no stranger to controversy and since its inception it’s constantly been guilty of underrepresenting ethnic people. It’s evident that film is a type of mass media that has a certifiable amount of power to influence audience’s views, yet this platform constantly disregards the need for diversity in favor of stereotypes. Movies such as Breakfast at Tiffany’s (1961), Scarface (1983), and Pan (2015) are all guilty of this. The depiction of non-American characters in Hollywood movies are constructed around racial