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The Films of Franco Zeffirelli versus Baz Luhbrmann's Version of Romeo and Juliet

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The Films of Franco Zeffirelli versus Baz Luhbrmann's Version of Romeo and Juliet Two films, both alike in content, set in fair Verona, where the directors laid out their scene, one created by Franco Zeffirelli in 1968 and the other by Baz Luhbrmann in 1996. Both cinematic, both staying true to the plot and dialogue, each one radically different than the other, Zeffirelli sets his film within historical actuality, while Luhbrmann presents his with a modern twist. A story of love, revenge and death, revolving around a pair of star-crossed lovers, interpreted differently, but presented in the same form. Zeffirelli and Luhbrmann, both had the task of displaying the story of Romeo and Juliet in a cinematic form. Their adaptations of a …show more content…

The music he chooses to use is also classical, but bombastic and energetic. The elements the filmmakers choose to use in the film, i.e. the music, location, editing techniques and special effects, help tell the story. Zeffirelli uses his elements to ease the viewer from scene to scene, he is employing the Classical Hollywood Filmmaking technique. A smooth flowing pace, where the viewer does not notice the cuts, plus the music assists in the movements within the cuts. Nothing daring is done in his film, he stays true to the historical appearance of the film, uses ideas that have already been exhibited, such as period piece music and historical costumes. The world famous balcony scene (Act II, scene II) is an example, Zeffirelli employs the same blocking that Shakespeare probably intended. This is one of the few times, Zeffirelli interacts with the locations, and his locations is a town within walls, perceived to be a small town, the location is bare and not crowded. Luhbrmann employs the same elements in a different manner, his film is fresh and new, and he places the viewer within the film. In the balcony scene, Luhbrmann approaches it differently, opting to create instead of copying. He decides the balcony is a non-important issue and allows the action to take place in a totally different way. His location of Verona Beach is approached in the same way. Instead of a place where the action takes place, he shows

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