The Fine Line Between Harlot And Handmaiden

In today’s news we see many disruptions and inconsistencies in society, and, according to Margaret Atwood’s The Handmaid’s Tale, humankind might be headed in that direction. The deterioration of society is a concept often explored biologically in novels, but less common, is the effect on everyday social constructs such as the position of women as a item that can be distributed and traded-in for a ‘better’ product. The Handmaid’s Tale elaborates the concept that, as societal discrimination towards women intensifies, gender equality deteriorates and certain aspects of societal freedoms are lost. Offred’s experience with serving Gilead demonstrates a victim’s perspective and shows how the occurring changes develope the Republic.

Throughout the first 15 Chapters we are provided with information, as narrated by Offred, with glimpses of her past life and her journey to the life she is now facing. These glimpses are not logical in their sequencing or chronological in the narration, therefore creating a feeling of disorientation among readers, a feeling matching that experienced by those living in this society. This also provokes many questions in the reader’s mind along with creating tension and expectation as to the nature of the procreation which we have come to

In Margaret Atwood’s, The Handmaid’s Tale she explores the concept of a not-so-distant future where toxic chemicals and abuses to the body have left many men and women alike sterile. The main character, Offred, gives the reader a first person account about her submissive life as a handmaid in the Republic of Gilead. A republic that was formed after a coup against the U.S. government. She and her fellow handmaids are fertile women that the commanders of Gilead ‘enslave’ to ensure their power and to repopulate their ‘society’. While the laws that govern the people of Gilead seem outlandish and oppressive, they are merely

In her 1985 dystopian novel The Handmaid’s Tale, Margaret Atwood has created the fictional Republic of Gilead, in which women are heavily oppressed by the newly installed regime. The new regime values women solely on their fertility, thus objectifying them to no more than a means of reproduction. By confiscating control over the process of and the rights to reproduction, the Gilead regime denies women ‘’any sense of control or independence’’ (Byrne). In this essay, I will argue that, although the female body is the main subject of oppression in Atwood’s The Handmaid’s Tale, it is also the key to resistance for women in the so-called nation of Gilead, and that women hold the ultimate bargaining power, as they have the ‘’final say’’ on what happens to their bodies.

The Handmaid’s Tale by Margaret Atwood explores how societies, such as Gilead, exist as a result of complacency as the novel serves as a cautionary tale to future societies. Through ‘The Historical Notes’, Atwood explores the continuation of patriarchy and how the female voice is constantly undermined by the male gaze. Dominick Grace’s analysis of ‘The Historical Notes’ ‘questions … the authenticity’ of Offred’s account as it relies purely on the reliability of memories, which are subjective.

The Handmaid's Tale, by Margaret Atwood describes the story of Offred, a Handmaid, that is a woman ascribed a breeding function by society, and who is placed with a husband and wife higher up the social ladder who need a child. Through Offred's eyes we explore the rigidity of the theocracy in which she lives, the contradictions in the society they have created, and her attempts to find solace through otherwise trivial things. The heroine is never identified except as Offred, the property of her current Commander, she was a modern woman: college-educated, a wife and a mother when she lost all that due to the change in her society. The novel can be viewed from one perspective as being a feminist depiction of the suppression of a woman, from another

The Handmaid's Tale, a film based on Margaret Atwood’s book depicts a dystopia, where pollution and radiation have rendered innumerable women sterile, and the birthrates of North America have plummeted to dangerously low levels. To make matters worse, the nation’s plummeting birth rates are blamed on its women. The United States, now renamed the Republic of Gilead, retains power the use of piousness, purges, and violence. A Puritan theocracy, the Republic of Gilead, with its religious trappings and rigid class, gender, and racial castes is built around the singular desire to control reproduction. Despite this, the republic is inhabited by characters who would not seem out of place in today's society. They plant flowers in the yard, live in suburban houses, drink whiskey in the den and follow a far off a war on the television. The film leaves the conditions of the war and the society vague, but this is not a political tale, like Fahrenheit 451, but rather a feminist one. As such, the film, isolates, exaggerates and dramatizes the systems in which women are the 'handmaidens' of today's society in general and men in particular.

Offred, within the novel, is seen as being in one of the lowest classes within the hierarchy of women only putting her above the women who are sent to the colonies. Unlike the handmaids, the Martha, who are helping ladies to the Wives, talk about Offred like she is not in their present but viewed her as “a household chore,one among many”(Atwood 48). Although the Martha are women too, they have more control than Offred. By viewing Offred as a household chore conveys that Offred is an inconvenience but still a necessary part of Gilead. Speaking about Offred like this emphasizes that she is below them in the status of society and they are not seen as equals. In addition, Offred, being a handmaid, wasn’t allow to talk to the Wives in a direct manner (Atwood 14-15). By Offred not being allowed to talk to the Wives illustrates that the Wives authority over the handmaids. Furthermore, the handmaid’s are viewed as less and “[reduced]... to the slavery status of being mere ‘breeders’” (Malak). By conveying the handmaids are slaves shows are they force without consent to have sex with men and that the handmaid focus is to breed, unlike the Martha, aunts, and Wives. Moreover, the class system within the female hierarchy of Gilead is utilized as a political tool thus adding to the assumption

Parents typically don’t want their children reading in depth books about sex; however, The Handmaid’s Tale offers great fictional examples that teach sexism and the mistreatment of women, yet these examples can lead some in the wrong way. Therefore depending on the view in society, The Handmaid’s tale should be banned or kept to certain areas of the world because of the unfair treatment of women.

Margaret Atwood’s harrowing novel, The Handmaid’s Tale, follows the story of a woman marginalized by the theocratic oligarchy she lives in; in the Republic of Gilead, this woman has been reduced to a reproductive object who has her body used to bear children to the upper class. From the perspective of the modern reader, the act of blatant mistreatment of women is obvious and disturbing; however, current life is not without its own shocking abuses. Just as the Gileadian handmaid was subject to varied kinds of abuse, many modern women too face varied kinds of abuses that include psychological, sexual, and financial abuse.

In Margaret Atwood’s ‘The Handmaids Tale’, we hear a transcribed account of one womans posting ‘Offred’ in the Republic of Gilead. A society based around Biblical philosophies as a way to validate inhumane state practises. In a society of declining birth rates, fertile women are chosen to become Handmaids, walking incubators, whose role in life is to reproduce for barren wives of commanders. Older women, gay men, and barren Handmaids are sent to the colonies to clean toxic waste.

In Margot Atwoods “The Handmaids Tale”, she introduces a dystopian world where women slowly start losing all of their freedom. They are only deemed useful to exist

Her relationship with the commander is transient--one of convenience and necessity. Her feelings for him are ambiguous, and confusing even to her. She muses: "I ought to feel hatred for this man. I know I ought to feel it, but it isn't what I do feel. What I feel is more complicated than that. I don't know what to call it. It isn't love" (76). So we see that Offred sets up this relationship as the antithesis of romantic love--a foil for her relationships with both Luke and Nick. It is forced: a physical act devoid of desire, and in it she feels dominated and trapped. How she describes herself in relation to this situation, even at her most empowered (when she is with him in her office), is very revealing. Calling herself "an attentive pet, prick-eared and eager to perform" (238), she tolerates this relationship for the tiny bit of power it can afford her in this dystopic society. And yet, there is something more to this, because she admits to taking an interest in their social interaction: "I don't love the commander, or anything like it, but he's of interest to me, he occupies space, he is more than a shadow" (211). This last

In The Handmaid's Tale, Margaret Atwood explores the role that women play in society and the consequences of a countryís value system. She reveals that values held in the United States are a threat to the livelihood and status of women. As one critic writes, “the author has concluded that present social trends are dangerous to individual welfare” (Prescott 151).

The Handmaid’s Tale is more than just a vision of patriarchy toppling American society. It also involves the complex collaboration of men and women working to institute a new regime that limits them both. All the same, in accordance with her definition of speculative fiction, she was systematically conscious of including only documented forms of control and punishment that had been used elsewhere in the Western world. “I did not wish to be accused of dark, twisted inventions, or of misrepresenting the human potential for deplorable behaviour,” she explained in her 2005 Guardian piece.