The First Example Of The French Baroque Style In Paris

Answer: Baroque culture grew out of an effort by the Catholic Church in order to attract more followers. Architecture was important because it was used by kings in order to enhance their images to try to appear glorious. The baroque architecture was the dominate style of absolutism, it was a dramatic and emotional style. The royal palace was a favorite architectural expression of absolute power. Peter the Great wanted his form of baroque architecture to be in the form of a city. Therefore a new city was created by peasants.

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The building is four stories high made of brick, tile, and concrete. The east façade also has Classical features such as a frieze, dentils, cornice, raking cornice, entablature and an architrave. The front of the façade was adorned with floral coffers, corbels, as well as post and lintels (Photo 2).

Baroque painting contained dramatic details, large in scale and was full of energy. This style was intentionally non-symmetrical. The painters of this time were looking to capture the real feelings of their subjects along with the movement or action taking place.

The Second Empire architecture that inspired this building reflects the popularity of the French designs during the reign of Napoleon III. As one beholds the exterior of the courthouse from top to bottom, it displays the distinctly cut angles of native limestone along with the craftsmanship of ornamental features. The building soars upward three stories, where it is topped with a clock and bell tower,

The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like

On the other hand, the facade also shaped the new order of French architecture because Claude Perrault used the Facade to support his own theory and solve the span’s problem by

part of the 16th century and continued to be used well into the 18th century.

The style known as classical is a form of art or architecture influenced by the ancient Greek and Roman designs and styles (“Classical Architecture”). The classical styles use lots of round arches, straight columns, and domed roofs (Frey 325). The patterns and geometrical designs tend to be symmetrical and in a form of mathematical proportion (Nelson). A famous structure that uses these features is the Pantheon in Rome. The Pantheon has a huge dome along with multiple straight columns holding up the front (Frey 12). Greek and Roman architecture is slightly different than Renaissance architecture because Renaissance architecture shows the architect’s own feelings and attitude in their works (History of Western Architecture). Another difference between Renaissance architects and classical architects is that Renaissance architects trained as humanists. A humanist is someone who focuses a lot on how their work of art is conveyed and what message their work may send (Frey 325). Brunelleschi’s designs are clearly inspired by classical styles, they will also have signs of his own

Baroque and Rococo architecture and design were two different movements that followed on one another and featured many different similarities as well as differences that distinguished them from one another. The Baroque movement followed the end of the Mannerism movement and grew on some features that Mannerism is known for. When looking at Baroque architecture and design you begin to notice the key features that Baroque is known for. The exterior, as well as the interior, features an oversized scale. Il Gesu which is an Italian Baroque building features this. You can see on the front facade that the door is extremely tiny compared to the large scale of the building. Also on the exterior, there are cartouches which as designed to showcase an individual and mark who that individual is. This is also featured on the inside of the buildings as well, in Il Gesu when you walk in you are meant to feel small and tiny which was the design intent behind the dramatically large scales. The design intent is due to the fact that they wanted you to fell small and superior to the higher power, as in God. During the Baroque movement, religious leaders want you to get back into the church after the reform with Martin Luther and Lutherism. This symbol of higher power was

Baroque is a musical era that falls between two other important eras in music. These two eras of music are the Renaissance Era and the Classical Era. This is roughly a period between the 1600s and 1750. The era of Baroque music was one that showed spectacular progress of knowledge with scientific discoveries, mathematical advances, and philosophical explorations (Thornburg, 2014). The music from this era can still be recognized today. “Music from the Baroque period is the earliest European music which we still generally recognize, whether it is the theme from Masterpiece Theater, the “Hallelujah Chorus” from Handel’s Messiah, or any number of other pieces (Thornburg, 2014)”. Most of the Baroque music of that time was written on demand for specific occasions by those who thought of themselves as craftsmen instead of artists. In listening to this style of music, there is a regular,

Baroque “is a French variant of the Portuguese barroco, meaning an irregular, and therefore imperfect, pearl.” (Adams 333) Baroque originally began in Rome and prospered between 1590-1720 and was prevalent in in painting, sculpture, and architecture. Baroque artwork reflected the religious and political tensions of the time and was heavily influenced by the desire of the Catholic church in Rome. In relation to the meaning of the term Baroque “Baroque tended to be relatively unrestrained overtly emotional, and more energetic than earlier styles”. (Adams 333) This was in drastic contrast compared to the previous dominating style of idealism fostered by the Renaissance hence why it was dubbed “irregular”. Baroque artist tended to disregard aspects

one that was a signature for associated with his name, which set the structure apart. Another major turning point for the French classicism design is when, “Louis XIV rejected Giovanni Bernini’s curvilinear design for the east facade of the Louvre in favor of Louis Le Vau and Claude Perrault’s more classicizing design with its celebrated colonnade (1667–70)” (Spicer, 2001). This decision set the French apart from the adopted form of Italian baroque, rejecting the exuberant behavior of common Italian practices during the time period. During the seventeenth century, the common practice for important building design was to include all prominent art forms in the research and development. We can see this happen in popular buildings such as the Louvre, where Louis Le Vau and Claude Perrault designed portions in unison. Arguably the most important building to come out of the mid-seventeenth century is the Palace of Versailles outside of Paris. The designers Le Vau, Mansart, Le Brun, and Andre Le Notre all worked in conjunction to complete everything from the building design to the colossal gardens and fountains. Another notable feature of the early-seventeenth century is the emergence of dignified, attractive city squares. A strong example of such square is the Palace of Vosges in Paris, constructed in the early-seventeenth century, incorporated a King’s house, Queen’s house, and a handful of steeply-pitched roofed buildings to form the square for festivities. Constructed of stucco

To understand the characteristics of Baroque style is to truly understand artistic measures of the sixteenth to eighteenth centuries. Baroque, a single word describing an entire period of art, can be broken down into more than one actual form of art. The new European age birthed this developing style of architecture, coming from ideas on religion and politics. Set apart in three different countries, visitors of St. Peter’s Basilica, Versailles, and Hampton Court Palace, engulf themselves in historic Baroque styles and beauty. The international style “was reinterpreted in different regions so that three distinct manifestations of the style emerged” (Matthews 392). The florid, classical, and restrained baroque design of the three different buildings gives us a historic lesson on the reasoning behind its purpose.

This mountainous structure is seen from about every point of Paris and beyond. From the front, you can see two towers jutting out of an ordinary street. The Cathedral also features large stained glass windows, that are one of the most beautiful features of the structures. From the side, you can see the long body of the Cathedral and the spire sticking out of the top. It is somewhat overwhelming being within feet of the structure, because of the immense height and width of the church. Looking at the back, one can clearly see the dome-like structures attaching to the organ room. From the outside, you can clearly see the sculptures depicting the scenes from the Catholic religion. The cathedral is gigantic, but it is easy to process all the sections because of the distinct styles of architecture. From an