The First Homeric Hymn Of Aphrodite

In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.

The Homeric Hymn to Demeter tells the story of Demeter, the goddess of fertility of grain. Demeter has a daughter with Zeus by the name of Persephone. The hymn explains the strong bond between Demeter and Persephone and how distraught Demeter is when her daughter is abducted. This traumatic event causes Demeter to live among mortal men disguised as an old woman and withdraw the fertility of the earth. In this paper, I will examine how the Homeric Hymn to Demeter operates as a charter myth, or narrative that explains modern practices, and how successful the hymn is in conveying the modern practice.

The Homeric Hymn to Demeter details the kidnapping of Persephone and the consequent fallout of this event. The myth itself represents a change in the structure of Greek myth, shifting from a centrally matriarchal system to that of a patriarchal. By casting feminine traits in a negative light and masculine traits in a positive light, the myth spreads a new ideology to the formerly matricidal Greeks. When taken individually, each of the scenes could be construed to be symbolic of this new system crushing the old one. However, on their own, no one scene can encapsulate this shift. Instead, viewing the myth as a whole is the only true way to expose the shift in cultural opinion.

Aphrodite is growing quickly. She appears to thrive on the attention she gets from us: her mother and father. Strange words those, but also true in our case. It is odd to know that we are the parents of a child; one that we will watch grow up and become a leader of our new world. That is a great future to behold.

Meanwhile, there was the mighty Zeus, the king of the gods, who was married to the goddess Hera. Hera is the goddess of War and Honesty, but she had an awful temper and often took it out on her husband, Zeus. Hera only loved Zeus because he was the king of gods and she wanted some of that power for herself, so she never let him leave her side, and although he was her husband, she talked badly about him, and constantly blamed and insulted him. Aphrodite witnessed this many times and started to feel empathy for Zeus, she knew Zeus was kind and didn’t deserve to be treated like that. At this, anger burned inside of Aphrodite for Hera and what she did to hurt Zeus, and as this anger burned she felt a passion. Aphrodite casually began to develop feelings for Zeus. She always told herself she shouldn’t, that Zeus was married and she needed to stay away, but she couldn’t help how she felt for Zeus.

Holding great influence over both gods and mortals, Aphrodite could have anyone or anything she wanted. Using her unique powers, she could charm and convince her various desired lovers for much more than love and romance. Many have said that she was the goddess of lust, desire, trickery and sex appeal. Either way, Aphrodite had an assortment of engagements with other mortals and immortals. Her most recognized encounter was with the notorious Ares, who later went on to take the actual title of being her husband.

Aphrodite represents erotic love as a fascinating form of divine influence. The nude Aphrodite has powerful meaning and

For this informative report I will attempt to point out the roles women and how they are viewed in ancient Greece. I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?"

     Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.

Firstly, in the outset of the play, Aphrodite’s speech is necessary for both plot development and characterisation. Her contempt towards Hippolytus and her dark intentions are at first revealed to

Homer’s epic, The Iliad, highlights the influence and jurisdiction that beauty provides. The prizes and glory a man accumulates from war measure his power, while beauty measures a woman’s power. Since conquering a woman is the ultimate prize to a man, her beauty represents ultimate power. Though the beauty of mortal women has the power to turn men against each other, mortal women have no influence over this power and are instead objectified by men. Immortal women, however, have authority over their beauty and are able to control men with their power. Helen, on the other hand, though mortal, has the beauty of a goddess. Yet, Helen is bound by her fate to Paris, making her power obsolete. By presenting Helen’s hopeless power and supplying the reader with insight on her suffering through her thoughts, Helen is portrayed as a tragic hero.

The Homeric Hymn to Demeter addresses the fate of Persephone is in the hands of others and is removed from freedom of choice as she is portrayed as a minor. In effect, it is symbolic of the power family holds as the actions of her mother, her father Zeus and her husband Hades determine her path. The text accustoms nickname Persephone throughout the passage as the ‘Core’, the ‘Girl’, or ‘Virgin’. These nicknames assume her role as an underage girl not responsible for her life decisions. The Hymn begins with highlighting the role of the patriarch in a family Zeus as both the head of the family and the other gods who must defer to him as he arranges Hades to take Persephone against her will. As Demeter struggles with the mourn and loss of her child she begins to abandon her reproduction responsibilities and Persephone is ordered to go to the side of your dark robed mother. However, Hades persuades Persephone to eat pomegranate seeds, representing the loss of her innocence as it spiritually bounds her to Hades. Zeus accustomed to be acknowledges as the father of justice and good government rectifies the issue with the arrangement that Persephone remains with Hades however returns to her mother and the Gods for 2 thirds of the year. The Fate of Persephone portrays the common marriage cycle that pertained in Ancient Greece whereby it held the connotation of death for the maiden and submission and adaptation into their Fathers orders.

was jealous of the beauty of mortal princess Psyche and told her son to make her fall in love

It is almost like Aphrodite’s strengths are explained only to bolster up Zeus’ feats. Zeus uses this power, and “into Aphrodite herself Zeus sent sweet desire to sleep with a mortal man” (citation). Zeus is never reprimanded for this, despite the fact that it appears he used this power to admonish Aphrodite’s pride and powers. Its these same virtues that Zeus thrives through, ensuring that he is the only one who can boast these assets, so no one can challenge his authority. This authority is reference in the Hymn to Demeter, when Persephone is abducted and she calls “on Father Cronides, the highest of gods and the best. But no immortal god or mortal man heard her voice” (citation). When Zeus does not help Persephone, though, she is never abandoned, for “Thereafter for nine days Lady Deo roamed the earth” (citation). Demeter will not stand by while her daughter is abducted, going and asking of other gods, “Who it is that has gone off and ravished her away from me against her will? Who is it of gods or mortal men?” (citation). When Demeter discovers that “There is none other responsible of the immortals but Zeus himself,” Hecate tries to coax Demeter down, and although she “greatly pit[ies] and revere[s Demeter in her] sorrow,” she asks of Demeter, “Goddess, cease from your long lamenting. It is not fitting for you vainly to hold onto anger unassuaged like this” (citation). However, Demeter does not relent, and “grief more dread and bitter fell

A Similarity of both Apollo and Aphrodite manipulation is the revelations of the motives are revealed before their actions take place. In the first Homeric Hymn to Aphrodite, the story describes the beautiful, virgin goddess who falls in love with the mortal, Anchises. Aphrodite eludes the most powerful Greek god Zeus and in retaliation, Zeus forces Aphrodite to fall in love with a mortal which eventually leads to her falling in love with Anchises and have sex with him. Aphrodite intentions are made clear before any actions take place and is described, “And when she saw him, Aphrodite, lover of laughter, she loved him, and a terrifying desire seized her heart” (Aphrodite 87-88). Comparing this hymn to the second Homeric Hymn to apollo, the story has similarities to the story of Aphrodite. For example, Apollo also reveals his