The First Museum I Visited Was The Museum Of Fine Arts.

Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.

Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.

     Obviously, lots of squares and rectangles are used in this painting. It helps the flow of the painting. When you notice one square or rectangle in the painting, you notice another one close by, which leads your eye around the room back

The painting depicts a singular mountain with trees and abstract landmasses in the foreground. The trees are placed in such a way that they seem to echo the shape of the mountain. This is an example of Cézanne’s attempt to created a structured composition out of the scenes that he observes in nature. Cézanne was not depicting nature as it was, but rather he was, as he called it, making “a construction after nature” (Stokstad,1013). This is one idea that lead Cézanne away from the impressionists, who were more concerned with reproducing on canvas exactly what their eyes perceived. Another thing that was different between Cézanne’s style and the impressionists’ was the way that he applied paint to the canvas. For example, in this painting, the trees and land in the foreground are loosely painted in; their forms are created by an amalgamation of colored blotches. The blotches of color often bleed into each other, and the forms that they represent begin to dissolve. The image is flattened by the ambiguous forms in several spot in this painting, creating a disruption in the illusionistic space and bring the viewer’s focus on the inherently flat surface of the painting. The most effective technique that Cézanne employs in his attempt at depicting space in this painting is atmospheric perspective. Coloring the mountain with the same shades of blue

Interestingly, my first visit to the Museum was almost accidental. When I was a freshman, my mother was taking an art class at the College of Staten Island which required a class trip to the Metropolitan Museum, and my brother and I both agreed to accompany her. I will never forget the moment that I first laid eyes on the Metropolitan Museum. Although it was a dark, cold winter night, the shimmering lights made the building most inviting. As we crossed the threshold, I was struck by

Space and colors dominates this piece of art. The artist used a three dimensional space where the road angle created a 3-D look. The road is going narrow as it goes towards the back part and the artist make it look like more realistic by making the trees smaller as well. White and blue color dominates the drawing. Blue symbolizes so many things

4. Space- Perspective is demonstrated in many ways. This artwork takes up almost the whole canvas. The horses on the edge look like they were maybe even squeezed in. All of the characters in this artwork look to be congregated to the middle of the painting, besides the villages in the distance. Linear perspective is used in the placement of the villages in the background and in all the men and horses, which are grouped in the middle of the screen. Looking at the features in the painting I notice the use of overlapping and vertical placement, which both imply depth. The horses overlap each other as well as the gentlemen and other elements of the painting. The brown horse’s head overlaps the black one hiding its mouth. The villages and hills in the background appear to be very far away (diminishing size); they look smaller and distant from the rest of the main aspects of the painting.

Further more, in the painting, “the Gleaners”, the entire screen is filled with contrast elements. First of all, the main figures in the front labor scene are full of rich vigor, contrasting to the background with silent objects such as hay, trees and farmhouse. Secondly, the color brightness of the front contrast to the back, as well as the comparison of relative sizes between figures and scenery, applying the principle of perspective. What’s more, the most classic is the horizontal line, the intersection of the sky and the ground, contrasting with the light source, from the top left. Consequently, 2D and 3D spatial effects are combined precisely. Meanwhile, the sense of space of the image is strengthened as well.

We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.

Before I went to the museum, my prospective about a museum was poor expectations. What can a museum will offer? , this was one of the questions that I always had in mind. For these reasons, I never thought that I could enjoy a museum tour. However, everything change after visited the Phoenix Art Museum. I went to the trip with poor expectations, but since I arrived in the lobby with all of my classmates and the professor. I started feel that this trip will be sash an educational experience.

Please do not touch any of the artifacts included in the exhibit, and show respect to other visitors by remaining quiet throughout the exhibit. If taking pictures, please ensure that your flash is turned off. If you require assistance or have any questions during the tour, ask one of the museum attendants. Refer to the floor plan for guidance through the exhibit.

Hill painted a perfect looking scenery which made it realistic as if a real scenery picture was taken with an advanced technology. Hill applied a wide range of vivid colors to help enhance this piece more. If I was to visit a senior citizen home and had to depict this painting to a blind fe/male. I would start off by saying firstly, my attention was drawn towards the upper atmosphere’s bright blue color which reflected from the large body of water underneath it. Which is often associated with feelings of breaths slowing down and when one reaches a certain state of relaxation. Secondly, by imagining one mashing a pillow against their palms I was able to feel the fluffiness of what floats in the sky. In order to picture, the way the sizes and shapes change I would compare it to when one

The art work has great use of line an obvious example is the stars as they connect to one another. Also the man he is made up of lots of different lines. I don’t see any form in this painting. There are lots of shapes the mans body is made up of several different shapes. The work of art appears somewhat serious as a result of the dim hues and rakish appearance of the man. The colors used in this painting are different value of blue and brown and also black, white. The art work shows mass by the mans legs in comparison to the rest of the

Another main focal point in this canvas was subject matter. This is where the objects or events are described. The artist gives us different objects such as the old couple seems displayed as depressing. Or you can observe it as normal couple, walking across the river, enjoying the night. He also gives us a boat which could possibly be giving us a correlation because the boat looks like it’s broken or about to sink. There is also another interpretation with the object that Van Gogh displays which is, the stars. Depending upon which way you want to take it, they look like flowers or fireworks. Also, there is a sense of false appearance with the houses. If you stare at just the bank you will notice that it is just a bunch of bright lights but if you pay attention to the water close to the bank, you will acknowledge the darkness or shadow of the houses.