The First Novel Nausea By Jean Paul Sartre

The main character of Kafka’s book, The Metamorphosis, is a normal, everyday salesman named Gregor Samsa who happens to wake up one day only to find that he had suddenly become a hideous insect overnight. Throughout the book, Gregor experiences neglect, disgust, and eventually complete isolation

“The Metamorphosis” is a surreal story by Franz Kafka surrounding the transformation and betrayal of Gregor Samsa, who wakes up one day, reborn into a large insect. Along with the bizarre and nightmarish appearance of his new hard back, brown segmented belly, and many legs, Gregor only desire is to live a normal life, unfortunately, this is impossible because he struggles to even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing human form, Gregor is automatically deprived of the right to be a part of society. Franz Kafka could relate to Gregor because he too was mistreated/neglected by his father and worked a job that he was unhappy doing. Franz and Gregor both were providers for their families. Alienation, isolation, and loneliness were not hard to recognize during the Modernity and Modernism time period.

Aaron Moss Mrs. Stockton AP Lit 20 October 2017 Kafka's Use of Disquietude and Pleasure Repulsing imagery, such as a large, monstrous bug, is hardly considered a pleasant introduction to a story. More often than not, such imagery forces the reader away from the story thus preventing an author's work from being read. Despite this, Franz Kafka managed to do the complete opposite in his novella, The Metamorphosis. Kafka begins the novella with a repulsing image of a large beetle, but, instead of only creation a mood of disgust, Kafka manages to also make the introduction enticing and pleasing through the use of eloquent diction.

In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.

Ralph Freedman’s critical essay titled “Kafka’s Obscurity” on Franz Kafka’s The Metamorphosis delves into the idea that from changes in the protagonist’s physical limitations, familial bonds, and his being “[he] is finally reduced to a mere speck of self-awareness which is ultimately extinguished” (Freedman 131). General questions of “why” and “how” are almost immediately dismissed due to the calm and monotonous tone that Kafka implements throughout the novel. Instead, the reader is encouraged to ponder the consequences of separating one’s mind from their body, in particular, how long can their humanity stay intact when the rest of them is replaced. Freedman reveals the “paradoxical” (Freedman 131) nature of The Metamorphosis in which the demise of one’s life may also be blissful release, especially when the individual in question was arguably inhuman to begin with. The transformation itself is emphasising the character’s current dejection and is highlighted by the transformations mirrored in the family as well.

Franz Kafka led a life filled with struggles, particularly evident in his relationship with his father. His experiences and feelings in life are manifested throughout his writings, as the themes in his life dominate the themes of his works, especially so in his novella, The Metamorphosis. Through his extended metaphor of Samsa as a vermin, Kafka illustrates the family dynamic present throughout his life, that of his family, and particularly his father, devaluing and isolating him.

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

In Franz Kafka’s novella, The Metamorphosis, the travelling salesman Gregor Samsa wakes up one morning, in his family’s home, to find “himself changed in his bed into a monstrous vermin” (Kafka 3). While this immediate physical change, supported by ensuing physical imagery, suggests that the “metamorphosis” introduced in the title is purely physical, other interpretations are also possible. When the reader relies upon the extended and embedded metaphors present in this text, he or she may construe Gregor Samsa’s transformation as an emotional, mental, or internal change. It is a combination of both physical and nonphysical interpretations of Gregor Samsa’s metamorphosis, however, which produces a multifaceted,

In Philip Roth’s most controversial novella, The Breast, David Alan Kepesh goes through the sudden metamorphosis from the highly respectful figure of an associate professor, a loving husband and a prodigy son, into a shameful grotesquery of a body-length female breast. Likewise, the diligent sales representative, supporter of his family and self-denying son, Gregor Samsa in Franz Kafka’s The Metamorphosis wakes up one cold winter morning to the sudden change of his body into a debased beetle vermin. Although a span of seventy-five years separates these metamorphoses__Kepesh’s in U.S.A in 1972 and Samsa’s in Germany in 1915__both men seem to face an identical dilemma that spurs their transformation into these humiliatingly grotesque

Analysis of the story “The Metamorphosis”, by Franz Kafka was written back in the early 1900’s, but reflected a more modern way of thinking and lifestyle of today. Gregor felt that he was a slave to his job, isolated from his co-workers, and misunderstood by his family. Although that is the norm in today’s society, it was not the norm back then. In the story Gregor finds himself transformed into a cockroach and his internal struggles become a permanent reality. Kafka’s choice of the family member to play the role of the cockroach was necessary in portraying the curse of the working man only living each day in hurried lifestyle with no freedom.

The Metamorphosis (Die Verwandlung 1912), Franz Kafka’s best known short story, is a master work of incredible psychological, sociological and existential malaise. Although his points are simple and straightforward, this richly layered and textured story is open to many interpreta-tions, making it complex, yet critical to decipher. There is an incredible amount of theories based off of what this story could possibly symbolize or represent, but it is of the autobiographical in-terpretation that is undeniably the most enlightening. This interpretation allows the reader to gen-uinely understand the tale on an intense level that would not be able to be reached, otherwise. In order to gain true insight on the autobiographical approach to The Metamorphosis, a brief examination of his life is required; his thoughts, his beliefs, the acknowledgment of the cruel circumstances of his life, especially his home life, must be made clear that the anguish of his own world is the model for the themes in his stories.

The Metamorphosis by Franz Kafka is a novella that begins with an absurd concept. A man wakes up one morning to find himself transformed into a giant insect. While this concept for a story is certainly absurd, Kafka contrasts this plot with a rather dull, plain narrative. It may initially seem novel to explain a ridiculous situation in a simple manner, but this causes the novella to be quite boring.

Franz Kafka’s The Metamorphosis is a masterfully written novella about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understand the relationships around him. The underlying theme of The Metamorphosis is an existential one that says that any given choice will govern the later course of a person’s life and that a person has ultimate will over making choices. In this case, Gregor’s choices of his part in society cause him to have a lack of identity that has made him to be numb to everything around him.

Authors composing creations in an existentialist atmosphere are regularly sadistic in the ways they ponder. Existentialist novels incorporate bizarre concepts, but they also contain concealed pragmatic themes. In The Metamorphosis by Franz Kafka, the author utilizes existentialism and the id of mortal creatures and the theme of isolation to dehumanize the protagonist throughout the novel; thus, Kafka produces a petrifying novel.

There exists no one true approach to examine writing; consequently, Literature continually proves to be a misunderstood art. Emerging through time, theories have been conceived due to the study of literature, but different readers believe in different theories. For instance, Franz Kafka’s short story, The Metamorphosis, may be interoperated countless ways do to its intricacy, as well as by varying literary theorists. Kafka himself and historical background may even be scrutinized, when studying The Metamorphosis. Complexity in The Metamorphosis lies throughout the entirety of the story, for the story tells the telling tale of salesman Gregor Samsa and his time as a gigantic insect (Kafka). Despite their differences, Biographical Criticism, Historical Criticism, Psychoanalysis, and Marxism all provide methods by which to analyze Kafka’s The Metamorphosis.