The First Time I Touched a Girl Essay

The tragic figure in Mary Shelley’s horror novel Frankenstein, Victor Frankenstein, is truly an instrument of suffering for his loved ones in his life. Frankenstein’s Creature horrifies Frankenstein and sets off a series of events that corrode his relationships and harm his family and friends; furthermore, Frankenstein’s actions cause the innocent characters to suffer the most, which contributes to the tragic vision of the work as a whole.

Young Frankenstein has important visual effects that bring to this film a well-rounded sense of both frivolity and campy thrill. Satirically embodying the older films, Young Frankenstein includes overly dramatic scene transitions such as iris outs, wipes, and “fading to black”, like all classic Hollywood horror films. In classic Hollywood horror, there are lightening flashes, villagers carrying torches and monsters moving in slow motion. The

   Frankenstein can be read as a tale of what happens when a man tries to create a child without a woman. It can, however, also be read as an account of a woman's anxieties and insecurities about her own creative and reproductive capabilities. The story of Frankenstein is the first articulation of a woman's experience of pregnancy and related fears. Mary Shelley, in the development and education of the monster, discusses child development and education and how the nurturing of a loving parent is extremely important in the moral development of an individual. Thus, in Frankenstein, Mary Shelley examines her own fears and thoughts about pregnancy, childbirth, and child development.

Frankenstein, a novel first published in the year 1818, stands as the most talked about work of Mary Shelley’s literary career. She was just nineteen years old when she penned this novel, and throughout her lifetime she could not produce any other work that surpasses this novel in terms of creativity and vision. In this novel, Shelley found an outlet for her own intense sense of victimization, and her desperate struggle for love. Traumatized by her failed childbirth incidents, troubled childhood, and scandalous courtship, many of Shelley’s life experiences can be seen reflected in the novel. When discussing the character and development of the monster, Shelley launches an extensive discussion on the

Frankenstein’s monster, a misunderstood creation fabricated by Victor Frankenstein in Mary Shelley’s classic story, has been terrorizing readers and audiences alike for well over one hundred and fifty years. Since the story was first written in 1818, there have been numerous plays, and over one hundred films, each adaptation trying to portray its own vision of the original story. Mary Shelley came to create “the prototype of a new literary genre – science fiction” (Hardwood 14) while James Whale crafted his beautiful film creation, Frankenstein, to portray conservative values and civil rights while still telling the classic story. Other versions of Frankenstein

While Mary Shelley’s best seller, Frankenstein may address many biblical allusions in the portrayal of its theme, the work contains a Christ figure which adds dimension and meaning to the story as a whole. Many aspects of this character tie into the biblical references throughout the story to create a cohesive theme. Overall, the novel is about loss of innocence, corruption, and death. By drawing parallels between the creation story, Satan’s fall from Heaven, Jesus’s forty days in the desert, the crucifixion and the resurrection, Mary Shelley creates representations for corruption, death, and pain. Quotes, characters, settings, and events all contributed to the mood, tone, and theme, and these factors work together to outline the frame for Victor Frankenstein, the Christ figure of the novel. Victor’s family and friends strongly resemble those of Jesus; the concept of the holy trinity can be drawn from events throughout the book, and the timeline of Jesus’s life is frequently alluded to. Overall, these parts of the novel complete the theme through the creation of a Christ figure and make the vision of this story applicable to life in the real world.

The Silence of the lambs (1991) is in doubt a film which demonstrates a well-constructed horror film. The film, ranging with scenes, shots, and frames that were well constructed to be identified as horrific. The films cinematography shifts the films narrative and impacts the film, especially the film’s frames. It seems reasonable to suppose that from the film’s frames and of those of the characters expressions, they shape the film’s genre to be horrifying, psychological, and thrilling and they guide viewers towards where the film’s narrative will lead to. Therefore, even a single or series of frames in the film such as Hannibal Lecter’s evil smile, Buffalo Bill opening the door, Hannibal Lecter standing in his cell, and the dialogue between Agent Starling and Hannibal Lecter, act collectively to represent and symbolize claims about the film.

Even Frankenstein, the monster’s creator, is blind to the innocence of the being he animates. Upon reflection, he recounts, “breathless horror and disgust filled my heart… unable to endure the aspect of the being I created, I rushed out of the room” (35), yet this rationalization lacks material justification. Frankenstein, as the creator, is endowed with a responsibility for the being he escorts into the world, a basic social value accepted by all. Nevertheless, he alienates his monster from its first breath, claiming, “no mortal could support the horror of [its] countenance” (36). Shelley employs this ironic twist of social expectations in order to emphasize the ability of visual bias to distort the expression of morality. To abandon a child is perceived as immoral, but to abandon a monster, born into the world with neither hateful bias nor malicious intent is acceptable. He is innocent in every aspect of disposition, yet society greets

“Frankenstein” is a gothic/science fiction novel that keeps the reader at the edge of their seat. It is filled with scenes of love, power, tragedy, and much more. This novel, is packed to the rims with themes and lessons, most of them dealing with creation; however, I wanted to discuss a theme that is lying beneath the surface and is buried in the text. This paper explores how Frankenstein mistakes friendship for possession. This theme will be analyzed using gender, class, a tone of disgust, possession, and disappointment, imagery of beauty, and lastly, metaphor.

In Mary Shelley´s Gothic novel, Frankenstein, the Monster once claimed, “The fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.” Frankenstein, since the 1910 film adaptation, has known a series of several adaptations that changed drastically, not only the plot but one of the main characters, the Monster, from stealing its creator´s name to being portrayed as a cold villain. Though, in the original storyline, the biggest threat to society is the creator itself, the one pretending to play as God, Victor Frankenstein. This essay will discuss the nature of the main characters of the novel and conclude who is the “real monster” in the end.

A predominant theme in Mary Shelley’s Frankenstein is that of child-rearing and/or parenting techniques.  Specifically, the novel presents a theory concerning the negative impact on children from the absence of nurturing and motherly love.  To demonstrate this theory, Shelly focuses on Victor Frankenstein’s experimenting with nature, which results in the life of his creature, or “child”.  Because Frankenstein is displeased with the appearance of his offspring, he abandons him and disclaims all of his “parental” responsibility.  Frankenstein’s poor “mothering” and abandonment of his “child” leads to the creation’s

Unequivocally within the ground-breaking gothic novel Frankenstein Mary Shelley calls upon her reader to feel a strong sense of sympathy for the creature dubbed a ‘monster’. Through depicting the creature as innately human through his desire for relationship and the challenges he faces at the hands of the prejudged enlightenment society he is brought into Shelley elicits sympathy from his situation. Ultimately however, the audience’s sympathies lie with neither Frankenstein nor his creation but rather it is those silenced within society, that Shelley depicts through the notable absence of the female gender that are portrayed as being most deserving of sympathy.

Over the years, the monster in Mary Shelley’s Frankenstein has become universally portrayed in one way: a tall, green-skinned, dumb brute with no language or reasoning abilities. Society has turned the story of Frankenstein into a mere horror story, dehumanizing the monster more than was intended in Shelley’s novel. However, the message of Frankenstein is a far cry from the freak show displayed by the media. While many people may only see Frankenstein as a grotesque story meant to thrill its audience, its purpose goes much deeper as it advocates for the equal rights of women in society.

Love is difficult to define, difficult to measure, and difficult to understand. Love is what great writers write about, great singers sing about, and great philosophers ponder. Love is a powerful emotion, for which there is no wrong definition, for it suits each and every person differently. Whether love is between family, friends, or lovers, it is an overwhelming emotion that can be experienced in many different ways.

I met her two years ago and we did not have much to say at that time. Little did I know that she would later steal my heart and become an intimate part of my life. As the saying goes "there is someone for anyone at any time in this life" and I was about to find out that this saying was so true. I have had a wall built around me and my defense was as a stronghold to protect myself from all the relationships that have come and gone over the years. I thought that I was meant to be alone in this old life and happiness was forever gone from me. This wonderful woman I am speaking of is Mary Doe, and the joy she has given me has revived my hope and faith that I may have finally found love and peace within. She has made me feel like I am a child