The Five Pillars of Art Appreciation
Pillar 1 Subject Matter: In artwork there is usually one main theme or subject matter to the piece. This focus allows the audience to understand or get a sense of what the artist is trying to get across. The subject matter of artwork is what tells the story when looking at a piece, it is usually takes up the majority of the canvas. Although it may be hard to identify for some people it is what the artist chooses to be the one main focus of the piece. In the Islam faith their first pillar, Shahadah, is the profession of their faith in one God known as Allah. Like in Islam, art in a creative way professes one purpose, one story, one subject.
Pillar 2 Lines and brushstrokes: The lines and brushstrokes of a
When I was reading your response to this week’s discussion, I noticed you made some important points that I agreed with. We both agree on the belief that architecture is and should be considered art. You mentioned in your response, that there are buildings globally that hold a historic artful meaning or appearance. I could not agree with you more, our book is filled with pictures of historic architectures that have beautiful art sculptures, paintings, images, and much more on them. Architecture I believe is another form of self-expression and another art form. According to our book, “Exploring Art: A Global, Thematic Approach,” written by Margaret Lazzari and Dona Schlesier, states that, “The designs of individual homes embodied climate concerns, aesthetic preferences, and cultural choices” (Lazzari and Schlesier 128). This quote to me means, that the art is present in architecture. The structure of the home is being built according to the owner’s likings and cultural beliefs. Which in other words is an example of architecture being self-expressed.
obliged to follow the ‘Five Pillars.’ They are 1) Muslim profession of faith or shahada, 2) Ritual
Describe each of the five pillars and reflect on why they are referred to as Pillars of Islam.
This artwork appears to be an abstract piece made from magazine clippings to create a collage. The artwork is a vertical piece that measures approximately 17 x14. It focuses in on the subject of a girl who is created out of neutral colors. She stands out against the rainbow background. In the background each clipping has a different element and pattern, but they all work in unison creating a rainbow background.
Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to
Just like everything else in life, art has its critics. Art criticism is the expression used to describe the act of making selective judgments, both positive and negative, about an art piece. Just as art is so diversely expressed and interpreted, those who critique it also have various methods and use various standards when criticizing an art piece. There are many theories critics use to evaluate art but there are three basic theories most commonly put to use by professionals. The three basic theories are: formal theories, contextual theories, and expressive theories. Formal theories focus on the formalities of art. Critics using formal theories pay close attention to the making of a piece, how each section of the art piece works to form a visual experience that may or may not attract the attention of those who come across it. Formalists’ attention is centered on the formal organization rather than the themes, which they deem irrelevant. Contextualists, on the other hand, value the theme and its relevance to the times in which the artwork was created. The contextual theories deal with the context in which an art piece is used; what it symbolizes concerning the culture and values of the environment. Lastly, there are the expressive theories. Expressionists are more concerned with the artist and the personal expression put into the work. Also, because art is a method of communication, expressive theories
The art piece that I chose to critique is the sculpture of a figure kneeling down and getting shocked. It is located on campus near the Morris University Center(muc). When I first saw this sculpture it caught my attention immediately, because of how gruesome the piece was. I feel like I don’t have a good understanding of what the sculpture represents, but it seems like it would raise plenty of controversy, due to its erotic features. It seems like the artist was venting his emotions when he created his idea. The sculpture is fairly large in size, which makes it noticeable, among the other art pieces on campus. The sculpture media consist of wood and concrete, and metal mostly. The individual is keeling down toward the west and is supported
Art is the theme of art, this means that the main reason artist design different types of art works is to bring about the visual satisfaction. One of the major reason as to why artist paint, draw or design their works is to have something to have look at. Therefore, before a viewer analyses a piece of art, he or she has to look at it as the first and foremost
Leonardo da Vinci’s masterpiece the Mona Lisa established a new type of portraiture; da Vinci painted the Mona Lisa over the time period of 1503-1507, during the height of the Renaissance. The Mona Lisa is thought to be a portrait depicted of Lisa Gherardini, the wife of Francesco del Giocondo. The work itself is s a half-length portrait of a woman, which has been acclaimed to be the best known and the most visited, work of art in the world. It was acquired by King Francis I of France and is now the property of the French Republic, on permanent display at the Louvre Museum in Paris since 1797. Prior to painting the Mona Lisa da Vinci also painted Ginevra de Benci, the first painting in Italy to portray a sense of unique personality and Lady with Ervine, a portrait of Cecelia Gallerani, all of which were front on portraits as opposed to profile.
A pillar in the Islamic religion is faith, also called Shahada, meaning the declaration of faith in the Arabic language
The first pillar of Islam is the Profession of faith, the Shahada. The profession of Shahada is the most fundamental expression of faith in the Islamic practice, it states that the only god id God himself and Muhammad.
Like many other religions, the Muslim faith has experienced many changes and branches. Like Christianity, the original faith is still practiced by some, but others have started new branches with their own unique interpretation being Muslim. Despite these differences within the Muslim religion, one set of rules for moral guidance is central to all. These rules are the Five Pillars of Islam. The Five Pillars act as a moral compass for Muslims and are universally accepted as they are mentioned specifically in the Qur’an, the sacred Muslim book of God’s words as they were recited to Muhammad (Molloy, 425).
The Mona Lisa, 1503 - 1506, painted on poplar wood (77 x 53cm) with oil paint.
The Resurrection of Christ is from the Baroque period. This work of art portrays the sense of dramatic antagonism that Caravaggio achieved by manipulating light across full range of tones, changing the intensity and transforming its radiance this was done so that every beam and shadow expressed a dissimilar emotional content. (Sayre, 2010) In Rembrandt painting he focused on using emotional contrast between light and dark tones to emphasize the emotional difference. Here you can see pure light radiating out of the tomb of darkness. Christ himself begins to rise from the tomb in the light of true symbolic
The readings for this week consisted of summaries in Applerouth and Edles (2016), excerpts from Discipline and Punish by Michael Foucault (1975), “Social Space and the Genesis of Groups” by Pierre Bourdieu (1982), “Outline of a Sociological Theory of Art Perception” also by Bourdieu (1968) and Orientalism by Edward Said (1978), as well as the article “Towards an ‘optics of power’: technologies of surveillance and discipline and case-loading midwifery practice in New Zealand” by Deborah Davis and Kim Walker (2013). All of these readings center on “Poststructuralism”, which Applerouth and Edles (2016) describe as being a response to “Structuralism” (Applerouth & Edles, 2016, pg. 644). Applerouth and Edles (2016) state that “From the perspective