The Folk Music Of The Civil Rights Movement

After watching “The Language You Cry In” in class, I found myself reflecting on how music has impacted my life and with whom I have shared it with. It’s truly incredible how a simple, 5 line chorus ultimately allowed this woman to discover her history as it traveled from Sierra Leone all the way to the Gullah society in Georgia. The really displays the power that music can have over not only individual societies, but over the globe. No matter what political movements were occurring and throughout the immense inequality and slavery that was being faced, music has always remained reliable. This song brought people together and allowed them to embrace their heritage even in the worst of times, and I believe that this is still true today.

During this call to action, people had different ideas on how to respond to the events surrounding the bombing on 16th street Baptist church. The response ranged from marching, protests, and most importantly, music. During the Civil Rights movement, music allowed artists to express their dissent through a medium in which their message could reach a plethora of peoples. Music during this time was also akin to the music effect of “work songs” sang during slavery as well as songs such as “we shall overcome” which draws parallels to songs sang as slaves attempted to escape to the north. Music also helped those involved in the civil

The rise of Soul music was a product of the particular environment of that time in which the musicians who created it lived, a period much paralleled with the Civil Rights Movement (CRM) and Black Power Movement (BPM) (Maultsby, 1983, 54). The objective of this research was to examine any existence of political and social messages delivered in Soul music around the civil rights movement era in America, which would lead to a better understanding of the role of Soul music having served in the process of political and social changes in the country.

The evolution of the 1960s “protest song” has typically been associated with Joni Mitchell, but the expanding range of protest songs in the 1970s defines her continued presence as a leader in terms of environmental activism. More than just a vestige of the late 1960s, Mitchell continued to write protest songs long after many other artists from the 1960s had changed their lyrical content. In the “mellow turn” of early 1970s country rock and folk music, Mitchell represented a new environmental shift that moved away from the proto-typical antiwar songs of the 1960s. Mitchell, along with other musicians of this era, defined a shifting musical focus on songwriting and musical presentation during the early 1970as:

We shall not be moved song is a song about colored fighting for freedom, being together fighting for their rights just like everyone else. They want to be free and equal just as the whites, these people are fighting for their freedom and the freedom of their children. This is the time where civil rights are in the making where people are speaking up to fight for what they believe in. This song explains “just like a tree that’s standing by the water” means that they are going to stick to what they believe in, they are not going to move for change to what they believe in for no one they believe something that is strong and they are going to support it. “The union is behind us” the union is going to to support them they too want the same for everyone

All cultures following prehistory had a musical background, therefore everyone can connect more effectively with a music containing a message than a speech, therefore spreading the message more effectively. “The freedom songs are playing a strong and vital role in our struggle” (MLK). In the case of the Civil Rights Movement, it was the prominent method to give the group a voice, represent them, and highlight their determination for social change. When times were hard for the movement, they would also rely on songs to sustain morale:

In the article, McCalla lists 10 famous songs about civil rights movement and analyzed their contents. "Oh Freedom" is about the call for freedom in the Civil Rights movement. "We Shall Not Be Moved" presents the determination in Civil right movement of face with govenment. "Go Tell It On the Mountain" is as an analogy for Martin Luther King and the Civil Rights movement. "Time They Are A Changin by Bob Dylan captured the spirit and essence of the change and turmoil that surrounded the Civil Rights movement". "Lift Every Voice And Sing" and " Strange Fruit" talk about ugly essence of lynchings racism and the opposition to the Civil Rights movement. Moreover, "People Get Ready" is about the optimism and excitement of the Civil Rights movement

Since the Constitution of the United States was written, Americans have practiced their right to freedom of speech as a way to express their point of view on issues facing the country. Over time, voicing one’s opinion went from outspoken newspaper articles to large rallies, and during the Vietnam War, music was a prevalent tool in aiding the protests. Allowing political messages to be shared nationally, the music had touched the lives of the younger generation. Author Jerome L. Rodnitzky explains in his journal, “The Sixties between the Microgrooves: Using Folk and Protest Music to Understand American History, 1963-1973”, how music was “trying to be all things

A common theme among many scholars is modern poetry lacks poetic merit. The modern version of poetry is more often than not, found as music and more specifically as lyrics opposed to stanzas. “Traditional” poetry is known for its poetic merit; however, modern poetry, music, also has elements that can be found in traditional poetry. Poetic merit usually refers to the use of numerous poetic elements: figurative language, imagery, symbolism, allusions, etc. Though scholars may regard music as lacking in poetic merit, the song “Glory” by John Legend and Common proves otherwise through its use of symbolism, alliteration, and allusions to put forth its emotional lyrics that depict the struggles of the Civil Rights Movement.

In the song “Glory” sung by John Legend and Common is a powerful song inspired by the Civil Rights Movement. The theme of this song is that resistance enacts change. There are several literary devices that convey the importance and power of peaceful protest such as allusion, symbolism, and metaphors. These three literary devices help to illustrate the struggle, dedication, and triumphs of those involved in peaceful protest of the civil rights movement.

Throughout the film Amandla! A Revolution in Four-Part Harmony, black South Africans began converting their historical roots in music into a fight for freedom. As these oppressed individuals struggled for racial equality during the twentieth century, music classified as freedom songs emerged as the fight against the inhumane Apartheid intensified. These freedom songs, which are performed and played throughout the film, protest white supremacy and segregation using a combination of inspiring and punishing lyrics to ignite a flame in the hearts of the persecuted. Black South Africans found a way to rally together, fight, and survive the National Party’s attempt at complete segregation through music.

I believe that it would be difficult for someone to make the argument that Negro spirituals have not been influential in the field of music, much less the realm of gospel music today. However, church members often do not make the time to reflect on the heritage of a hymn or song to realize the meaning that the particular piece has carried with it through the decades, even centuries. With this in mind, I am going to look at the history of the Negro spiritual and then at specific hymns in the 1991 Baptist Hymnal, published by Convention Press, to see just what impact the Negro spiritual has had on today's church music. I believe that we will find that these songs have had a

     The power of song helped slaves through their dehumanized lives. They created unity in songs of religion and denounced the power their masters held over them. They were going to rebel in all facets of life. Slaves knew “that a happy slave is an extinct man” (p.33). The meanings of these songs can not be overstated. One who knew the importance of song was Frederick Douglass. “They told a tale of woe...they breathed the prayer and complaint of souls boiling over with the

One of the most popular songs in the North and South was during the Civil War whih was “The Battle Cry of Freedom. It was written it 1862 by George Frederick Root, whom was an American composer during the era of the Civil War. The song possessed two versions in which it could be interpreted differently depending on the regions point of view. Both regions in the North and the South had lyrics that were modified when compared together. The Union and the Confederacy both demonstrates their mottos and their objectives.

“Where Have All The Flowers Gone?” by Pete Seeger became a popular anti-war protest song during the 1960s. This song did not only protest against the Vietnam War but also made their generation more aware about the global problems. Songs like “Not Ready to Make Nice” by Dixie chicks about freedom of speech was written after they received death threats for singing against the Iraq war, protests against the violation of human rights. But music is not only used to protest, it is also used to give hope and optimism. “We Shall Overcome”, a song sung by Guy Carawan together with the Montgomery Gospel Trio and the Nashville Quartet, is perhaps the best known example of civil rights song. Instead of blaming the government, this song registered a feeling of hope and faith among African-Americans during the civil rights movement.