The Forces of Evil in The Tragical History of Doctor Faustus, by Christopher Marlowe and William Shakespeare’s Macbeth

To begin, the witches are the catalyst to Macbeth’s crimes because the convince him that he will become king. Macbeth first meets the witches while returning from a gruesome battle and it is safe to say that they greet him with some audacious titles. They initially greet him as the Thane of Glamis and the Thane of Cawdor, but it is their final greeting which has the greatest effect on Macbeth. The witches hail Macbeth as someone “that shalt be king hereafter!” (1.3.53). This ignites a fire inside Macbeth, who is an immensely ambitious person. He begins to fantasize about the luxurious life he would have if he were the king of Scotland and he suddenly has the temptation to kill King Duncan. Although the witches’ prediction is favourable, Macbeth has no reason to believe them, at least until one of their other predictions turns out to be true. This

Macbeth murders many to gain power. He causes the suffering of families and murders former friends. The violence starts with the murder of the king, Duncan, who’d trusted and honored Macbeth; Macbeth kills him to gain the position of king. Duncan’s death is the catalyst; Macbeth subsequently begins to use violence as a regular way to attain power. He murders his former friend, Banquo, refusing to accept that Banquo’s sons will be kings as prophesized by the witches. He says in regard to the prophecy, “Rather than so, come fate into the list, / And champion me to th' utterance.” Instead of accepting fate, he challenges the prophecy and orders Banquo’s death. His final homicide is the massacre of Lord Macduff’s family. When Macduff hears of the brutal slaughter, he cries, “That were most precious to me. Did heaven look on, / And would not take their

If Macbeth didn’t know about this prophecy he would have happily took his position as Thane of Cawdor, but knowing he will be King drove him to commit murder. Macbeth was rapidly changed from an honorable general to an evil tyrant. “The witches did not tell him to commit murder; all that was necessary was for them to suggest the fact of the crown, and they could trust Macbeth to overcome the obstacles in his way just as they would have him” (Wiley, 45). This emphasizes the fact that the play is shaped by the supernatural. This lead to the murder of Duncan, then to get rid of his obstacles he kills the guards. The Witches also reveal “Thou shalt get kings, though thou be none” (1.3.67) to Banquo. This knowledge leads Macbeth to send Murderers to kill Banquo and his son. This is more evidence to show that the words of the witches construct the plays events.

Lady Macbeth has the power over her husband to persuade him into doing anything she requests. She manipulates Macbeth with incredible efficiency by overruling all of his thoughts and changing his perspective on the present. Even though the many tasks that need to be completed are difficult to understand why they need to be done, Lady Macbeth will always convince Macbeth to do it. Her husband often tells her that she has a “masculine soul” which is obvious due to her murderous and envious actions. When the time came to kill king Duncan, Macbeth believes that his wife has gone insane and tells her that the crime they were about to commit was a horrible idea. As a result of his questioning, Lady Macbeth says that executing the crime will show his loyalty to her. On the night of the assassination Lady Macbeth watched the guards of the castle become drunk and unaware of what was going on. Lady Macbeth sent her husband into the castle to kill King Duncan. The married couple fled the scene leaving the guards covered in the evidence. Lady Macbeth and Macbeth are stained with the blood of their victims and the feeling of guilt in their stomach.

Lady Macbeth- the malicious mastermind, and the second driving force behind the murders done by Macbeth, had believed that by portraying a man’s ways, she would attain power-for her and her husband, and gain whatever they needed without remorse or sorrow. Lady Macbeth urges Macbeth to frame two guards by getting them intoxicated and even prepares the murder scene for Macbeth to take King Duncan's life. Macbeth even questions his loyalty and righteousness in this moment by saying, “But in these cases, we still have judgment here…bloody instructions…return to plague the inventor” and . . .” He is here in double trust; first as I am his kinsman and his subject, strong both against the deed; then as his host” (I.VII.7-14). This just

Macbeth middling character is shown in these lines “If it were done tis done…first I am his kinsman and his subject...who should shut the door on his murderer” (I.vii.1-15). This suggests that Macbeth doesn’t actually want to kill Duncan. However, due to his tragic flaw of his pride and ambition Macbeth resolves to kill Duncan. We seen that Lady Macbeth in Act I insulted him as a man, warrior and husband. It was after such insults that Macbeth then decides to kill Duncan. Lady Macbeth is almost like the little devil portrayed on his shoulder whispering evil bad things in his ear. When Macbeth resolves to kill Duncan he sees a dagger floating in the air pointing towards Duncan’s chamber. Here he is presented a choice of whether not to follow through. “Is this a dagger which I see before me...A dagger of the mind a false creation,” (II.i.33.39). He also prays that the earth will not hear his footsteps as he completes his bloody plan. He doesn’t want anything including the earth to witness what he is about to do or is thinking of doing. “Thou sure and firm-set earth, Hear not my steps, which they walk, for fear” (II.i.57-58). Lady Macbeth rings the bell as a signal to let Macbeth know that the coast is clear for him to proceed with the evil deed. The bell symbolized both the final death of Duncan and Macbeth’s conscience a he chooses to actually follow through with the murder

h is portrayed in the beginning of the play as a courageous hero, whose valour is depicted as "he unseamed him from the nave to th' chops." Although he puts on a fearless persona during conflict, his soliloquies reveal a character that it fuelled by greed and desire. Not only does Macbeth obliterate the notion of The Divine Right of Kings, but he goes against the Righteous Rule. Throughout the play, Macbeth lets irrational greed overcome his logical conscience. It is clear that Macbeth is reluctant to murder Duncan as he states, “We will proceed no further in this business,” yet his vaulting ambition and desire to become King outweighs his conscience. Before murdering Duncan, Macbeth utters “I have no spur to prick the sides of intent, but only Vaulting ambition.” In his soliloquy, he continuously reasons with himself as “first I am his kinsman and his subject, strong both against deed, then as his host, who should against his murderer shut the door, not bear the knife myself.” Shakespeare utilises the recurring motif of hallucinations to depict a dagger as a symbol of guilt and murder. Macbeth’s thoughts of murder create an imaginary bloody dagger, showing him the path to the king's chambers as he questions "Is this a dagger which I see before me, the handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still." As the tragedy continues, Macbeth transforms into a more conventional villain, and attempts to control Fate and Fortune. Macbeth’s ambition is further explored when he visits the witches and witnesses the four apparitions.

One of these prophecies is the main driving factors towards violence throughout the play. The witches tell Macbeth that he will be King. And although at first he may be skeptical the witches say a couple more things that start to impel Macbeth towards the witch's fate. Those two things they say are, “Fair is foul, foul is fair” and, “All hail, Macbeth, hail to thee, Thane of Glamis! All hail, Macbeth, hail to thee, Thane of Cawdor! All hail, Macbeth, that shalt be King hereafter!...’’. The first quote the witches are telling Macbeth that killing Macbeth is civil and playing the civil way is wicked. Basically all in all, they are saying killing Macbeth is the right thing to do. In the second quote the third witch says that Macbeth will be the king, that is fate. Although these things the witches say do not persuade Macbeth to kill King Duncan, they get him thinking. These prophecies end up getting to the ear of Lady Macbeth and give her the leverage to manipulate Macbeth and the ideas to come up with this plan to kill King Duncan. Once she starts manipulating Macbeth he does not directly tell her no because the witches gave him this ideology that he should be king and that it is fate for that to happen. Lastly the witches bring this presence through the scenes of killing the king of pure evil that leads Macbeth into King Duncan's room and he leads him to Murder Duncan. The evil overtakes him and causes him to do

The witches prophesied Macbeth becoming Thane of Glamis and Cawdor, enticing Macbeth into believing he would become King of Scotland and with this knowledge he decides to take matters into his own hands. The quote displays Macbeth’s waning moral compass as he considers killing Duncan to accelerate his potentially fruitful future. The witches symbolize Macbeth’s greed overpowering his moral sense due to an unchecked ambition that focused on obtaining power. TS Blood in the play, serves the role of representing the guilty conscience of Macbeth after his moral compass is destabilized and he kills King Duncan. Macbeth is consumed by guilt to the point where he,”Stepped in so far that, should I wade no more/

Macbeth, however, does not stay loyal to Duncan and almost immediately following the words of the witches he admits that, “my thought, whose murder yet is but fantastical shakes so my single state of man that function, is smothered in surmise, and nothing is but what is not” (Shakespeare 1.3.139). With this personal confession, Macbeth reveals how he is struggling internally between his own personal ambition and what he knows is right. When he does later decide to murder Duncan, he “acknowledges that his deed will entail all the kinds of violence civilization has been struggling to suppress since it first began” (Watson) as he had just recently help put down a rebellion against Duncan, ironically enough.

That night Macbeth ends up killing Duncan. Just before the murder Macbeth is walking down the hall when he has a vision of a dagger with a bloody tip, which is pointed for Duncan’s room. He thinks to himself, “Art tho not, fatal vision, sensible To feeling as to sight? Or art thou but a dagger of the mind, a false creation” (II.1.36-38). During the murder Macbeth makes a mistake that angers Lady Macbeth. He has forgotten to leave the daggers with Duncan’s guards, and she must now go and return them. Initially Macbeth is upset over the murder, but Lady Macbeth tells him it is as easy to forget about as washing the blood away with water. This first murder shows the strong character of Lady Macbeth and the influence she has over her husband.

Macbeth hallucinates the bloody dagger he will use to kill Duncan, right before he kills him. “Is this a dagger I see before me,/The handle toward my hand? Come, let me clutch/thee/… Thou marshall’st me the way I was going,/And such instrument I was to use” (2.1.34-44). Duncan’s murder is just one of many murders that will occur, which Macbeth commits to gain power. In Macbeth, Shakespeare uses murders to develop the theme of violence throughout the play.

During Macbeth's never-ending ambitious strive for power in Macbeth, by William Shakespeare, he makes his own Faustian Bargain similar to Dr. Faustus'. The theme of ambition dominates both their stories. Even though he does not directly deal with the devil as Faustus does, the consequence of his bargain is greater. Not only does he loose his life, but his wife and everything he had risked for.

In the play Doctor Faustus, the theme of good versus evil is one of the most apparent as well as one of the most important themes throughout the play. Good and evil are represented as a battle or struggle in many ways such as constantly battling over winning various individuals souls, the concept of God versus the Devil, and the idea of religion versus science. This war between good and evil creates both internal conflicts for Faustus along with the external conflict between Faustus and various characters. The struggle between good and evil is also represented in the topic of damnation with the struggle to save Faustus’s soul from hell versus fighting to ensure Faustus’s soul is condemned to hell even with the idea of predestination.

In a traditional tragic play, as pioneered by the Greeks and imitated by William Shakespeare, a hero is brought low by an error or series of errors and realizes his or her mistake only when it is too late. In Christianity, though, as long as a person is alive, there is always the possibility of repentance—so if a tragic hero realizes his or her mistake, he or she may still be saved even at the last moment. But though Faustus, in the final, wrenching scene, comes to his senses and begs for a chance to repent, it is too