The Form Of Dance In The Chinese Lion Dance

For centuries classical Chinese dance was passed down mostly among the common people. After 1919, however, dedicated artists believed that they had a responsibility to systematically document Chinese dance—that was the beginning of the formal teaching of classical Chinese dance. To develop and rejuvenate folk dance, the artists learned from dance elements of folk operas, and incorporated techniques in ballet training and Chinese martial art forms, creating a unique system of classical Chinese dance.

In the Lion King, there is a mix of African and Caribbean cultures. Each scene that was choreographed had styles of contemporary dance and was viewed as being fervent and muscular. Dancers in the Lion King wore headdresses, masks, arm bands, and even worked with long poles. In both musicals, both choreographers obtained their ideas from their childhood. Garth Fagan developed his own styles of ballet and modern dance through influences of Afro-Caribbean backgrounds.

Often music is consisted not only by sounds made from musical instruments, but also by voice and verbal messages. The structure of the voice, or as Roland Barthes describes it ‘the grain of voice’ is the element in a certain piece of music which is responsible for creating the emotions when listening. The grain and the lyrics make the signified and carry out the message. The vocal part of music is formed of words, text, which communicate and make the representation and expression of what it is sung - talked about. According to Barthes the emotive modes of the voice and the changes of the tones from low to high is what delivers the final message and makes us feel the music. (Barthes, R. 1977 [1972]).

To understand why music is a product of human intention and perception, we start by defining or understanding the nature of music. Music is defined as the sounds or combination of vocals and instruments in a way that it produces a form of beauty, expression, or harmony of emotions. Arguably, people compose or make music through many ways (Resnicow, Joel E., 20-29). While some people might compose music without incorporating instruments, others use instruments to produce beats that match with their sounds. However, to argue that the

Music is remarkable for its special nature, which it is heritability. Music itselfs does not only give all music notes but innovation and inspiration from

Pow-wow is a rich traditional dance embraced and practiced by the various native Indian tribes such as Ponca, Kiowa among others. Often, celebrated with dancing, tribal drums, food and chanting in the circle. It was originally known as Pau wau, a healing ceremony overseen by the traditional leaders. In 1977, as the white man started occupying the Native American lands, their army forced the Ponca people from the northern plains of Nebraska to the Indian lands. Many Poncas lost their lives, however, they were survived by their culture and songs. Pow-wow was then adopted by other Indian tribes who started dancing it in their own tradition way. This essay shall discuss how Pow-wow tradition evolved and why it was so important to the tribal people.

2. The sounds (and silences) that comprise a musical work organized in some way * Music is a form of organized sound

wailing vocals and syncopated rhythms give the music a distinctive style. The singing is accompanied not only by instrumentals, but often also by hand-clapping, foot-stomping

To better appreciate Samba, one must understand the history of the country and the people that gave it life. Brazil's individual national character and rich musical tradition are the result of a profound mingling of races that has been ongoing in the country since the landing of Pedro Alvares Cabral in April 1500. Even before this event the indigenous Indians of Brazil had an already established musical culture; they sang solo and in chorus, played whistles, horns, and flutes, and beat out rhythms with hand-clapping, foot-stamping, rattles, beats, and drums. With the Portuguese invasion came the piano, violin, guitar, clarinet, and tambourine. These were incorporated into the musical forms of moda, modinha, acalanto, fofa, and fado, which were songs of sentiment, lullaby, and dance. The Portuguese also brought religious festivals and pageants such as the reisado and bumba-meu-boi. The former in celebration of the Epiphany and the latter an elaborate enactment of the death

We are introduced to the Forms in Plato’s dialogue the Phaedo. The Theory of Forms says that

Dance of the Tiger is a “paleo fictional” novel written by Björn Kurtén in 1955. Dance of the Tiger is set in Scandinavia approximately thirty-five hundred years ago during a thaw Ice Age. The story follows the lives of Neanderthals and Cro-Magnons referred to as whites and blacks. The Cro-Magnons and Neanderthals lived around the same time but yet we share more DNA with Cro-Magnons. The primary objective of the story is to determine what happened to the Neanderthals which Kurten does explain using the story of Tiger, a Cro-Magnon. The story splits into three parts: Veyde, Shelk, and Tiger.

The special thing about these rhythms is that there are many unique ways to approach the dancing and the playing of the rhythm. Professor Parker explained to me that “ You can go so many places to learn these songs, dances, and rhythms and other instructors will teach them different. It’s the people’s movement and that's what so unique about West-African movement it’s interpreted differently. Yes you may see similarities but I guarantee you it won’t be the same Tendu or Plie´that you can identify immediately in other dance genres.” (Parker)

Music originates from all over the world since the beginning of time. Complex or simple, fast or slow, loud or soft. It’s what you feel. It could be your method of escape or keeping you living. Music is love. Music is passion. Music is unity. Music is emotion. Music is belief. Music is beauty. Music is life. Music is perfection. Music is imperfection. Music is peace. “Through music we can live forever.”

Music itself is considered as a language. Music and language are related in many ways. Because music stimulates our sense of hearing, it is clear that music can, and inevitably does, convey information. I consider that music is, by its very nature, has the power to express everything, whether a feeling, an attitude of mind, a psychological mood, a phenomenon of nature, etc. Although it can be said that music usually tends to express something, this is only an illusion, and not a reality. It is precisely this, which produces in us a unique emotion which has nothing in common with our ordinary sensations and our responses to the impressions of daily life. Music expresses, at different moments, serenity or liveliness, regret or triumph, fury or delight. It expresses each of these moods, and many others, in a numberless variety of differences. It may even express a state of meaning for which there exists no adequate word in any language. In that case, musicians often like to say that it has only a purely musical meaning. They sometimes go farther and say that all music has only a purely musical meaning. My own belief is that all music has an expressive power, some more and some less, but that all music has a certain

Music Theory can be understood as chiefly the study of the structure of music. With the idea of both written and oral notation, it may be understood through recognized systems of indication, and used as systems of memorizing and transmitting the theories themselves. Western music theory is significant for its quantity and range whilst those of non-Western traditions are also notable in possessing major works of theoretical oration and literature.