The Foundations Of Modernist Approaches

* Urban Planners- Mapped out plans for where buildings and companies would be constructed based on what was around them to complement each other.

The 1920’s was a time of prosperity and change in the United States, but with change comes disagreements. One of the largest debates during this time period, and still today, was the debate between science and religion. Many people were Christians in America during this time and they believed that the story of how God created the Earth should be taught in public schools. These people were called “fundamentalists.” They believed nothing could compare to or be as powerful as God’s word. The other side to this debate were the Modernists, or the ones who believed in science rather than religion. Modernists wanted to teach the theory of evolution in public schools instead of the Creation story the Fundamentalists believed in (“United States in History”). All of these different opinions led to one of the most famous trials known as the Scopes v. State of Tennessee trial. John Scopes was a substitute teacher in Tennessee who decided to teach the theory of evolution to a science class. Scopes was accused of violating the Butler Act, which states that teaching anything that

A Swiss-born France architect, Le Corbusier, belonged to the first generation of the so-called International school of architecture. His designs combine the functionalism with of the modern movement with a bold, sculptural expressionism; highly polemical designer hailed from obscurity in the Swiss Jura Mountains to become the most influential architect and urban planner of the twentieth century. His ideas about rationalized, immense, zoned and industrially-constructed cities, seduced, but also shocked a global audience, while they never come to fruition as a cohesive vision, his disciples put many of their pieces into place around the world during and after his life.

Le Corbusier's early work was related to nature, but as his ideas progressed, he developed the Maison-Domino, a basic building concept for mass production with free-standing pillars and rigid floors. He settled in Paris in 1917 where he published his book called “Vers une architecture” (Towards a New Architecture), based on his earlier articles in L'Esprit

In the 30s, in a context of authoritarian rule, the Brazilian architects and artists marveled at the Le Corbusier ideas as Social Revolution instrument in the country. It was believed that to relate to Modernist Architecture to the national industrial production, it would-for the "social classes were gradually being integrated industrial production in large cities" (Hugo), thereby increasing the internal market and minimally socializing riches. Fortunately, the intellectuals were able to move forward on these wishes, due the fact that the

“Wright and Le Corbusier seem predestined for comparison. Their ideal cities confront each other as two opposing variations on the same utopian theme” (Fishman, 163). Charles-Édouard Jeanneret-Gris, more commonly known as Le Corbusier (October 6, 1887 – August 27, 1965), was a Swiss-French architect, designer, painter, urban planner, and writer. Throughout his life, he was a pioneer of modern architecture and city planning (Frampton, 12). One of Le Corbusier’s contemporaries was also hugely influential but with a competing plan Frank

Imagine a city where no green space can be found. Where concrete and steel buildings rise up and block the sun. Where streets are chaotic and gridlocked and citizens are stuffed in cramped, dirty and unsanitary apartments. This was the world of 19th-century cities where human health and happiness were disregarded for economic gain. These horrid conditions shaped the lives and ideas of three very influential men: Ebenezer Howard, Le Corbusier, and Frank Lloyd Wright. They took their own experiences and redesigned the sprawling metropolis to improve the lives of the residents. Each man created urban utopias that included green spaces, farms, and parks to improve air quality and the livelihoods of the people. Despite theses similar views, each design differed from the others. Howard, Le Corbusier, and Wright all completely reimagined the urban city in differing ways based on scale, distribution of land and technology. Their design concepts have been adapted across the globe and implemented into modern urban planning everywhere.

“Architecture or Revolution?” in Le Corbusier’s belief was the only way to avoid class-based revolution in industrialized architecture (Quirk, 2012). Le Corbusier, born Charles Édouard Jeanneret, was born into an artistic family in 1877 in a small village in Switzerland. His mother was a pianist and his father was a designer of watch dials. Even though he learned piano and father’s trade he got interested in the architecture when he was 13 years old. He learned from L’Eplatenier, a teacher in La Chaaux-de-Fund. His teacher opened his eyes and led him to the direct observation of life. He was an instinctive genius by turning older building designs into newer more modern designs. Le Corbusier is one of the most significant architecture’s of the 20th century, and one who led architecture to the modern era.

In relation to this the book ’Le Corbusier ‘by Kenneth Frampton (British architect, critic and historian, born: 20/11/1930) also holds a link within some of the opinions, movements and beliefs of Le Corbusier. Focusing from the early stages of Corbusier’s life to his last works, we find ourselves indulging in facts and creations of Corbusier himself such as the Dom-ino. As featured in the previous reading ‘towards a new architecture’ Corbusier talks about the engineers aesthetic ‘two things that march together and follow one from the other one at its full height, the other in an unhappy state of retrogression’. After some research in to this I was lead to the dom-ino design (image above). The dom –ino was an early example of the engineers aesthetic and became the theoretical basis of most of Corbusiers houses up to 1935 and extended on a scale much larger than the two story house. The dom-ino led to a number of prototype buildings such as the United De Habitation. The design allows the concept of the free facade, The pieces were to be pre-fabricated allowing the construction time of the design to be reduced and thereby a product of Corbusier’s application of

As a result of a booming development of the nineteenth century city, “progressive” architects of the time started to deliberate and conceive opinions to create long term solutions. Known for his radical cultural manifestos, Le Corbusier is one of the architects that epitomizes the change in ideal of the Machine Age. He introduced ideas of living in completely analogous, planned, designed, and then built, cities. Le Corbusier 's proposition for the City of Tomorrow had in its roots the intention of creating a series of fundamental principles that would become the skeleton of any modern city plan. However, considerations that were not applied during that period of time, are the cause of its unsuccessful development.

Similarly, Baron Haussmann engineered broad Parisian thoroughfares to make sure that there could be not street fighting of the sort that occurred in 1848. This was an early version of the kinds of planning that informed the construction of college campuses in the 1970s after the trauma of student rioting that began in the 1960s.

The initial style of Art Deco emerged in response to the organically inspired Art Nouveau style. ‘Throughout Europe and even in the United States, designers and artists saw Art Nouveau as increasingly out of date due to its focus on nature instead of modern industry and the machine. In France, Art Deco became the new “modem” style which replaced Art Nouveau. Like Art Nouveau, Art Deco objects often consisted of unique pieces of art crafted with expensive materials for wealthy clients’(nelson, p.g 10). During the time between proposed opening of Exposition Internationale des Arts Décoratifs et Industriels Modernes in 1915 to 1925 many artist associated with Art Deco style such as Le Corbusier distanced themselves by embracing the more democratic elements linked with modernism(nelson, p.g 10). . There became a divide between artists and the style’s inability to reach the average consumer due to its use of costly materials(nelson, p.g 10). . Overtime style grew became much more restrained, rejecting running motifs and climbing stems for stylized and geometricized decoration. Characterized by it certain sensuousness of curving forms, lavish employment of luxurious materials and bold combinations of

The five principles of architecture that Le Corbusier proposed in 1923 can be noted in, not only Le Corbusier’s work, but also in other modern architecture, because each principle contributes to the overall aesthetic of the building, as well as providing a functional use. However, all five principles don’t have to be incorporated into one design, which is what this essay will explore. It will attempt to show that one principle can prevail over the other four, but all five are needed to create a full representation of Le Corbusier’s envision of architecture. This is shown through Le Corbusier’s villas, specifically the Villa Shodhan and this essay will analyse how the principles contrast against one another. Furthermore, a small scale design project will be created alongside the essay in an attempt to produce a unique villa through the embodiment of Le Corbusier’s five principles of architecture. Through further analysis of the Villa Shodhan I will also argue that not all principles are independent and that some principles can function efficiently without the rest. Nonetheless, Le Corbusier’s most renowned villa, Villa Savoye, utilizes all five principles; therefore, it is the most accurate image of Le Corbusier’s five principles of architecture. However, after this villa had been completed it became clear that the flat roof, which served a domestic purpose as a roof garden had failed

In the time after World War One a new way of thinking became prominent. This new idea is what we call Modernism. After the war it was realized that many people had suffered absolute horrors, ones that they never could have imagined, or ever forget. The violence and pain witnessed by so many left them psychologically shell-shocked, and filled with disillusionment. These psychological effects would soon alter the world for years to come, and lead many to a loss in faith and questioning of everything they once believed true.

Question 1. Choose an architect or practice whose work is covered by or relevant to this course and discuss critically one or more of their design projects or drawings or urban proposals as precedent case-studies. Selectively situate this work in relation to their body of work, and against the practices and concerns of the period. Focus on the architectural qualities of a specific key aspect of the design of the projects. Selectively consider how they might relate to the historical situation, cultural values, theoretical concerns and design practices of the time. This may involve a selective analysis of compositional design practices, material fabrication production and the experiential reception of built outcomes of the projects.