The Four Characteristics Of The Cathedral Of Florence

The Cathedral and Everyday use were both enlightening and intriguing stories. Written by two renowned authors and differs in numerous ways, set out to explain and disseminate its readers to dissimilar characters and themes. Whether fiction, non-fiction, there were meaningful lessons learned from reading both stories. The Cathedral is a story about two friends, a blind man Robert and his female friend who reunited after ten years, even though they communicated by sending tapes and poems. While Everyday use was a story about a woman who had two daughters, Maggie and Dee, with two different personalities. Maggie, who lives at home with her mom was shy and scar by burns she had sustained from a house fire, while her eldest sister

The shift brought the transformation of thick columns to much thinner and “lighter” columns (Blankenbehler). However, before this architectural movement can begin, Abbot Suger struggled to reconstruct and synthesize the style of the ancient building with his ideas of modern designs. He knew that the freshness of these new designs would bring beauty and spaciousness. He wanted people to be amazed at the transformation of the once small, but soon to be large and wide feel of the basilica. To create the wide feel, Abbot Suger issued the ceiling to have a complicated web of interlocked and pointed vaults. He also chose to have arches with points so that the basilica would not need thick walls to support the arch. Thick walls would make the interior look crowded and small, something Suger did not want. By having the pointed arches, those would take the weight of the ceiling and distribute the weight across rather than being pulled down. This allowed for thin and elegant looking columns, for they were able to support the ceiling because the weight of it was dispersed. He envisioned the structure to have high ceilings, which would be supported with thinner columns (Birth of the Gothic: Abbot Suger and the Ambulatory at St. Denis). Suger also brought in the idea of having tall towers so that the building would look like it was reaching for the heavens. By reaching the heavens, it brought this concept of being closer to God and reassuring the people’s

It's critical that Gothic engineering was fundamentally given to the working of religious abodes. Gothic design is known for the utilization of curves that point strongly upward and flying supports, which allude to structures that hold up substantial dividers. Flying braces make the rich, vertical upward line of Gothic engineering and take into account bigger windows, which Gothic specialists used to showcase splendid recolored glass windows. Renaissance engineering included more Romanesque structures (fabricating a home around a yard, for instance), regularly based around circles rather than the vertical, upward development of Gothic design. In the Renaissance, figure was much more imperative than engineering. Figures, for example, Michelangelo's David demonstrated amazing naturalism and a grasp of the bare human

The structure, approved and paid for by the city council, was a feat of amazing architecture on the part of Fillippo Brunelleschi. This was the largest dome created in that time and it was Brunelleschi’s ingenious design that won the commission against Ghiberti and other artists. The Church’s possession of grand cathedrals like this one served to demonstrate to the people the greatness of the faith and the power of God. There was a religious aspect to the construction of the immense cathedrals and basilicas; the people were paying homage to their god and constructing churches they felt were worthy for him. However, it was also somewhat political, as the grandeur of the churches was displayed to all the people in the city. No one could question the Catholic church’s might and colossal influence after viewing a cathedral such as the

Pantheon located in Rome, Italy is the most well conserved architectural structure of the Roman period. Pantheon, initially a roman sanctuary worked to committed to every one of the divine beings, however in 609AD., it was transformed into a congregation and stays as it. Initially worked by Agrippa around 27BC under Augustus' lead however it was caught fire during 80D, under Emperor Domitian's care then build it again, yet was struck by lightning and burned down again in 110AD. The present Pantheon was worked in 120AD and finished by Emperor Hadrian alongside Apollodorus of Damascus. (Hannah and Magli 2011)

The motivation behind Brunelleschi’s Dome originated from the desire to show-off Florence, Europe’s financial and cultural wealth. Later, the large dome was added to display that the church was the most beautiful and best that was ever been built.

While constructing both of these cathedrals there were sculptures created that represented narratives of theology and mysticism. Both were created for a place of worship that’s why sculptures and paintings of religious images were added. This showed a great respect for the belief in Christ and the surrounding believers.

Michelangelo always saw himself as a sculptor, even though some of his most famous works are his paintings and architecture. In Michelangelo’s words, “Painting is beautiful in the measure that it approaches sculpture; sculpture is bad the more it approaches painting”. In fact, when Pope Julius II ordered Michelangelo to decorate the ceiling of the Sistine Chapel in fresco, Michelangelo rebelled. The Sistine Chapel is an example of Michelangelo’s impatience with others as previously mentioned. In the fall of 1508 Michelangelo began the painting of the Sistine ceiling, calling on assistance from Giuliano Bugiardini, Aristotile da Sangallo, Francesco Granacci and several laborers. However, the work that Michelangelo’s friends and laborers

With such support from the state and the Emperor, the church was given a massive financial support, which was invested in the building of the Basilicas. They were used to perform rituals such as worship, baptism, prayers, scripture reading, preaching and recognition of the dead and the after life. The liturgy of the early churches was very plain. They were build on a rectangular classical floor plan. The Basilica floor plan was simple; consisting of a narthex (the outside building short end), apse, transept, and aisle such formation gives the idea of building resembling to the cross. The early Christians were inspiration to represent such building to the cross. Once more this is part of the spiritual journey of Christianity. The other model was the central plan which would consist of a dome in the middle of the church. Were all the activities would take place. Like the worship and the baptismal ritual. This center plan was more common in the Eastern-Orthodox churches. This shows the heritage of Roman Christian art from the early ancestors such as the Greeks and the Middle East. A great example is the San Vitale in Ravenna which was an important Byzantine outpost in Italy. San Vitale was constructed under the reign of the Byzantine Emperor Justinian in 547. This church has a domed central core which

Il Pantheon (Pantheon) “pan” means all, “theon” means God. It is a preserved intact Roman Empire building, located in the centre of Rome, Italy. It was built in 27-25 BC by Marcus Agrippa, and Emperor Hadrian rebuilt it in 125 AD.

Gothic was first used as a term of contempt during the late renaissance. The Goth's were barbarians- which leads to many theories as to why "Goth" was the chosen title for a style that required extreme engineering as well as technical and artistic know how. Since then vast efforts have been made to rename the style with a term that better encompasses the idea of gothic style.

Interior of the Pantheon, Rome (1734) is a remarkable painting by Giovanni Paolo Panini who is best known for his prospects on Rome in which he focussed on the city's famous sites. His works largely have a fancy and unreal adornment feature of capriccio themes. The Pantheon is a former Roman temple which is now a church in Rome. It is one of the best preserved Ancient Roman Buildings which is also popular for the geometric wonder that it is. It demonstrates the theory of 2:3 correlation between the volume of a cylinder and a sphere.

Gothic architecture began in the 12th century and continued well into the 16th century as an attempt to reconcile Christian theology with Greek philosophy. Gothic architecture was deeply rooted in the previous architectural genre, the Romanesque, but architects this time around no longer desired to recapture the ‘classical’ and ‘antique’. If we focus on the Gothic cathedral, we’ll find that a Gothic cathedral had a unified and unbroken space that included the apse, rather than separating them like the Romanesque architects did. The main characteristics of Gothic style cathedrals included the groin-vault. Barrel-vaults had become too difficult to make and too heavy to install and so the Gothic architects decided to pull away from them and utilize groin-vaults instead. The ribs in the groin-vaults were conveniently aligned to form a diamond pattern on the ceilings. Atop these vaults was the second main characteristic of

First, we visit St. Peter’s Basilica and Adjoining Piazza in Rome. The beautiful structure still used today, initially was brought to fruition by Donato Bramante as a temple shaped like a Greek cross. Quickly Pope Paul V rejected the design, deeming the Greek cross to be pagan-like. He commissioned Carlo Maderno to make some changes to the floor plan, adjusting the look into a Latin cross. The florid baroque styles are seen entering the Apse and Alter, which “symbolized the power and richness of the church” (392). The sculptures throughout, specifically in the Apse, are dramatic and real, shunning classical styles.

Reims Cathedral was built within the Marne department of the Champagne-Ardenne region between the years 1212-1300. However, Reims genesis dates back to 496 AD as a previous cathedral once occupied the land on which the new cathedral was built upon. A fire destroyed the original cathedral structure on May 6th, 1210. 2 years after the fire, it was decided to initiate work on the construction of the new, cathedral that exists to this present day. This second cathedral is in the French gothic style and was designed to be much more capacious in contrast to its fire- destroyed predecessor. ”The nave and aisles of the western arm are broadened out in the eastern arm.” This logic permitted larger crowds to attend coronation ceremonies. The cathedrals predominant function is a place of worship under the denomination of Roman Catholics. An assembly of architects participated in the design over a period of 7 centuries due to adaptations and refinements materialised to its design. Such names consist of Jean d 'Orbais (1175-1231); responsible for the first initial design work of the cathedral, Henri Deneux (1874-1969); who laboured over the architectural restoration of Reims after bombing raids in WW1, Bernard de Soissons (birth date and death date unknown) noted as a participant with Jean in the initial design work of the cathedral. One fundamental aspect explored by studying Reims Cathedral is the quality of natural light and how it is affected by its both artistic and