The Stranger by Albert Camus focuses largely on the concept of absurdism. Camus uses family and personal relationships, or the lack of it thereof, to show the isolation that the main character, Meursault, undergoes in the novel and it’s effect on him overall. Camus utilizes the protagonists’ character development as a tool to further his plot of the novel. The absence of family and personal relationships tied in with the particular recurring topics of the novel are crucial in both the development
Isolationism in The Stranger and The Thief Though there are multiple elements in both Albert Camus’ The Stranger, and Fuminori Nakamura’s The Thief that allow each author to develop their novels, none is more important that the deployment of isolationism. Though both Camus and Nakamura give their protagonists isolated states at an award winning level, Camus does so in a better way through the addition of how Meursault copes with elements of the absurd. One of the first things readers notice about
Albert Camus' The Stranger: Meursault Is Aloof, Detached, and Unemotional In The Stranger, Albert Camus portrays Meursault, the book's narrator and main character, as aloof, detached, and unemotional. He does not think much about events or their consequences, nor does he express much feeling in relationships or during emotional times. He displays an impassiveness throughout the book in his reactions to the people and events described in the book. After his mother's death he sheds no tears; seems
The Characterization of Meursault in The Stranger In The Stranger, the author Albert Camus, initially portrays Meursault as a monotonous character lacking emotions toward the events surrounding his life. Meursault reflects indifference at the thought of his girlfriend 's proposal in addition to not demonstrating empathy in relation to Raymond 's abusive actions toward his girlfriend. Even so, Meursault 's character gradually develops from a detached individual to a dynamic person as secondary characters
It is common for authors to use similar themes in their work intentionally. For Albert Camus, the author of “The Myth of Sisyphus” and The Stranger, the use of similar themes seems to be intentional. The author takes a very different approach to the same topic, however. Not only is the underlying topic of existentialism the same, but the writing styles and rhetorical devices similar, as well. Through the use of similar devices and themes, the reader is able to understand, analyze, and compare and
Empathy makes us human yet not all humans are emphatic, In Albert Camus’ The Stranger a suspiciously apathetic man named Meursault comes to light as a criminal. However Meursault perpetrated a crime of passion, is that not absurd for a negligent man? In a simple view of Meursault life and philosophies the remission of human feelings is evident, and slightly frightening. In the stranger most of the events in the main characters life require an emotional effect, the death of his mother, the engagement
The Pathetic Fallacy in Camus’ The Stranger and Yoshimoto’s Kitchen English A1 – Higher Level World Literature Paper 1 Ojiugo Nneoma UCHE Candidate Number: 1415-068 1480 Words May 2010 In Camus’ The Stranger, and Yoshimoto’s Kitchen, both authors use the literary technique of pathetic fallacy – a branch of personification – which gives to the weather and physical world, human attributes. In both texts, this technique enriches the narratives both aesthetically and in terms of meaning – by telling
The Stranger is heavily rooted in philosopher Albert Camus’ theory of the absurd: the notion that human life has no definable purpose, and while the pursuit of an intrinsic meaning to life and the universe holds value, it will inevitably prove futile. Meursault, Camus’ protagonist, lives his life according to these tenets, however unwittingly, and for the majority of the novel reacts only to concrete, sensory things, showing neither understanding nor interest in more abstract societal constructs
in Albert Camus’ “The Guest”. This story centers on a character, an outsider, who is trying to fit into the society in the story. It may not be the fact that the stranger is different in looks, culture, or language like it is in this short story, but it is just the fact that they are not the same, which causes them to be the outsider and fulfill the role of the otherness. As we look through the short story ‘The Guest’, and through the short novel ‘The Stranger’, we can see that Albert Camus is working
Dialogue is simple throughout part one of The Stranger. Camus does not provide direct explanations for Meursaults actions and response to events. Instead the reader can find an unusual emphasis on the setting and physical aspects of events and characters in part one. Meursault has complete control and conscious awareness of his indifference towards social situations. It is Meursaults underlying radical attitude towards authority and social norms that provide for his dissent behavior. In order to