The Function Of The Choruses In SophoclesAntigone

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

In Antigone, Sophocles introduces the struggle between loyalty to civil law versus familial loyalty and divine law, which is a central conflict in the play. Antigone has a firm belief in upholding family values and honoring the gods and deceased by burying her brother. In contrast, Creon wants to do what is best for the city which is, in his opinion, forbidding the burial of Polynices. Both Antigone and Creon believe that their point of view is more important, and neither is willing to change perspective, causing the chain of destructive events in the plot. Loyalty causes the deadly dispute between Antigone and Creon because of their conflicting perspectives about precedence.

The major moral conflict in Antigone by Sophocles is the conflict over which value is most fundamental. The play presents the moral conflict over whether the god's law or the city's law is more powerful. This seems to be the most prominent theme. The conflict arises mainly between the tragic heroes Antigone and her uncle-in-law Creon, King of Thebes. The city of Thebes had been through a war in which Antigone and her sister Ismene have lost both of their brothers to it, Eteocles and Polyneices. Eteocles's fighting for Thebes was buried and honored as a hero. (lines 24-26) Polyneices was left unburied and dishonored because he is considered an enemy of the city. (lines 27-32) Creon edicts that whoever broke the law by burying

Antigone takes place just after a war between Antigone’s two brothers, Eteocles and Polynices. Eteocles fought on the side of Thebes whereas Polynices resembled an invader. Afterwards, Eteocles is buried and seen as honorable. However, Polynices is denied a proper burial because he is considered a traitor to Thebes. In this play, Sophocles uses Antigone and Creon as foils by characterizing Antigone as a martyr and Creon as a tyrant to urge the reader to realize that one’s own morals are more significant than the decrees of any government.

In Sophocles’ Antigone, a major conflict arose over Antigone’s and Creon’s beliefs on right and wrong. Antigone stands for the laws of the Gods and family morals. Creon chose to stand for the values of the state and his will to be king. Although one’s decisions appear to be more reasonable and sympathetic than the other, both characters’ decisions in society can be equally validated.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

Though the choices that Antigone and Creon face in Sophocles’ Antigone differ, their decisions often end up pitted against each other’s, inviting comparison. Since I am juxtaposing the characters’ degrees of rightness, I believe that the rightness of the reasoning, not just their ultimate stances, should be examined. The entirety of his or her argument, not just the conclusion, must be taken into account. I’ll also note that my perspective of rightness could and does conflict with that of the gods in Antigone and Sophocles. Furthermore, “rightness” has an element of nuance to it because of the word’s multiple definitions and their connotations.

In the beginning, the author introduced Antigone and her sister, Ismene, and their argument about their recently deceased brother. The argument involved Antigone wanting to bury her brother and Ismene encouraging her to obey the King's orders. Antigone ignored her sister's advice and chose to

In Antigone, by Sophocles, there is conflict between the characters Antigone and Creon. Antigone is characterized as a rebellious girl, who turns into a martyr, and just lost both her brothers, Eteocles and Polynices, in a war between the city-states of Thebes and Argos. Eteocles was fighting the war on Thebes’s side, Thebes is where they live, but Polynices was fighting for the Argos army. Creon, the king of Thebes as well as Antigone’s uncle, has made a law that Polynices may not be

The play Antigone, written by Sophocles is the last book of his trilogy called The Oedipus Play of Sophocle. Antigone take places in the city of Thebes, the play open “some days later” there have been an edict by King Creon regarding the burials of Eteocles and Polyneices; Eteocles, will get a proper burial for defending the senate, Polyneices will not. The King Creon had declared Polyneice is a traitor and forbid anyone in the city to bury him. Here where we are being presented with the main characters of this story Antigone and Ismene; the two

Throughout Antigone, Sophocles incorporates the voices of Choragus and the Chorus by utilizing techniques common in Greek drama in order to provide a general run-down of the plot at hand and to draw attention from his audience. He integrates literary elements such as soliloquy and even dialogue with other characters within his play, and he structures Choragus so that he can directly address the audience on behalf of the singing Chorus. For instance, at the end of each scene, the actors all leave the set and Chorus begins to recite an ode that slightly summarizes the events that took place beforehand, in addition to setting the mood for the upcoming scene: CHORUS. When the laws are broken, what of his city then? Never may the anarchic man find

Conversely, as the play continued and Medea’s hatred began to uprise, the loyalty of the chorus began to shift. When Medea began to express the idea of slaughtering her children the chorus told her to stop. This inhumane act was against the views of their community, hence the chorus was now against Medea. However, as Medea was in the process of killing her children the chorus did not act but rather stood outside yelling for help. Their inactions displays that while the chorus is a part of the play they’re rather not a character, but a device to display the societies and the readers