The Garden Party Analysis

Two more pertinent points are made by the author, in regards to the grandmother, follow in quick succession; both allude to further yet-to-be seen gloom within the story. O’Connor writes of the grandmother “[s]he didn’t intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of the gas burners and accidentally asphyxiate himself” (1043) and of the way she is dressed “[i]n case of an accident, anyone seeing her dead on the highway would know at once that she was a lady” (1043). These two observations are innocent enough on the surface but provide true intent on the foreshadowing that O’Connor uses throughout the story. It is these two devices, irony and foreshadowing, that I feel are prominent and important aspects of the story and are evidenced in my quest to decipher this story.

She starts to talk to him and finds out that he is a repellent, immature, cold boy who thinks greatly of himself. He thinks about his funeral saying ‘Six black horses I’ll have, with plumes, and four men in tall hats with black streamers and a dead cart covered in flowers. But my coffin will be

Mrs. Mallard and Mrs. Sommers have a fair share of intemperance. Mrs. Mallard has come to the realization that the death of her husband is not only a tragic occurrence, but also a beneficial cutting of her previously binding marital ties. The crisis of her grief has given her new insight on her life, and Mrs. Mallard understands that her marriage has limited her independence and freedom. Due to this realization she immediately forgets about the accident and starts to think about her freedom: ““Free! Body and soul free!” she kept whispering” (paragraph 14). It is only an hour after Mrs. Mallard has received the bitter news of her husband’s death. Considering that her husband is gone, instead of mourning, she is overwhelmed with the freedom she

She can’t fully comprehend why she detests these flowers, and so all she knows is that they “did not make sense to her.” The child in her only has insight into her own world, and not into the worlds of others around her. Despite the marigolds being too troublesome for her to understand, she remains ignorant and does not try to seek any further meaning behind them. With Lizabeth in this naïve state, she has not yet felt the conflict between the child and the woman in her; she’s too ignorant at this point to attempt to develop an understanding for Miss Lottie and her flowers. After Lizabeth and the other kids launch the first attack on the marigolds, invoking great rage in Miss Lottie, Lizabeth feels a sudden urge to antagonize the old woman even further. Chanting vicious phrases at her, Lizabeth feels that she, “lost [her] head entirely, mad with the power of inciting such rage [in Miss Lottie].” Lizabeth has been taken over by a childish sense of pride after provoking Miss Lottie, showing her selfishness and lack of compassion. Being the child that she is, Lizabeth decides to further irritate Miss Lottie, only thinking about herself and how to ease her boredom. She is only concerned about her own little world. This sudden act of cruelty to Miss Lottie reveals

Corn, potatoes, tomatoes, these are all foods that are located and purchased from our local grocery stores on a daily basis but what we don’t know when we purchase these foods is if it’s just a regular vegetable or a genetically modified frankenfood. In “Playing God in the Garden” by Michael Pollan, Pollan heavily researches genetically altered food more specifically genetically modified potatoes. He focuses on what it is how it's grown what the F.D.A thinks of it, how it looks and compares and contrast it too other non-genetically modified potatoes. Pollan was growing his own genetically modified potatoes while researching the subject and at the end of his essay after doing all the research he decided against eating his genetically modified

The narrator believes she, too, can hide from reality in the garden. “ had a way of disappearing in the garden, as if the garden itself ate them, or, as if with its old-man memory, it put them away and forgot them” (paragraph 5). That is what she wanted from the garden, to be hidden or forgotten, as a child, “ a thousand years” like the “ of murdered pirates and dinosaurs” buried in the garden (paragraph 7).

She started to see beautiful things from her window that represented her new life. She wasn’t used to seen those things like this when her husband was around, because she was submissive to her husband and trapped. Another part of the story that i found ironic was when Kate Chopin started to describe the scene outside the window. She described the outside as “The delicious breathe of rain, the notes of a distant song, countless sparrows were twittering and patches of blue sky”. At this point is when i realized that she wasn’t sad for her husband and this was a sign of a new life.

A small family of four, living in the Tory town of Redding. Life was great Mr. and Mrs. Meeker owned a small tavern that supplies their town with food, rum, and supplies. Their son Timmy helped around the tavern and did chores, because his older brother Sam was off at college. Everyone in Redding was close and knew the Meeker family, they all admired how they had raised Sam and Timmy. Every year after college was over, Sam would come home and visit, except one.

Initially, Mrs. Mallard reacts with great sadness over the news of her husband’s death. Knowing that Mrs. Mallard suffers from “heart trouble”, Josephine, Mrs. Mallard’s sister decides to “hint” her the news of Brently’s death in “broken sentences”. Josephine assumes that Mrs. Mallard “[loves]” her husband, and naturally

Sarah slugged through the early morning work and realized-too soon- that she needed to make a trip to the house. She made her way, clasping her arms around her for warmth in the cold November morning. Painted Girl’s borrowed sweater did not help dissipate the cold air, and neither did the lingering whiskey in her system. A light shone in the window illuminating Grandfather and Dingle, who sat at the table together eating pie. She watched as Dingle grabbed a juicy strawberry from Grandfather’s pie and nibbled at it greedily. Grandfather must have finished his hunt early, Sarah realized. She had hoped to avoid Grandfather today but nature called. There was no choice, either the woods or the house. Sarah did an about turn and went for the

H.D. uses images of fruit to symbolize women in order to highlight the confining character of 20th century London society. To establish the connection between women and fruit the speaker poses the question, “Have you seen fruit under cover / that wanted light—?” (Doolittle, lines 18-19). Although it may appear that the speaker is, indeed, talking about fruit, the following lines use such diction as, “wadded,” “protected,” and “smothered,” which evoke images of confinement and a guarded life (lines 20-21, 23). Since “Sheltered Garden” was published in a collection of poems in 1916, it is reasonable to make the connection that the language used calls forth the rather restricted and constrained life of

While Mrs. Mallard remembers Mr. Mallard as a kind and tender man who loved her, she also viewed him as the oppression that marriage put upon women and men. While Mr. Mallard was kind and loving to his wife, he was also controlling and overbearing. Josephine, Mrs. Mallard’s sister and Richards, Mr. Mallard’s friend is there to break the news of Mr. Mallard’s death. Richards has learned of Mr. Mallard’s death at the newspaper office, not wanting to believe the information that was received, Richards waited for the new to be delivered for a second time before enlisting the help of Josephine. They are both there to support Mrs. Mallard and their support shows that they care for Mr. and Mrs. Mallard.

My eyes drifted around the room before settling on the tea, now lukewarm in my hands. Maudie’s nonchalant face came to mind, and her firm, strong voice commanding Jean Louise and I back into the kitchen played in my head. The sudden news of Tom’s death had upset her, but she revealed nothing as such. She said to Jean Louise to stop her shaking and instructed me to control myself. Maudie maintained her composure, and assisted in upholding mine. I wondered how she had done it, but nevertheless I was grateful.

"The budding rose above the rose full blown," writes William Henry Wordsworth, elevating the process of emerging, changing and evolving over those already developed, established and matured. While Wordsworth’s remark regards a rose, the statement also accurately describes Katherine Mansfield’s protagonist in The Garden Party. The narrative focuses on a wealthy family from New Zealand, jaded by elite lifestyle and prominent social standing. The youngest daughter, Laura, "the budding rose" of the story, seeks to break the constraints of upper class society, causing her to be both more mature and compassionate than other members of her well to do family.

In spite of the hard life, she's still full of hope and dreams for the future, as revealed by the "decoration" on the wall in her shabby lodging and the daydreams she often has in her little piggery. She intends to be a lady in a flower shop instead of selling at the corner of Tottenham Court Road, but is refused because of her dreadful accent.