The Garden Party By Katherine Mansfield

“Your life does not get better by chance, it gets better by change.” Jim Rohns quote highlights the basis of Debra Oswald’s play Gary’s house, and also Miroshav Holubs poem The Door. This essay will explore the notion that change causes people to shift their thinking and actions after significant catalysts. Gary’s House illustrates many of the issues and predicaments confronted by the characters and how their alteration in behaviour can have a beneficial outcome for them or others around them. The concept of "The Door" is based on the idea of taking risks and embracing change. The poet uses persuasive techniques to encourage and provoke the audience to take action.

Unlike animals, humans are able to observe past the mere monochromatic vision of survival. We have an impeccable ability to desire more than just living to breed, and breeding only to someday perish. Thus, we gradually brush this canvas with the colours of ethics, control, and knowledge. Whether the colours fade or become prominent through time, this canvas becomes our perception of normality and we allow it to justify our actions; favorable or harmful. We, as well as the narrator in the short story The Hunt by Josephine Donovan represent this. However, because of the narrator’s difference in perception, self-indulgence, and greed for power, the story introduces a feeling of infuriation to the reader.

The garden is the vehicle in which the narrator reveals her reluctance to leave behind the imaginary world of childhood and see the realities of the adult world. The evidence supporting this interpretation is the imagery of hiding. The narrator uses the garden to hide from reality and the

Reflecting on this event many times in my past, I have called it an "innapropriate romance", I have called it “an unprofessional relationship”. However, most frequently, I have called it “the thing that happened that summer.” As in — remember the thing that happened that summer? What I never called it, for reasons similar to that of why I never made a fuss about it when it happened, was sexual abuse.

Merriam-Webster’s dictionary defines gutsy as “marked by courage, pluck, or determination; having a strong or appealing flavor ("Dictionary and Thesaurus | Merriam-Webster"). It may be common to associate this adjective with a skydiver or daredevil, but what about an eighteenth century columnist named Fanny Fern? Fanny Fern, or as her birth certificate would state, Sarah Willis Parton, lived in the mid to late 1800s and wrote famously about controversial issues that are still prevalent in the twenty first century. Fern wrote with whimsy and liveliness, making issues like gender inequality in marriage and women’s reform seem funny and lighthearted, although looking closer, we can see that (through the use of several tropes) she was anything but. With cuts such as a woman’s cult of domesticity disguised as a relatable entry about silly husbands, we can look back at Fern’s work today and admire her courage to write without compromising her beliefs, as well as her ‘guts’ and determination. Fanny Fern famously used a witty mix of sarcasm, pun, and metaphor in her eighteenth century writing to critique and challenge her highly oppressive patriarchal society.

Night is a story that reveals some of the worst of the human race. It is a re-telling of a young Jewish boy, Ellie Wiesel, coming of age in the midst of the Holocaust. The book is quite short and very clearly written, but it is still a very hard book to read. The young boy who is also the author of the book makes us, the readers, accompany him through many in-human and near-death experiences. These are written in such detail that anybody taking the time to read the book will be left with an in-depth knowledge of what we as humans are unfortunately capable of and a desire to contribute in any way possible preventing this part of our history to ever repeat itself. This, I believe, is the authors goal, to teach us, make us aware through his own experience, and hence give us a reason to hopefully prevent it in the future.

Everyone has someone they consider family. Sometimes people bond solely with their blood relatives, but more often than not we choose who we consider to be our family as we grow older. This happens most often when people find a spouse, but many also adopt children as their sons and daughters, peers as their brothers and sisters, and role model figures as aunts and uncles. The Bean Trees is written by Barbra Kingsolver and is set in the early 1980 's. It tells the story of a young woman named Taylor, and the life she builds in Tucson Arizona. Far from home, she meets many great people and finds a place where she belongs. Kingsolver shapes her message of the importance of families both blood and found through her use of character archetypes

The famous leader Martin Luther King once said, “Being a Negro in America means trying to smile when you want to cry. It means trying to hold on to physical life amid psychological death. It means the pain of watching your children grow up with clouds of inferiority in their mental skies. It means having their legs off, and then being condemned for being a cripple.” This quote pretty much summed up the way in which African Americans felt during the 1960’s. They had basically no meaning to life. They were irrelevant. Whites wanted no part in them. This was especially the case in the state of Mississippi. Anne Moody, writer of the autobiography, Coming of Age in Mississippi explains the importance of the civil rights movement in the state of Mississippi and the influence it had on her life and her viewpoint.

her. The beginning of the story is told from the white people 's perspectives as they see an old black woman come to their church and go inside. Inside the church, the point of view switches to the usher who tells the old black lady to leave. The point of view then switches back to the white women inside the church, who take it as a personal insult and feel the most threatened about the old black lady being at their church. They rouse their husbands to throw the old lady out. The perspective then changes to the old black lady. This constant changing of point of view is useful in that it portrays the fears, thoughts, and feelings of almost everyone in the story. Firsthand, the reader is able to know what the people are thinking and why. In

The world may seem like a sophisticated place, but there are still many areas to improve on, like giving women the right to equality. However, in 1960, the first ever female president, Sirivamo is elected in Sri Lanka. After living a life of domestic abuse in a culture where women are looked down upon, she takes the risk to prove that women are capable of reaching a higher and dominant role in society. Even though many years have passed since then, the culture of male dominancy still exist today. In countries like Saudi Arabia in the Middle East, women can not drive or step out of the house without a man by their side. In the novel The Color Purple, Celie is living in a male dominant society that is very oppressive to women. As a result, she is both emotionally and physically broken, but in the end she gains enough confidence to realize her own inner beauty and strength. In the novel The Color Purple Alice Walker proves that women are fully capable of overcoming oppression in order to achieve gender equality. Therefore, women around the world need to stand up for themselves and persevere to eventually overcome male dominancy. Throughout the story, Celie learns to assert female empowerment by adapting to the real world which has the good and the bad, learning from some who grow up in gender respected families and finally, and taking life changing advice from the people she trusts.

A garden party is also a symbol of wealth, which is also, supported the main character, Laura. She can be quoted in the following situations; "Laura's upbringing made her wonder for a moment whether it was quite respectful of a workman to talk to her of bangs slap in the eye" and "It's all the fault…of these absurd class distinctions". Both of these statements give proof that in the period this story was set, the wealthy were separated from the poverty-stricken through social class. As a result of the class distinctions, she was frequently barred from interacting with what was thought to be the ‘lower' class.

Resilience is something that some people would give anything to have, the price however is sometimes steep. The price of resilience can be personality, a relationship with family, or a person's modesty. By hardening themselves against the outside world some people lose a part of their personality and become much different than they were before, such as Allen Wheelis from “Grass”. Other times people sacrifice a relationship with someone they care about to become resilient, shutting them out so that they can not hurt them anymore, Elizabeth from “Jericho”, a short story by Margaret Price, is an example of this. Lastly some people who are resilient get what is called survivor’s pride, and in turn become arrogant, an example

“Nothing is more real than the masks we make to show each other who we are” -Christopher Barzak.

The Welcome Table is a short story written by Alice Walker. It is written in third person point of view. “The omniscient technique is used in this story and is particularly effective in allowing the reader to understand the old woman’s predicament and how she, and others, dealt with it” (Clugston, 2010). In this essay, I will explain the meaning of this story as well as the realities to racism and hate.

Although a character of few pages and few words, I find Honey Brown to be the most compelling and intriguing figure of The Member of the Wedding by Carson McCullers. Honey Brown, the foster brother of Berenice, drifts into the story only a handful of times, but his presence, even in the shadows of the scenes, creates a growing curiosity for the reader and ignites a profound empathy for his account. His quiet and stunted dialogues and solemn nature create an enigmatic yet noteworthy narrative. His struggle with racial confinements and inability to conform leaves him without a purpose and with a soul perpetually tormented and eventually broken. McCullers personifies the extreme realities of Frankie’s fears of entrapment and exclusion in