The Gender Roles Of Delia Jones And Sykes Jones?

Perhaps the most important event in the story occurs when Sykes brings home a huge six-foot living snake. Fear once again overcomes Delia and she pleads, “Syke! Syke, mah Gawd! You take dat rattlesnake ‘way from heah! You gottuh. Oh, Jesus, have mussy” (360). Sykes, on the other hand, stands in amusement almost as if he loves to see Delia psychologically abused. His cockiness unravels as he acts like he is invincible and like anyone and anything should and will comply with him. In regards to the enormous snake, Sykes boasts, “…He wouldn’t bite me cause Ah knows how tuh handel ‘im” (360). He makes sure to instill fear into Delia by telling her to be careful because the snake would have no problem coming after her. Hurston also has Sykes portray his own death. In this same scene, Sykes’ reply to

In Zora Neale Hurston’s short story, Sweat, Delia finds herself stuck in an unbearable marriage. Her husband, Sykes, mistreats her, leaves all work to her, and is unfaithful. After being married to Sykes for 15 years, Delia has lost all hope in the marriage. The countless beatings and painful acts of Sykes have brought her over the edge. She is forced to go against her strict religious beliefs because of the life in which she has been leading since her matrimony to her husband. One passage that sums up many factions of Delia and Sykes’s relationship is as follows:

Sykes personality is totally different than Delia’s. Sykes Jones is physically and emotionally cruel to Delia. He is immoral and unfaithful; furthermore he takes the money that is earned from Delia's tough labor and squanders it away on his mistress, Bertha. Whereas Sykes may be strong in body, he does not have any belief in God. Sykes in a sense can be compared to the devil because like the devil he drained Delia of her beauty, joy and happiness that she once possessed. This point is brought up in the story when Joe Clarke and the village men are talking about Delia and Sykes ” …But dey squeeze an’ grind an’ wring every drop uh pleasure dat’s in ‘em out” (443). According to Davis Masson, who wrote, Essays Biographical and Critical “All sadness and melancholy come from the devil” (86). Once their marriage starts to fall apart, Sykes uses Delia’s anxiety of snakes against her. Andre’ Ménez, who wrote The Subtle Beast, states, “Being sometimes poisonous, hidden in the shadows; slowly and mutely guiding, snakes have often been deemed powerful and shifty, evil creatures whose major aim was to frustrate the natural and proper development of life” (9).

Delia is a hard working woman who uses her faith in God to guide and protect her from her husband’s physical and emotional abuse. She, as a protagonist, is physically weak but yet spiritually strong. Sykes, in the story, tormented Delia in many ways throughout the story. One incident was with the bull horn when he tried to scare Delia while she was sorting

Not only does he drain her financially, but he has also abused her mentally and emotionally for the most of their marriage. Delia reminds Sykes that all she does is "Sweat, sweat, sweat! Work and Sweat, cry and sweat, pray and sweat!" from the fifteen years she has been washing laundry and laments (Hurston 278). However, despite all the cruelty that is happening, the author still portrays her persona with great compassion. Delia has enormous love, but soon discovers that she has the capacity to hate as much as she loves which has developed from her long-suffering life with Sykes. The author creates Delia based off her own life of being a Christian woman, therefore, in the story "Sykes is clearly wrong throughout the story, and Delia is right in living out the principles of Christian love, tolerance, and humility" (Banks). The importance of this quote is that it puts Delia's character into perspective and reveals why the way she is. The author's beliefs and practices are demonstrated through Delia and explain her actions in the story.

The story Sweat by Zora Neale Hurston tells the story of Delia who overcame her abusive husband, Sykes through her development of becoming a strong woman. The development of Delia’s character throughout the story relates to Zora Neale Hurston’s life of growing up into a strong, empowered woman. Delia and Zora were both verbally and physically abused which made them afraid and timid. Zora made her characters talk in a dialect that she grew up listening to which was uncommon to do in literature. Delia and Zora both had to provide for themselves by putting in the effort remain stable and happy. They also stood up for what they believed in which started their development into strong women. Delia had to let her husband die in order to gain independence, while Zora had to move away from home in order to be successful in her future which developed them both develop into independent women. They became stronger because of these things which empowered them to take back control of their lives. The snake is a symbol in the story that represents the evil that was overcome by the good. This story can now be better analyzed when looking at the life of Delia which connects to Zora Neale Hurston’s life.

In reading the story it is easy to see that Sykes becomes somewhat jealous of Delia. At first, he did all that he could to win Delia’s heart and keep it. As said by Walter Thomas, one of the minor characters in the story, “he useter be so skeered uh losin’ huh, she could make him do some parts of a husband’s duty” (Hurston 4). Yet somehow, Sykes falls out of love with Delia early in their marriage and that’s when his oppression over her began. He not only wears her down by beating her and ultimately changing her appearance, he also abuses her mentally. He resented not only the fact that Delia was the only one of the two that was financially stable within the household, but he mostly resented her job and the reality that she was comfortable with washing clothes for the “white folks”. Time and time again he tried everything in his power to make sure she didn’t finish her days work as a wash woman. For example he shows his disgust with her job when he comes home in the beginning of the story an sees his wife working, “he stepped roughly upon the whitest pile of things, kicking them helter-skelter as he crossed the room” (Hurston). He blatantly disrespects her and sends the message that no matter what he

Although this angers Delia to hear, she simply reminds Sykes that she spends all of her time supporting them, and has done nothing but work, sweat, and pray for the fifteen years that she had been married to him. Delia eventually tells Sykes “Dat’s de reason Ah got mah letter from de church an’ moved mah membership to tuh Woodbridge – so Ah don’t haftuh take no sacrament wid yuh” (Hurston 569). Before she falls asleep that night, she reflects on the events of the evening, and finds some peace through her faith that Sykes would eventually get what is coming to him when she says aloud “Oh well, whatever goes over the Devil’s back, is got to come under his belly” (Hurston 565). It is also important to note that rather than give Sykes exactly what he has coming to him, Delia’s beliefs, both moral and religious, prevent her from taking action because she trusts that eventually God will take care of Sykes for the wrong he has done. We can see a bit of foreshadowing as to the fate of Sykes in the story when he assures everyone he is a snake charmer and can charm the deadly diamondback and says “Ah’m a snake charmer an’ knows how to handle ‘em. Shux, dat ain’t nothin’” (Hurston 568).

While reading the story, I did have a bit of trouble comprehending the dialogue. A few lines did take more than one read through. Interesting that you bring that up because I was wondering if anybody was going to mention the style of writing. Anyway, the significance and symbolism of the clothes did stand out to me. I can also see how the line you mentioned is an example Sykes disrespect towards Delia. In the story, I feel he appeared to be very ungrateful with no decent values. Especially towards those who he is suppose to care about and who support him. Thanks for the

Delia suffered from mental and physical abuse from her husband. Sykes had previously beaten Delia, “He done beat huh ‘nough tuh kill three women, let ‘lone change they looks.”(Hurston 280). The story starts with Delia in the kitchen sorting clothes when Sykes scares her with his whip. “You know it would skeer me – looks just like a snake, an’ you knows how skeered Ah is of snakes.”(Hurston 277). The whip is a symbol of evil and the masculine oppression the Delia has to deal with throughout the story. “She saw that Sykes had kicked all of the clothes together again, and now stood in her way truculently, his whole manner hoping, praying for an argument.”(Hurston 278). The white clothes that Delia is washing represent her pureness and Sykes kicking them and dirtying them up signifies his abusiveness towards Delia. Sykes lives his life to torment Delia, further showing his evilness. However, Delia’s strong religious believes keep her in the abusive adultery relationship, though she is looking for a way out.

In Delia’s case she is a women with a job, but even with work she is still powerless to Sykes, her husband. As a woman her freedom is still robbed from her by men’s overpowering force, which

In “Sweat”, Hurston’s use of Sykes’s evil qualities illustrates the actions and the personality of the character Sykes. For example, Sykes has kicked the clothes around the ground because Delia refuses to stop cleaning white men’s clothes and kept working. Hurston’s description of how Sykes is threatening Delia as “Next time, Ah’m gointer kick’em outdoor!,” foregrounding his intimidation (Hurston 517). Snakes were known for being demanding to get what they want and Sykes used a ruthless tactic to hope that Delia would do what he wanted. Also, another illustration of his wicked qualities is shown when Merchant talks to the village men about Sykes seducing his wife with a basket of pecans. The description is described as “He's allus been crazy 'bout fat women, put in Merchant. He'd a' been tied up wid one long time ago if he could a' found one tub have him. Did Ah tell yuh 'bout him come sidlin' roun' mah wife-bringin' her a basket uh pee-cans outa his yard fuh a present? Yessir, mah wife! She tol' him tub take 'em right straight back home, cause Delia works so hard ovah dat washtub she reckon everything on de place taste lak sweat an' soapsuds. Ah jus' wisht Ah'd a' caught 'im 'roun' dere! Ah'd a' made his hips ketch on fiah down dat shell road,” emphasizes this fact (Hurston 519). The author makes use of Sykes’s womanizing ways to show that he tries to win the affection of Merchant’s wife instead of taking the pecans to Delia. His relationship is indifferent when it comes to romance toward Delia, which often

The snake in the story symbolizes evil which portrays domestic violence. Sykes tried getting rid of Delia so he could go and be with Bertha, his mistress. He knew how afraid Delia was of snakes so he decided to bring one home. “Then, moved by both horror and terror, she sprang back toward the door. There lay the snake in the basket!” (Hurston 8). He really wanted the snake to bite Delia so he could get rid of her. Leaving the snake in the basket where he knew was the easiest place for it to bite her. Sykes knew that the snake would bite her. He was pure evil. The snake however did not bite Delia but it bit Sykes. “He crept an inch or two toward

The symbolism that is apparent in this story is the snake. Delia is terrified of snakes and her husband Sykes loves to tease her about her fear of snakes (Hurston, 1926). In the beginning of the story, while Delia is sorting clothes Sykes throws his big bull whip on her and she is terrified until she notices what it is (Hurston, 1926). Irony is shown in the story because even though Sykes brings the rattlesnake home to scare Delia off, it ends up killing him in the end (Hurston, 1926). The reader can also see the literary element of figurative language being used when Delia gets fed up with Sykes having the rattlesnake at their house and she begins to let him know how fed up she is of him: “Yo’ ole black hide don’t look lak nothin’ tuh me, but uh passle uh wrinkled up rubber, wid yo’ big ole yeahs flappin’ on each side lak uh paih uh buzzard wings (Hurston, 1926, para.49). Although the above example may be hard to read, it is a great example of similes being used in this short story.

In a surprise ending, the female slave lightly debates everyone’s morals coherently: “(Stand off!) we help not in our loss! / We are too heavy for our cross, / And fall and crush you and your seed” (243-245). Notably, this is the one time in the narrative that we find the female slave easy to understand and sensible.