The Gender Struggle in A Streetcar Named Desire by Tennessee Williams

The most ostentatious of the group, Stanley is a flawed man that is forced into the role of husband and father by the women around him. Stanley enjoys avoiding his real life and problems by socializing with his other equally macho friends playing poker and drinking excessive amounts of alcohol which in turn makes him stereotypically violent towards his wife. Stanley’s actions to Blanche as well are possessive and domineering as he looks through her things and criticizes the gifts she has garnered from the various suitors she had. “After Stanley's rummaging around in the trunk, Blanche exclaims: "It looks like my trunk has exploded" (38). When he violates that space - "Stanley crosses to the trunk, shoves it roughly open, and begins to open compartments" (41) - he betrays Blanche's intimacy. Rapaciously investigating the love letters, "He rips off the ribbon and starts to examine them, Blanche snatches them from him, and they cascade to the floor." Furious, she shouts: "Now that you've touched them, I'll burn them" and then starts scooping "the floor, gathering

In addition to segregation, dominance is seen once again when Stanley is unable to prevent Mitch’s desertion of the game. His violent outbursts are desperate attempts to exert his dominance. “Stanley gives a loud whack of his hand on her thigh.” it becomes apparent that his threatening words are not enough, and he begins using violence as a physical means of controlling Stella and frightening Blanche.

Never abuse anyone is another moral and ethical lesson that I discovered in this play. Stanley is very abusive towards Stella. Stella forgives Stanley and she feels as if nothing is wrong with going back to an abusive man. During one of Stanley’s poker nights, he is so drunk that when he becomes mad, he charges after Stella. She makes excuses for this act by saying, “He didn’t know what he was doing… He was as good as a lamb when I came back and he’s really very, very ashamed of himself” (Williams 72). By Stella going back to Stanley every time he abuses her, she will never grow as a person. We learn that this is not the first time this kind of thing has happened when Eunice, their neighbor yells to Stanley, “I hope they do haul you in and turn the fire hose on you, same as the last time” (Williams 66). Stanley is also abusive towards Blanche when he rapes her. Stanley’s abusiveness and alcoholism is a major problem, yet it is never cured. Blanche tries to talk to Stella about it the night after he beats her by saying “You’re married to a madman”, but she just brushes it off (Williams 73). Stella tells Blanche, “I am not in anything that I have a desire to get out of” (Williams 74). The fact that nobody wants to

We first meet Stanley at the beginning of scene one, we get an idea of Stanley's character from the stage directions that come before his first piece of speech. These stage directions prior to his dialogue say ‘[bellowing]’, the verb ‘bellowing’ is a very powerful word and immediately gives the impression that Stanley is aggressive, especially compared to the contrasting stage directions that describe Stella such as ‘[mildly]’.

     Another key element in the story is the blue piano. Whenever this piano is heard playing during the play it signifies that Stanley has had a victory over Blanche in some way. The blue piano also signifies that Blanches illusion is begging to unravel. The reality of Blanches situation becomes apparent to Stanley who then tries to expose Blanche for what she really

In the play, A Streetcar Named Desire, by Tennessee Williams, the representation of male and female characters are based on gender stereotypes, which represent a patriarchal society. The way in which Tennessee Williams portrays the main characters: Blanche, Stanley and Stella, by using gender stereotypes demonstrates the patriarchal society`s value, norms and beliefs of the 1940s.

Tall, dark, and handsome has long been the standard of a desirable man. There is undoubtedly something about a “man’s man” that is intriguing and beguiling. However, there must be a point where too much masculinity becomes a problem. As society continues to praise men with the biggest muscles, the nicest cars, and the most women, it is becoming increasingly hard to draw the line between healthy masculinity and toxic masculinity. In Tennessee Williams’ A Streetcar Named Desire, toxic ideas about what it means to be masculine ultimately ruins several characters, but most overtly Stanley, Stella, and Blanche, showing that toxic masculinity is a threat to everyone’s well-being, both male and

Tennessee Williams is regarded as a pioneering playwright of American theatre. Through his plays, Williams addresses important issues that no other writers of his time were willing to discuss, including addiction, substance abuse, and mental illness. Recurring themes in William’s works include the dysfunctional family, obsessive and absent mothers and fathers, and emotionally damaged women. These characters were inspired by his experiences with his own family. These characters appear repeatedly in his works with their own recurring themes. Through The Glass Menagerie and A Streetcar Named Desire, Tennessee Williams presents the similar thematic elements of illusion, escape, and fragility between the two plays, proving that although similar, the themes within these plays are not simply recycled, as the differences in their respective texts highlight the differences of the human condition.

Stanleys almost instinctive primitiveness is a major part of his representation in the book and this behavior of his leads to all the ways he overpowers and

Established as one of the most prolific playwrights of the 20th century, Tennessee Williams used his writing as a form of therapy. The author came from a troubled background consisting of alcoholism, mental breakdowns, and general unhappiness; Williams exploited these unfortunate events and allowed them to motivate his literature. In A Streetcar Named Desire, Blanche DuBois’ struggles represent the reality of people’s lives, “an enduring concern of [Williams’] throughout his writing career (Henthorne 1). Blanche captures our focus with her seemingly sincere and fragile nature, but it is later revealed that this is just an illusion within her own mind. She resides in a world of fantasy to shield herself against the harsh threats of reality and her own fears. Blanche’s main objective in the play is to keep herself from falling apart in a world of cruelty through alcoholism and illusion. Through the characterization of Blanche DuBois in A Streetcar Named Desire, Tennessee Williams depicts the coping mechanism of fantasy and its detrimental repercussions by exploring the specific experiences that eventually impede her happiness.

Stanley is a character in this play, whose perspective is clearly reality based. Since Blanche’s outlook on life is fantasy based, there is a lot of hostility between the two characters. Stanley is the one that always exposes the lies that Blanche is always hiding behind. He is constantly trying to get her to accept his perspective. When she finally begins to understand him, it’s too late. With such a huge change, she loses her mental state. Her personal beliefs get interchanged between fantasy and reality, to such an extent, that it seems as if she no longer realizes what is true or what is malign.

Throughout Tennessee Williams’s play, “A Streetcar Named Desire” one can learn a large portion about his personal life. In the play the character, Blanche has a mental illness the same as his sister Rose had in her lifetime. Blanche’s ex-husband was also homosexual and he made the point to say that he left her for a man and Williams himself was also a homosexual. Tennessee chose for the story to be based in New Orleans, which was a crumbling town at the time and Williams was living a crumbling life, due to he was battling depression. In his plays a reader can see that he has different views than most men of his time, he developed many of these views due to his travels throughout his life. ““Streetcar” tackled themes of desperation, sexual

Social upheaval in many senses was explicit through the beginning of the twentieth century; two world wars had - for a short time - shifted the balance of power between men and women. Women were increasingly employed to fill positions which had previously been considered masculine. This was not to last however, and by the fifties men had reassumed their more dominant role in society. People were finding new voices at this time by taking pre-existing forms and pushing the boundaries to re-voice established literary forms. Tennessee Williams wrote A Streetcar Named Desire around the time this reversal was occurring in American society. Williams was a homosexual from the deep south of America, and his play is about physical, emotional

Tennessee Williams was an American writer known for short stories and poems in the mid 1950’s. His more famous writing was A Streetcar Named Desire. His writings influenced many other writers such as August Strindberg and Hart Crane. His writings A Streetcar Named Desire and The Glass Menagerie was adopted to films and A Streetcar Named Desire earned him his first Pulitzer prize. In A Streetcar Named Desire there is many elements that build the plot and story line. The story is about a girl who is drove crazy by his sister’s husband and eventually sent to the mental hospital. The main plot is towards the end of the story when Blanche Dubois is blackmailed by her sister’s husband and raped by him. Everything takes its toll on her until she begins drinking heavily and is thought to have gone crazy and placed in a mental hospital. In this story, many things play affect in the contrast of the writing such as Blanche arriving at her sister’s house, seeing her sister’s husbands attitude, the poker game, Blanche getting raped. These events make Blanche an easy victim. In Tennessee Williams, a street car named desire, the start of kindness turns to tragedy and pain.

Moreover, the relationship between Eunice and Steve demonstrate the domestic aspect of sexism. In the play there is a scene where Eunice and Steve are having a heated argument and things are being thrown, people are being threatened. Steve then ends said argument saying “what do you want in the papers?” leaving Eunice speechless, thus upholding the sexist idea that men hold all the power. This also depicts what happened behind closed doors back then. That is what society between men and women was like back then. Tennessee Williams drew this parallel between the relationship between Stella and Stanley with Eunice and Steve making it so that domestic abuse whether physical or verbal, did exist in everyone’s life.