The genre of blues originated in the 19th century South America African American Communities. African slaves that were brought during the 17th and 18th centuries, also brought their differing musical traditions with them. After they assimilated, they began to blend the juxtaposing music types of America and Africa. This resulted in blues coming from a mix of European folk music, spirituals, music of Africa, and slave work songs. Work songs were sung in time with the task at hand using “call and response in which phrases from a lead singer were followed by the others” (BBC 2). It uses a specific style of chord progressions, such as the twelve bar blues, blues notes (where one “bends” the note out of tune with the strings), and the AAB pattern in the lyrics of the songs. The AAB pattern is a line sung over the first four bars, repeated over the next four bars, and then concluded with a line over the last bars. This is considered to be a cyclic music form due to the repeating progression of chords. The “simple blues harmonies that are found in the 12 bar blues (I, IV, V) are likely inherited from the hymns which were sung on slave plantations” (Gibson 13).
The lyrics are considered “raw and full of emotion, dwelling on love and loneliness… They tell of injustice and hopelessness, and the longing for a better life”. They normally took the form of a loose narrative and were passed on from musician to musician, through “oral tradition” (BBC 1). African music is considered to be
The Spirituals are spiritual. Conscious artistry and popular conception alike should never rob them of this heritage, untrue to their tradition and to the folk genius to give them another tone. That they are vulnerable of both crude and refined secularization is no excuse. Even though their own makers worked them up from the "shout" and the rhythmic elements of the sensuous dance, in their finished form and basic emotional effect all of these elements were completely sublimated in the sincere intensities of religious seriousness. To call them Spirituals and treat them otherwise is a travesty. Emotionally, African slave songs were far from simple. They are not only spread over the whole length of human moods, with the traditional religious overtone skillfully insinuated in each
Blues is one of the most captivating genres of music. The genre was originated in the late 1800’s as a method used by African American slaves to express the circumstances as well as to put emphasis on their feelings and emotions. In order to create these feelings in this music, blues artists incorporate many of the same techniques used to write poetry. One of the most easily identifiable songs in which it is easy to see the relation between poetic elements and blues music is the song “Empty Bed Blues” by Bessie Smith.
Over the years, African American Music has developed as not only as cultural but also artistic phenomenon affecting the world. The music takes its own stand of being dominant as well of having a prevailing means of expression through the use of the lyrics. The lyrics of many songs tend to use a specific type of language in order to create that connection between the listeners. This certain style of language helps the listeners to think on a deeper level about the real meaning behind the lyrics.
This week we learned about many genres of music, some similar some different. The two genres I want to compare and contrast are Rock and Blues. When you hear rock music, you picture electric guitars, amplified sounds, and complex styles of play. But if you take a deeper look you would probably be surprised to learn that rock would not even have existed without simple 12-bar forms, antiphonal textures, or “walking bass lines” used in much blues music. Though Rock and Blues are distinctly different they have a lot of similarities that most likely go unnoticed. Rock and Blues were developed at almost the same exact time around the late 19th century. Blues originated from African American folk music and like Blues, rock music style can also be
“When first entering in America, British folk music was distinguished by three-chord tunes, sparse instrumentation (with some fiddlers), mostly male performers, improvisation, the singers’ sporadic shouts (Scottish “yips”), Christian themes served up in hundreds of hymns, and a secular collection of songs that told stories, generally about love and lost love, using metaphor and symbol to tell those stories” (Allen 101). By the late nineteenth and early twentieth centuries, British music changed and became Americanized. Vocal harmonizing slowly evolved, and fiddlers were accompanied by those who played banjo, an African American opening. “Tambourines and “bones” (tapping out rhythms using pork rib bones) were a minstrel show contribution” (Allen 102). When African Americans were forced into slavery and brought to North America in the 1600s, they brought their own musical traditions and sounds. Slaves who were on the Mississippi River Valley delta soil developed what will later be introduced as blues music. On the plantations, slaves greatly changed British American hymn singing. They took non-religious British American songs and turned it into their own forms of music that followed their culture and taste of music. Blues emerged in the early twentieth century at the same time country music became settled from its folk roots. Blues music talked about the indifferences African American slaves were going through at that time. “The blues voiced human
African American influence in music has been an ever present and controversial subject in American history. Stemming from many different cultures, religions and backgrounds, large portions of American music was introduced by, and credited to African Americans. Although in many cases, this music was used for entertainment by the masses or majority, contrary to popular belief, black music served a greater purpose than just recreation. Dating all the way back to the beginning of slavery in the U.S. during the 17th century, music has been used to make a statement and send a message. As African American music progressed over the years, there were common themes expressed as the genres evolved. It has been an open letter to the world, documenting and protesting the ongoing oppression faced by blacks in the United States, as well as an outlet for frustration. For many African Americans, the music gave them the only voice that couldn’t be silenced by their oppressors.
“3 O’Clock Blues” follows the conventional lyrical structure of most twelve-bar blues (AAB, with no distinguishable chorus).
The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of
The roots of modern american rock and roll music, are firmly planted in Africa. As the native Africans were torn apart from their family’s and brought to the new world their lives were immediately and drastically changed forever. Finding themselves immersed in a completely new environment with a foreign culture, they thankfully persevered and carried on with their own traditions and most importantly to this paper, musical ones. Most American slaves originated from Western and Central Africa. The West Africans carried a musical tradition rich with long melody lines, complicated rhythms (poly rhythmics) and stringed instruments CITATION. The West Africans music was also strongly integrated into their everyday lives. Songs were preformed for religious ceremonies and dances and music was often a
On the other hand, Blues were basically from work songs of African Americans slaves at the time. “It is a native American music, the product of the black man in this country, or, to put it more exactly the way I have come to think about it, blues could not exist if the African captives had not become American captives”(pp.17), said Jones and Baraka. In Jazz – A History, Frank Tirro wisely analyzes and explains the relationship between the unique background and
The blues is a musical style of feeling, a style about playing what comes from your heart. It came from work songs, field chants, spirituals, field hollers and revivalist hymns from the African American communities. Blues is associated with the sad times
The songs were developed to reduce the level of boredom and increase production, these songs created a sense of familiarity and togetherness among workers. The African American work songs were created during the slave era in the seventeenth century; many had their origin in traditions of Africa and were sung to remind them of home or ordered by their masters to boost morale and keep slaves working. They have also been seen as means of endurance, expressing of anger and frustration via verbal signals. Some aspects like call and response were said to be rooted in African tradition, where a leader could sing a verse and be repeated by the greater mass. This eventually led to spirituality development which acted as a basis for Christianity leading to modern day gospels and blues.
Rhythm and blues, also known today as “R & B”, has been one of the most influential genres of music within the African American Culture, and has evolved over many decades in style and sound. Emerging in the late 1940's rhythm and blues, sometimes called jump blues, became dominant black popular music during and after WWII. Rhythm and blues artists often sung about love, relationships, life troubles, and sometimes focused on segregation and race struggles. Rhythm and blues helped embody what was unique about black American culture and validate it as something distinctive and valuable.
The early vernacular traditions didn’t only consist of religious, spiritual, and sacred practices, but there were secular forms of acts that existed in their lives. The early African Americans composed many superb narrative rhymes that really influenced the culture today. They could also be known as poets, and these writers created a foundation for the modern day artists. The different stories and tales that these passages were describing, had a strong impact on the blues, which is a part of the secular songs. Rap, a modern day form of rhyming music, has been influence greatly by the earlier secular songs and stories that the African Americans practiced. These songs started out as humor for the African Americans, and then sporadically evolved into sex, violence, and drugs over the past century. The children’s games song also has special meaning to them when they are used. The little messages that are implanted in these songs really try to impact a message to the listener. The different songs also portrayed the ongoing violence and abuse that is present in the American society. The hardworking slaves also had a series of songs that they sang, in order to express their hardships and perseverance in the work
Blues is a genre and musical form. Blues from work songs, chants, field hollers, shouts and spirituals. It is very essential part if the sound. Instruments, lyrics and bass lines are the characteristics of blues. It is also called as AAB pattern.