The Georges And The Jewels: A Literary Analysis

In Jamie Ford’s historical fiction Hotel on the Corner of Bitter and Sweet, this split narrative focuses on two eras: 1942 and 1986. Within these era’s, Ford’s novel focuses on a Chinese boy, Henry Lee, and what it was like to grow up in the international district with prejudice everywhere, especially in his own family being a first generation American. His novel tells the story of Henry, as well as a Japanese girl by the name of Keiko. The novel tells the story of these two young friends and the hardships faced when the government sends Keiko and her family away to the Japanese internment camps in the Northwest in the 1940’s. His novel displays the effects

Change. Adaption. Strength. In Black Beauty: An Autobiography Of A Horse by Anna Sewell, Black Beauty is terribly treated and wants to be a wild horse. In The Georges And The Jewels By Jane Smiley, Abby had given up riding her new horse because her father had to sell the one horse she truly enjoyed. By examining Black Beauty and The Georges And The Jewels, it is evident that both texts use first person point of view to develop the characters.

There comes a point in one’s life when they must recognize the hardships placed upon them, and instead of being ignorant of those hardships, they must confront them head-on. In “Marigolds”, a short story by Eugenia Collier, the main protagonist, Lizabeth, encounters various struggles that come with living in a poor town in rural Maryland during the Depression, allowing her to learn more about growing up and accepting reality with all its flaws. Lizabeth is a 14-year-old girl who feels a conflict between her inner child and her inner woman, as she is unable to do anything that satisfies both sides of her. She feels too old to be a child, yet too young to be a

Both The Catcher in the Rye by J.D. Salinger and “The Yellow Wallpaper” by Charlotte Perkins Gilman have very subjective first person point of views. However, this point of view allows us to be closer to the narrator/main character. Both narrators in each story use their perspective to allow us to see a more sentimental side to the story, even though it may not be the most credible point of view.

Many authors use different styles of writing and different ways to show different things and different types points of views. In the articles The Georges and the Jewels and Black Beauty: The Autobiography of a Horse, the authors are both using first person point of view, but using different ways to reveal the character traits. First, In The Georges and the Jewels, the person telling the story is a little girl and also she is talking about her experiences with horses, whereas in Black Beauty: The Autobiography of a Horse, the article is being told by a horse, and the horse is telling about his life and about all the equipment that has to be used for him.

Rebirth is an over arching theme in the book, Hotel on the Corner of Bitter and Sweet, written by Jamie Ford. One of the main symbols of second rebirth is the ever-present Oscar Holden record. The records symbolizes not only Henry and Keiko’s relationship, but how it can be renewed. From when Henry and Keiko buy the record, to Henry finding it 40 years later, the record always has a strong significance in the book.

Wow! Reading the point of view of a first-person narrative reveals so much about the author’s thoughts. While reading first-person narratives, it enables readers to understand more information throughout the story. Hearing the thoughts and ideas right from the character makes it easier to make connections. In the short story “George and the Jewels” by Jane Smiley, the main character Abby goes through a transition from disliking horses to understanding them. In “Black Beauty” by Anna Sewell, the story is narrated by a horse who is introduced into a new environment where he has to become used to being rode every day. By examining Black Beauty and The George and Jewels, it shows that both passages use first-person point of view to develop

‘The Necklace’ is a morality tale written by Guy de Maupassant where he portrays the life of a beautiful but dissatisfied girl named Mathilde who desires to live a luxurious life despite being born into a clerk’s family and marrying a clerk too. Mathilde’s discontentment in life instigates her to pretend someone rich that she is not. Moreover, it leads her to severe trouble that caused ten years of hardship to Mathilde and her husband. So, this suffering is a punishment for Mathilde which taught her a lesson and changed her dramatically over the course of the story by making her a person of completely different personality for whom appearances

In the Perrine handout, it says, “With the growth of artistic consciousness, the question of point of view—of who tells the story, and, therefore, of how it gets told—has assumed special importance” (Perrine). In this case, the author uses the plural form of first-person point of view which affects the tone and theme of the story. For example, In the “... first-person point of view, the author disappears into one of the characters, who tells the story in in the

Kelly J. Mayes defines plot in The Norton Introduction to Literature as the way the author sequences and paces the events so as to shape our response and interpretation. Every piece of literature contains a plot pattern that follows Freytag’s pyramid. This pyramid consists of an exposition, rising action, a climax, falling action, and a conclusion. Though each story displays this pattern of organization, authors use many different literary devices to differentiate their work and to acquire the response they want to achieve from their audience. The author of “The Jewelry,” Guy De Maupassant, correctly followed Freytag’s Pyramid and used varied literary devices to create a suspenseful read for the audience.

Brigadoon is a musical book and lyrics written by Alan Jay Lerner. Observing Brigadoon through a utopian lens paints a better picture of the world during the 1940s and gives a great example to the unifying impact love has in utopian literature. Through examining three main utopian concepts, both Brigadoon is proved to be utopian, and love is shown to be the driving utopian connection that draws the play together.

“It is impossible that things should be other than they are; for everything is right,” Pangloss asserts in Voltaire’s Candide. Although the characters and events of Candide are fictitious, these literary elements exemplify a quality that is true to life and often seen in the creation of governments; similarly to Candide’s Pangloss, Thomas Jefferson, framer of the United States constitution as well as former United States president, stated, “…so confident am I in the intentions, as well as wisdom, of the government, that I shall always be satisfied that what is not done, either cannot, or ought not to be done,” and Joseph Stalin, former leader of the Soviet Union, stated, “…[Marxism] is an integral world outlook, a philosophical system, from

“Life is not measured by the number of breaths we take, but by the moments that take our breaths away”-Maya Angelou. This quote demonstrates that life isn’t about the amount of things one has or can do, but the time one spends with joy and fun, appreciating what they can do and have. In the short story, “The Necklace” by Guy De Maupassant, the main character does the exact opposite of what this quote represents, she learns the hard way. Madame Loisel, the main character, doesn't appreciate her ways of living and wants something to represent the lifestyle she wants to live. Madame borrows a diamond Necklace, loses it and rather than telling the truth, she lies and buys another. She ends up wasting 10 years of her life working hard to pay off debt. Madame then finds that the diamond necklace was nothing but paste though the replacement was real. Maybe if Madame had been grateful for who she was and what she had, she would’ve lived a better life. De Maupassant uses multiple internal and external conflicts to teach the reader that people should just be grateful for who they are,what they have and what they can do.

False Identities in "The Necklace" by Guy de Maupassant and "Miss Brill" by Katherine Mansfield

At first glance, Chopin’s Story of an Hour (1894) and de Maupassant’s The Necklace (1884), appear to have very little in common. Chopin’s story, as displayed in its title is quite short; while in comparison, de Maupassant tells a much more detailed account of the beleaguered Loisel’s, who must learn from the self-centred Madam Loisel. With de Maupassant’s depiction of his female protagonist as selfish and ungrateful; it is difficult to fathom Chopin, known for her active role in describing woman's oppression in the nineteenth century. Interestingly, Chopin, a realist, did consider de Maupassant to