The Girl And Her Trust

The same applies to a dramatic scene where the music may be deep and frantic to convey to the audience the feeling of anticipation. A scene i would like to focus on is the scene in which Garry and his father have a final ‘showdown’, if you will, at the front of the house. The scene consists of the father imposing himself on Garry and proceeding to continually beat him down time after time only for Garry to rise up and face his father on each occasion. This scene evoked a feeling of pride and admiration from the audience as to Garry’s courage and determination to convey the message to his father that he is ready to stand on his own two feet and defy him. This is a very powerful scene within the movie which initiated powerful emotions within the audience. All of this was accomplished with the notable absence of music of any form. The omission of music in this scene created an atmosphere in which the dramatic affect was amplified due to the silence.

In both of the stories, “Girl” and “Story of an Hour”, woman's femininity, independence and tradition are shown in many examples. Both tales depict a story of a woman trying to discover their independence and learning the ways of how women are expected to act. They can both be seen as feminists for wanting to be independent but having oppressors such as parents and spouses stopping them from being who they want to be.

Lighting and sound are another two key factors that can be manipulated to heighten the dramatic value of the scene. With the opening of the first sequence, the musical motif that accompanies Abigail throughout the film begins to play as she is introduced. It follows her emotions, the tempo increasing as she hurries to ready herself and creep out of the house. As the forest comes into view, the eerie surroundings are complemented by the change in music.

The author of Trust Matters, Megan Tschannen-Moran is a professor at The College of William and Mary in Williamsburg, VA. She teaches courses in educational leadership and conducts research about relationships in school settings, specifically related to trust and efficacy. http://wmpeople.wmedu/site/page/mxtsch

He is able to use these parts to manipulate the audience’s emotions. The music playing from the car is an on-screen sound. As the man gets attacked, the volume increases. The sound helps intensify the scene that has been created by the film’s visual elements. The audience then subconsciously forms ideas, opinions, and feelings about what they are seeing. The viewers develop scared feelings as the scene intensifies to the happy upbeat tune. The increasing volume of the cheery song reflects the violence and the sinisterness of the scene. The song stops with the slamming of the car’s driver-side door as the man is abducted. There is a moment of silence and then a new song abruptly entered the silent scene. The music is non-diegetic and is an offscreen sound. The song is screechy, high pitched, and jagged sounding at first, continuing the anxious and scared mood. The song shifts into a sort of soulful hymn. The tone shifts along with the song. The audience begins to feel relieved and relaxes to the peaceful song.

“Girl” is a short story in which the author, Jamaica Kincaid, unofficially presents the stereotypes of girls in the mid 1900s. Kincaid includes two major characters in the story “Girl”, they are the mother and the girl. Although the daughter only asks two questions in this story, she is the major character. The mother feels like her daughter is going in the wrong direction and not making the best decisions in her life. The whole story is basically the mother telling her daughter what affects her decisions will have in the future. The mother believes that because her daughter isn’t sitting, talking, cleaning, walking or singing correctly it will lead her to a path of destruction. “Girl” is a reflection of female sexuality, the power of family, and how family can help overcome future dangers.

The music throughout the film plays a big role in the way it is perceived and the overall tone and message. The directors and producers used background noise and music very wisely in order to convey the emotions of a scene. In the movie, it reaches a certain point where it almost looks as though things are looking up for education. It is when the documentary starts describing the “new acting chancellor of the district of columbia schools”, during this scene the makers want you to really pay attention and become almost shocked by this turn of events. However, they do not only grab your attention by the words and clips shown, but also by the loud, upbeat music that is suddenly played while she is being announced. Also, later in the movie they use this same

a struggle between love and family tradition and ways. In the two stories a young girl

The audio although normally overpowered by the visual aspect played a key role in defining and empowering the movie. The music was fast and uplifting during celebration and on

On the other hand, the movie’s script seems to drone on with many unneeded conversations. For instance, when Martin met Rainsford, the drunken brother of Eve and a fellow victim of Count Zaroff’s hunting game, his excessive tangent banters rattle on for what seem to be ten minutes. In like manner, the movie’s soundtrack did not build enough suspense need when the characters face conflicts and the thrilling music was played too often in unimportant parts of the film, which caused different scenes to look very choppy. In other words, there was no uniqueness to the music that draws a person deeper into the plot of the movie; it had the same sounds used in any other thriller. In the same fashion, the useless extra characters added into the plot served as a distraction. In fact, the female character, Eve, seemed to be prized objective of Count Zaroff’s sadistic survival game and the challenge to save Rainsford and hers life was based completely around on the fact that she is Count Zaroff’s only love

The right sound had to influence the way each scene was taken. If there was cheerful and lighthearted music, then you would think there was a prime, pleasant scene like when everyone is having a good time. On the other hand, if the music was depressing and dramatic, then you would think that something bad is going to or is happening. I think that the music did an excellent job at determining the mood of the scenes.

The music contributed heavily to setting the tone and mood throughout the film. The film

In order to properly view a story from a feminist perspective, it is important that the reader fully understands what the feminist perspective entails. “There are many feminist perspectives, and each perspective uses different approaches to analyze and interpret texts. One is that gender is “socially constructed” and another is that power is distributed unequally on the basis of sex, race, and ethnicity, religion, national origin, age, ability, sexuality, and economic class status” (South University Online, 2011, para. 1). The story “Girl” is an outline of the things young girls

Another aspect of sound in this film was how it affected the story. By using sound dramatically in certain parts and not using it at all in other parts, sound gave this story an entity of its own. For example, during long stretches of film with mostly dialogue, there was no music played in the background, only a phone ringing in the distance, or the men's voices during their deliberation. These long silences also took place during editing shots of the town and images that surrounded this German city. This dramatic difference in sound was a revelation of how mood can be made by images and sound put together to make an incredible component.

This clearly explains the significance of music and the role that has in motion pictures. Music has to match the emotions that the actors are showing and the environment they are in. If fail to do so, the movie could be a dreadful thing to watch.