The Glass Menagerie Individualism Analysis

Amanda belittles Laura’s self-ownership which makes Laura immature and helpless as an adult. When the subject of gentleman callers comes up, Amanda addresses Laura, saying, “How many do you suppose we’re going to entertain this afternoon? [...] [reappearing, airily] What? No one — not one? You must be joking! [Laura nervously echoes her laugh]” (Williams 18). Amanda is caught up in her dreams of marriage for Laura, made clear by her enthusiastic tone and body language, but Laura’s uncomfortable laugh shows how she is not amused by her mother’s aspirations. Amanda is only focused on what she wants for Laura, but she should really be concerned with what Laura wants for herself. In addition, Amanda cannot accept the fact that her daughter is not going to have any suitors; she denies reality and tries to bring Laura into her world of illusions. This irresponsible parenting causes Laura to become the childish adult that she is. When Amanda questions where Laura was going instead of business college, Laura explains that, “I went in the art museum and the bird houses at the Zoo. I visited the penguins every day! [...] Lately I’ve been spending most of my afternoons in the Jewel Box, that big glass house where they raise the tropical flowers” (21). Laura is twenty-three years old and she is getting excited about visiting attractions meant for kids. She would rather explore the Zoo, an art museum, or a greenhouse than attend college, exhibiting her immature and irresponsible mindset. This juvenile behavior is what leads to Laura’s helplessness. While on the fire escape, Amanda tells Laura to make a

The Glass Menagerie by Tennessee Williams is a celebrated and cherished play that has affected generations. Written in 1945, the play very well may have been an outlet for Williams to accept what had happened to his own sister. Rose Williams had been lobotomized due to schizophrenia, affecting her brother greatly. While Williams’ family may be real, his characters are over dramatic and eccentric. The characters of Amanda, Tom, and Laura make up an extremely dysfunctional family living together in a 1930’s Saint Louis. By the end of the play, each character has affected themselves and each other. The characters spend the majority of their lives inventing someone who will make the rest of their family members happy, and when these facades crumble,

Tennessee Williams, born Thomas Lanier Williams, wrote The Glass Menagerie, a play which premiered in Chicago in 1944. This award winning play, autobiographical in nature, represented a time in which Williams felt the obligation of his responsibilities in regards to the care of his family. Robert DiYanni, Adjunct Professor of Humanities at New York University, rated it as, “One of his best-loved plays...a portrayal of loneliness among characters who confuse fantasy and reality” (DiYanni 1156). Alternatively, The Glass Menagerie, a play set in the era of the Great Depression and written from the narrator’s memory, was meant to teach us the how our relationships with one another can alter our futures, for better or worse. Everything about this particular play was a direct and clear symbolization of Williams ' life growing up. Williams uses characterization to depict several people from his real life in this play; his sister, himself, his overbearing mother, absent father, and a childhood best friend. Williams does a splendid job transforming his personal life into a working piece of art. In Tennessee Williams ' play, The Glass Menagerie, his character, Laura, is central to the structure and focus of the story due to her individual ties to all of the supporting characters throughout the seven scene play.

Williams’s play is a tragedy, and one of quietude. He once expressed that “Glass Menagerie is my first quiet play, and perhaps my last.” It is a play of profound sadness, and through relationships between characters, portrays the “cries of the heart.” There is no cry more powerful that the cry and inner desperation of the heart. Williams’s has very little social context, but rather focuses on the conflicts within a domestic family. Such a focus is powerful, and the playwright expresses this power and importance implicitly through the estranged relationship between Amanda and Tom Wingfield.

   Tennessee Williams' play, The Glass Menagerie, describes three separate characters, their dreams, and the harsh realities they face in a modern world.  The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Williams' use of symbols adds depth to the play. The glass menagerie itself is a symbol Williams uses to represent the broken lives of Amanda, Laura and Tom Wingfield and their inability to live in the present.

As a result of her extensive impairments in several senses, she became frustrated and began to frequently have temper tantrums. By seven-years-old, she had to be physically overpowered in order to be controlled. She obeyed her father and no one else in her family. Despite the tantrums, Laura was taught by her mother how to do things mostly by touch. Her mother taught her how to sew and perform other functions by following her mother’s

As the girl continues on to grow up she is continually facing challenges with her confidence and thus affecting her emotionally and physically. For instance, one of the line states that “ she went to

At the beginning of the scene, Laura is told to go out to purchase butter, and in the process of leaving, she trips and falls down the fire escape steps. Amanda, being completely blind to Laura’s being crippled, merely states that the landlord should not have made the steps such as they were, and that they should sue the landlord in the event that someone breaks a leg. It becomes clear in this section that Amanda’s main weakness is her tendency to delude herself of the true nature of things, and this makes her blind to the state of life in her

In The Glass Menagerie, Tennessee Williams beautifully encapsulates man’s desire to escape from uncomfortable emotional and physical situations. Whether he’s showing a young man trapped in a factory job he hates, an aging single mother who mourns for her life as Southern belle, or a young lady who fears that she’ll spend her life alone, he clearly demonstrates these desires and fears for his audience. Williams shows us through the actions of his characters how humans handle a wide variety of uncomfortable situations, and how these situations dramatically influence one’s ability to thrive. The playwright doesn’t seem to believe in the idea of “bloom where you’re planted”, and the desire to escape becomes a major theme of the play, demonstrated across multiple characters in a wide variety of ways. Creative individuals often do not thrive in noncreative, industrial environments. Williams demonstrates this clearly in this “memory play”, which carries many autobiographical element. Tom Wingfield represents his own character, Williams himself, and also serves as a narrator, making him quite the complex character. Williams’s uses Tom to show how an emotionally complex, creative individual can quickly feel trapped and tied down in a factory job, longing to get out, see the world, and pursue a job with more creative elements. Tom’s escapism, drinking, and evening theatrical adventures all reflect the life of the playwright himself, as Williams was known to struggle with alcoholism

The theme of Tennessee Williams' The Glass Menagerie is conflict. The play contains both internal and external conflict. The absence of Tom's father forces external turmoil and conflict between Tom the protagonist, and his mother the antagonist. The internal conflict is seen within Tom through his constant references to leaving home and his selfishness. The play is about a young aspiring poet named Tom, who works at a shoe warehouse. Tom is unhappy with is life at home mainly because of his overbearing, over protective mother named Amanda. Tom also has a sister within the play named Laura who chooses to isolate herself from the rest of society. During the play Tom's relationship with his mother is filled with very harsh and abrasive

In certain moments, she seems mature beyond her years; in others, she holds the same juvenile views as other 16-year-old girls. Dealing with the pains of her parents’ divorce, she seeks validation and comfort through sexual experiences. At the start of the season, she has a boyfriend named Emile, but when he cheats on her and they break up, it only fuels her desire for male attention. She is a hypersexual teenager, which is another common trope in television. While her friends are consumed by thoughts of parties and plastic surgery, her mind is filled with thoughts of her photography teacher Michael. The fantasies are partly due to her inevitable coming-of-age, but they become borderline obsessive—most likely the result of feeling rejected after her parents’ separation and wanting an older man’s attention. From the start, it is clear her relationship with Valerie is honest and open. They speak about sex candidly, but for some reason, she never expresses her feelings for Michael to her mother. In a desperate and immature effort to get Michael’s attention, Laura videotapes her and Emile having sex. Then, she anonymously sends it around school. It is her way of “proving that [she is] hot, worthy of lust, and—necessarily—that [she] seeks to provoke lust” (Levy 33). Her efforts fail, which confuses her since she lives in a society where young girls are taught men want women “imitating a stripper or a porn star” (Levy 4). Upon

The Glass Menagerie by Tennessee Williams had ordinary people in an ordinary life that closely resembled the influences of Williams’ personal life while having reoccurring themes and motifs throughout the story. The play has been done by many with some variations in the scripts and setting while still clinging to the basic ideas of the original play.

Written in 1944, Tennessee Williams wrote a play during World War II when people were barely making ends meet. Centering on the Wingfield family, the story consisted of five characters: Amanda Wingfield (the mother), Laura Wingfield (the daughter), Tom Wingfield (son, narrator, Laura’s older brother), Jim Connor (Tom and Laura’s old acquaintance from high school) and Mr. Wingfield (father to Tom and Laura, and Amanda’s husband)- who abandoned the family long before the start of the play. The title, “The Glass Menagerie”, represented a collection of glass animals on display in the Wingfields’ home. At one point or another, these animals then represented each character when they couldn’t accept reality. The theme of this play were about the

Identity – it is a simple remark which can change the course of a literary work drastically. The personality of characters is not always perceptible to the mentality of the reader, without a little in depth analysis. Namely, in the title The Glass Menagerie, where the ideas of identity and accepting reality are brought to life, by the quote stating “Nobody, not even the rain, has such small hands.” (Cummings.) While some readers believe that the epigraph relates more to Tom and Laura, rather than Laura and Jim; a closer inquiry demonstrates that Jim is the rain, while Laura is the rose and the smallest hands. Consequently, a theme of the difficulty of accepting reality is developed.

Set in St. Louis Missouri prior to World War II, Tennessee Williams reflects back on his deeply tragic and dysfunctional familial experiences in, “The Glass Menagerie”. Williams brilliantly incorporates real aspects of society to reveal how they contributed to the nonreal aspects and the conflicts which affected his family. The real aspects of the play which had a significant impact on the lower middle-class families such as the Wingfields included, the economic hardships surrounding the Great Depression, the fall of the American south, society’s intolerance towards homosexuality, and many threats abroad. Although Williams play was merely a series of hazy memories, the nonreal aspects combined with the major societal conflicts contribute