The God of Small Things

When People are Big and God is Small is written by Edward T. Welch. Welch is a professor of Practical Theology at Westminister Theological Seminary. In addition to being a professor, he also serves as a counselor, a faculty member, and the director of counseling and academic dean at Christian Counseling and Education Foundation. He has added his expertise to the field of counseling and theology by contributing to multiple books and writing more than ten articles for the Journal of Biblical Counseling and other periodicals. Welch earned an M.Div. degree from Biblical Theological Seminary and a Ph.D. in Counseling Psychology (Neuropsychology) from the University of Utah. Drawing from his education and experiences, Welch possesses plenty of reputable credentials to warrant attention and discussion in his book, When People are Big and God is Small.

When People are Big and God is Small is written by Edward T. Welch. Welch is a professor of Practical Theology at Westminister Theological Seminary. In addition to being a professor he also serves as a counselor, a faculty member, and the director of counseling and academic dean at Christian Counseling and Education Foundation. Welch has added his expertise to the field of counseling and theology by contributing to multiple books. Welch’s contributions do not end with books but expands to writing more than ten articles for the Journal of Biblical Counseling and other periodicals. Welch earned a M.Div degree from Biblical Theological Seminary and a PhD in Counseling Psychology (Neuropsychology) from the University of Utah. Drawing from his education and experiences, Welch possesses plenty of reputable credentials to warrant attention and discussion to his book, When People are Big and God is Small.

The plot in the short story “Hindus” demonstrates how a certain sequence of events can help people better understand themselves. Leela meets many different and unique people on her journey throughout

Lee’s writing is littered with descriptive and flowery visuals that truly capture both the environment and his emotions. In one such case, he recalls an evening where he “[stared] at the brightest star, viewing it not so much on this night as a beacon, something [he] wanted to believe would lead [he] out of this dark tunnel, but instead as a place [he’d] rather be” (155). His juvenile wistfulness is tangible in the words and the reader can almost feel the chill of the night air. He continues, wishing to be “anywhere but here…[wishing to have] been born anywhere but here.” (155). His yearning twists the heart with sympathy for his lonesome and pitiable plight. This moment is but a minute fraction of the incredibly intimate tale that Lee

This upheaval of identity can be seen in way the colonial trauma pervades the social, political, and cultural environment depicted in The God of Small Things. The social, political, and cultural environments in turn invade the lives of the characters of the novel. The Indian caste system and the love laws, for instance, are driving forces in one of the main conflicts of the novel. The caste system, which was existed in its present form in the novel due to the British colonists favoring certain castes above others, categorized groups of people within Indian society and classified some as superior to others, with the Untouchables being the lowest classification of the human. The love laws determined “who should be loved, and how. And how much” (Roy 33). These histories work in tandem to create the tragedy of Ammu, the twins’ mother, and Velutha’s, an Untouchable and friend to the twins, doomed relationship. Because of these socially constructed class structures, Ammu and Velutha’s relationship was forbidden and when Velutha’s father, Vellya, informs Mamacchi and Baby Kochamma of their relationship, they are completely horrified. Vellya’s relationship with the Ipe Family also somewhat parallels the colonized people’s relationship with the colonizer. Vellya, as an Untouchable, occupies a lower social position than the Ipe Family and sees them as superior. By informing the Mamacchi about her daughter and his son’s relationship, he maintains the social class structures and the

Firstly, the war caused a huge problem to Maha, a 12-year-old girl, who lost her parents and her older sister after a bombing in the Muslim area of the city. Moreover, she has to take care of her younger brother who is 6 months old, while they threaten to separate her from him. Maha’s suffering is demonstrated when she explains to Karim, “What’s important is that I don’t have anything left to lose. Except Jad. You say we’ll be killed before we

“There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land…I had never before looked up at the sky when there was not a familiar mountain ridge against it. But this was the complete dome of heaven, all there was of it. I did not believe that my dead father and mother were watching me from up there; they would still be looking for me at the sheep-fold down by the creek…. I had left even their spirits behind me. The wagon jolted on, carrying me I knew not whither. I don't think I was homesick. If we never arrived anywhere, it did not matter. Between that earth and that sky I felt erased, blotted out. I did not say my prayers that night: here, I felt, what would be would be.” This new surrounding is the beginning of an adventure for

In Ellen Hopkins’ Identical, twins Kaeleigh and Raeanne bring dark secrets to light. After the girls’ daddy, Raymond Gardella - a comely city judge - causes a car accident involving them and their mother, the family begins to fall apart at the seams. The girls’ mother soon after turns frigid, showing little to no emotion towards their daddy, and she eventually leaves them all. The loss of their mother, and their daddy’s loss of his wife, sends all them all into a downward spiral, which is just the start of the family dilemmas. Despite the family’s desperate pleas to have her back, she still refuses, and soon takes up an interest in the city politics. While she is gone, the girls’ daddy does some repugnant things that should have him put in jail, but only Kaeleigh and Raeanne know – and they’re smart enough not to open their mouths about it, or daddy will make it worse.

The book points out many different attacks on Indian culture. John’s adoption, legal or not, by his kind but misguided parents demonstrates the tragedy that can come from cross-cultural adoption. The experiences of Marie’s cousin Reggie, who has the tapes of his family’s stories stolen and co-opted by Dr. Mather (who has convinced himself that he is doing the right thing because the find is anthropologically valuable) demonstrates the wrongs done by intellectuals who only view other cultures in terms of what they can learn from them. Truck Schultz and the three enraged college students demonstrate how quickly the underlying distrust of

Last but not least in the story By Any Other Name two sisters from India come into

Probably out in the city of my dreams, light and stars, everything seemed to be perfect in my eyes. But the truth is, ashes are covered by people’s smiles, secrets, and sweet words. In the bright streets, souls are trying to find their purpose by running with fear and hope. Fear to find their path and to fail, to drown without achieving it. Yet, hope to find their real self that is bury underneath the world of deception. Hope in knowing that there are truths hidden in the

In The God of Small Things, Roy explores the idea of breaking boundaries by personifying the setting, focusing on everyday events, and manipulating the characters within society. The most predominant boundary in the novel remains the rigid social classes known as the caste system in Indian society. Roy gives each character a specific role to bring out the importance of the Love Laws, which set behavioral margins within the society.

The opening of the story begins with the return of Rahel to Ayemenem. Other significant scenes include the burial of Sophie and the case where the family members are reluctant to acknowledge Ammu and the twins. It is worth to note that during the time burial, Rahel had the view that Sophie was alive. Nonetheless, the events that unfold throughout the story can be defined as being based on the need to explain some themes. One of the themes relates to the position of the family. The author uses different concepts to develop Ammu at the beginning, in the middle, as well as at the end of the story. Some of the relationships that were explored by the author include the connections between brother and sister, grandparent and grandchild, and mother and child among other groups.

Throughout the history of mankind, there have been many great men who have left an impact on today’s world. Some of these men may have changed a certain system was run or established a better community for other people. While doing these things is certainly commendable, there is one man who stands above the rest. This man is unique in every way from His conception to His death. In addition, this man made astonishing claims and performed many great miracles. While there were many that embraced this man, there were many that called him foolish and a sinner. This man was Jesus Christ. Through the use of Old Testament prophets, various New Testament testimonies, and certain divine attributes, it is proven that Jesus Christ is unique in that He and God are one.

The dominant idiom of Indian writing today is firmly entrenched in pain, anxiety of displacement, nostalgia, yearning to belong to roots, and so on. Arundhati Roy’s The God of Small Things and Kiran Desai’s The Inheritance of Loss are two such novels that explore the tragedy of man on several levels using different perspectives. Both the novels are about averted culture-clash tragedies, homogeneity vs. heterogeneity, and about Indian sensibilities.