The Godfather Opening Scene Essay

The same applies to a dramatic scene where the music may be deep and frantic to convey to the audience the feeling of anticipation. A scene i would like to focus on is the scene in which Garry and his father have a final ‘showdown’, if you will, at the front of the house. The scene consists of the father imposing himself on Garry and proceeding to continually beat him down time after time only for Garry to rise up and face his father on each occasion. This scene evoked a feeling of pride and admiration from the audience as to Garry’s courage and determination to convey the message to his father that he is ready to stand on his own two feet and defy him. This is a very powerful scene within the movie which initiated powerful emotions within the audience. All of this was accomplished with the notable absence of music of any form. The omission of music in this scene created an atmosphere in which the dramatic affect was amplified due to the silence.

In “The Godfather”, Michael had been beat up by two police officers and after this incident, Michael wanted revenge. In the scene I chose, Michael is talking to his brother Sonny, Tom and Clemenza about getting retribution. He starts telling Sonny that McCluskey and Sollozo want to have a meeting with him, so Micheal will choose a public restaurant and there he will kill both of them. Laughing at the outrageous though, Sonny states, “Hey what are you gonna do? Nice college boy, huh? Didn't want to get mixed up in the family business. Now you want to gun down a police captain? Why? Cause he slapped you in the face a little bit? Do you think this is the army, where you shoot them a mile away? You gotta get up close, like this and you blow their

However, this gives the audience a feel for The Godfather’s power. The color designs, align with the era, nothing too bright, even tone and dark colors to give vibes of the dangerous mysteries that await with yet another assassination. All things considered Michael, the younger brother slated to become a congressman or maybe president, assassinated drug lord Sollozzo and the corrupt police officer McCluskey. Michael falls into the wild card category portraying him, as innocently trying to fit in, as later he developed into the character of “The New Godfather.”

One of the greatest films and novels of all time, The Godfather by Mario Puzo is the book that I chose to write my report about. This book falls under the drama and crime fiction genres, due to its dramatic story of people being shot and murdered. The Godfather takes place in New York during the years 1945-1955, right after World War II. Most of the story is written from a narrator 's perspective, save for two points in the book in which the story becomes a first person point of view. One of the themes portrayed in the novel is that family always comes first, even if it isn’t a blood-related family, but a crime family. The novel’s theme is primarily that of loyalty, which is a crucial plot device because some of the Corleone family

There are quite a lot of widespread stereotypes of Italian Americans in “The Godfather” movies which involve characters, Italian foods, family, and violence. Food plays a huge role in The Godfather movies. Characters in the movies are always seen eating Italian food such as pasta. If the directors were not referring to any specific ethnic group than why were all the movies showing characters with Italian names eating foods that were known to be “Italian” foods. Also, violence is a major key in the movie which is also stereotyped to Italian Americans by them being associated with crime and the mafia. “ Thus, rather than helping to overcome the negative image of Italian-Americans fostered by entertainment programming, the media reinforces

The Godfather and Goodfellas are both considered “mafia movies.” Both of these films portray some form of organized crime committed by Italians. They mutually romanticize the mob lifestyle and depict it with pure clarity. Although both of these movies portray the lives of the same kind of people, they are more than just a simple characterization. Violence plays a major role in each of these films. The Godfather and Goodfellas are obviously very similar. However, they also have several aspects that differ from one another.

It is a crucial part to indicate the mood of a movie. Bright and colorful lighting shows, cheer and happiness and on the other hand , Tim Burton shows, spooky images with dark and gloomy lighting. Mr. Burton's lighting techniques are completely his own. In ES, he mixes up the lighting.

This film is a prime example as to why Italian Americans are stereotyped as members of the mafia with violent tendencies. These negative traits that are depicted through the characters are why people believe that Italian-Americans are like the characters the play. The Godfathers depiction of the typical mafia gangster wearing the pin stripped suits and being extremely wealthy creates their identity and that identity is portrayed to us a viewer as to how Italian-Americans really are. The Godfather portrays how powerful, respected and feared the head of these mafia families are but also how dangerous their lifestyle is with Don Corleone head of the mafia being nearly assassinated for refusing a deal with their rival family. Family is extremely important to Italian-Americans which is evident throughout The Godfather one aspect of their ethnicity which is not over exaggerated or false, but this extreme loyalty which is portrayed by Michael Corleone when his father is assassinated shows how brutal the mafia can be because of their loyalty.

The Godfather is the story of a Mafia family. It follows the rise of Michael Corleone within the family. Michael was once a war hero and did not want to be involved in the family business. When his father is shot though, Michael takes revenge on the people who did it and becomes a part of the Mafia lifestyle. When his older brother is murdered, Michael ascends to become the boss of the family, and proves to be more ruthless than his father and brother combined. The scene that I am analyzing is one where Michael is becoming his nephew’s godfather at his baptism.

THE GODFATHER, made in 1974, details the Corleone crime family in Manhattan during the mid 1930s. The Don, Vito Corleone, played by Marlon Brando, leads his organization against a relentless narcotics push by a rival family, the Sollozzos. Vito Caleone does not want anything to do with drugs because he believes they will be the downfall of the Mafia. The story, covering a ten year time period, offers a rich tapestry of Mafia life from the inside, drawing the audience into witnessing the transfer of power within a close-knit family

Let’s start with the story of “The Godfather Part II”. The movie’s story is a continuation of where the first movie left off, which is with Michael Corleone as the new don, or head of the family. However, this film is quite different from the first, or any other movie as it shows two different stories at once. One story is of Michael Corleone’s fall and the numerous legal battles he goes through as he tries to legitimize his family business, and the other is the story of Michael’s father, Vito, and his rise to power from young adult to mafia leader. The story of Vito Corleone is shown through flashbacks that happen too often for my liking, and are not as entertaining as the

Mise en scène envelopes the most perceptible aspects of a film that includes the actors, costumes, setting, and any natural and artificial details that represent the movie. According to Goodykoontz and Jacobs "We get our initial feeling about the characters and what might happen by seeing where they are, what their belongings are, how they are dressed, how they are lit, and how they react" (2014). While The Godfather was shot in 1972, it's setting takes place in the years after World War II. We see at the beginning of the movie when Michael returns home from the war, his military suit is indicative of that time. Michael does not want any parts of the family business but as the movie progresses, we see him change from a boy to a man in his dress, speech, and character. He is barely recognizable as the person we met at the wedding.

Using only the “Wedding” scene and the “Baptism” scene — which both serves to tie the films ends up — you can infer a great deal on the basic themes of The Godfather. Francis Ford Coppola has said that the film was a metaphor for ‘business’ in America, and certainly, the word was used consistently throughout the entirety of the film, generally by the Corleone family, they were “doing business.” Each of the capping scenes had broader metaphors for the movie, but instilled and enforced transitions of power. The “Wedding” was a stunning event: lots of panning and broad shots, with occasional cutting to show either ‘the Godfather’ Vito Corleone (portrayed by Marlon Brando) either granting a request, or enjoying the festivities, merely wasting

The Godfather, directed by Francis Coppola follows a family deeply entangled in the New York organized crime world. The film is a classic, and at one point was the highest grossing film in American History. Winning countless awards, such as the Oscar for Best Picture, Best Actor, and Best Adapted Screenplay. The film isSomething that goes unnoticed in the film, but plays a huge impact on how the film is perceived is the camera work. The God Father uses various camera techniques, such as visual obstruction, lighting manipulation, and a variety of camera angles to enhance the mood of the scene.

“A man who doesn’t spend time with his family, can never be a real man” - Mario Puzo, The Godfather. As described in the novel Godfather, Don Corleone is a man who is passionate for obtaining respect, as well as repaying the favor. Don, a man of power, and much wisdom is very persuasive in using force to get what he wants. Throughout the Godfather, it will take many twists and turns into the lives of the mafia. It will reveal a world of crime, men on the run. Drugs, what such things