The Good Shepherd And The Bebenburg Youth

The Christian element seems to be too deeply interwoven in the text of Beowulf for us to suppose that it is due to additions made by scribes at a time when the poem had come to be written down. The Christian element had to be included by the original poet or by minstrels who recited it in later times. The extent to which the Christian element is

Evaluate the impact of Nazi Policy on the young people in Germany between 1933 and 1939.

This statue seems to have been treated poorly and not with much care. It can be seen that it went through a lot causing such damage. However, because of its massive size, it was able to survive and still be in somewhat good condition. The body around the torso is relatively smooth and in tact with minor scratches. Her body itself was not as damaged but mostly around the edges of the statue were broken off. The texture seems to be of hard, rough limestone but it was smoothed out when being carved.

Created in 1489 this masterpiece is made out of pure marble. This sculpture is located in the Vatican City. At first glance this sculpture looks like child dead in a mother's arms, which is correct but there is more too it. The sculpture represents the crucifixion of Jesus Christ. Its shows his mother Mary holding him and he lays there dead. A very little detail that usually goes unnoticed is that Mary is not touching her son directly, but a cloth is between the two. This signifies the Higher Renaissance belief in Neoplatonic, that the beauty on earth signifies God's beauty. This masterpiece is not only amazing by the meaning but the glorious detail that Michelangelo was able to go into with practically a hammer and chisel.

There is repeated emphasis on the “Almighty Father,” and the “Heavenly Shepherd,” which greatly contrasts with the epithets assigned to poor Grendel. When anything good happens, it is attributed to the divine, and proper thanks must be given, but not in the form of a sacrifice as we saw in earlier “heathen” examples.

This particular statuette represents the Virgin Mary and her child (Barbier). It is sculpted with gilded silver and has basse-taille reliefs on the pedestal, embellished with various stones and pearls. The statuette is approximately 2 feet tall and the Virgin is standing on a rectangular pedestal that rests on four small lions (Kleiner). The

The sculpture portrays the God of Harvest, Dionysus, with his loyal satyr follower, Pan. A considerable amount of detail when into the carving of Dionysus; the multiple grapevines in his hair, his ceremonial staff Thyrsus, the goatskins and the cup of wine he’s holding are all symbols of Dionysus. The composition is very asymmetrical, and creates a contrapposto arrangement, which is distinctly Grecian (Gardner). It was carved out of beautiful fine marble, which also had another purpose in the way of making this piece of art last for many years. Along with the tree trunk between the two men providing support at the base, and the elongated arms providing more structural stability. The God’s head is even reinforced by his hair to make sure the head doesn’t break off. This sculpture is visually and aesthetically pleasing, but doesn’t serve a useful function, like textiles or furniture. Therefore, it is considered a figurative piece of art, which art that is very clearly modeled after real object or person(s), and is therefore representational

In the mid-sixteenth century, religious reformation was a frontrunner in the Germanic states with Luther and his 95 theses, along with the Diet of Worms. All of this reformation and change sparked a peasantry uprising against the German aristocracy, including the land-owning nobility and the German Princes. The tension between the oppressed peasants and powerful Germanic aristocracy created a lower class backlash that caused aggressive Aristocratic response, tabulating another blow for the peasantry and their newfound Lutheran ideals.

The Rule of St. Benedict and Beowulf both provide images of an ideal ruler and an ideal subject. For the Rule of St. Benedict, they are the good abbot and the proper monk. In Beowulf, the good warrior-king and the loyal members of his warrior band. These images of the ruler and subject of each book are very similar and different as well as show the bad view of rulers and subjects and the books show the value systems of those writing the texts.

The statue shows the God in a good light and as a muscular and fit being, but at the same time is portrayed in an extremely unrealistic way.

It is a very large piece made from Limestone. Limestone is a sedimentary rock which means it is formed by the accumulation of sediments, and it is very hard. The statue itself is not very detailed and is pretty simplistic. It is a statue of a human body. The statue is 71 in. (180.4 cm) which is

When examining the statue, there is an old woman bent and weary. Her posture helps clue us in, with her age and the state of her health. The figure is dressed in cloth that drapes off her body as she carries a basket that is filled with what we may think are offerings. On her head, there are vines that create a band around the top of her head used to signify the festival that was going on during that time. The specific detail that is seen on this statue persuades us to want to know the story of this woman. Doing so, the process involves lots of research about the time and art. During the hellenistic period, artists begin to introduce more inner beauty than physical beauty. There is an opportunity to learn more about the structure itself, then settle for what is given and seen.

The sculptures and paint show details how society viewed and interpreted women body, sexuality, and maternity. In addition, revealed that these women were protected from threats around them with ornaments. Civilizations since early times, believed that we were in permanent threat from forces we do not see or cannot explain and because of it, we protected ourselves with artificial elements in a form of jewelry, crowns or caps. This idea has been continue from one generation to the next to the point that in modern societies some of us still use this type of protection in our bodies (e.g., small cross, divine images, tattoos, etc.).These pieces of art also indicate that humans believed in gods with superpowers and they are looking over us constantly. Humanity also believes in dark forces or demons trying to makes us do things that would upset the good gods. Some of the differences between these sculptures and paint are the material in which each one of them were created. The first figure, the Woman of Willendorf was carved in limestone, the second piece, the portrait of Queen Tiye was carved in wood and the last piece, the Virgin and Child Icon was created of tempera on a wood. You can also notice how the details on their faces and bodies changes throughout the time and years. The woman of Willendorf figurine offers details of a voluptuous nude women’s body but there is not face, or feet. Queen Tiye statue shows the face of a woman in detail closed to the gods but without any body parts and lastly The Virgin and Child Icon, is an expression of divinity of the views, reflections and beliefs from the gospel. Because communities started to innovate on the art of carving and painting, populations began to discover and/or create art with the objective of expressing different purposes of our daily lives, such as the beauty of a woman’s body, or to commemorate an ancient

All single and married women up to the age of thirty-five who do not already have four children should be obligated to produce four children by radically pure, German men.” This statement was made by Hitler’s government in 1933 that became a further law in Germany. Analyzing this argument it’s possible to say that Hitler Youth movement started before the birth of the child.

Over the years of art history, there are many great empires that we think of and two of those were ancient Greek and Egyptian. When talking about Greek and Egyptian art history, it is the sculptures that come to mind when you are comparing and contrasting artworks. Egyptian art and Greek art both had mesmerizing sculptures but Egyptian art was more oriented towards religion and Greek art was more focused on philosophy. The Egyptian statue of the Menkaure and a Queen was similar to the Greek statue of Metropolitan Kouros in their posture but both of these statues also had many differences. Menkaure and a queen statue was created from an unusual stone and the statue was discovered in Menkaure’s valley temple. The sculpture has a hard texture and because of the time-consuming task of polishing this sculpture was never completely polished. So, the sculpture is greywacke and has traces of red paint on king’s face, ears and neck because male figures were traditionally painted red and there are traces of black in queen’s hair. The sculpture itself is 54 ½ inches in height and is displayed in the Museum of Fine Arts, Boston. Metropolitan Kouros was created from marble which seems like it has a rough and hard texture. The statue is 6 feet in height and is displayed at the Metropolitan Museum of Art, New York.