The Grand Budapest Hotel By Wes Anderson

The star-studded romantic comedy Midnight in Paris is one of Woody Allen’s most recent films which he did both, wrote and directed. It is a film about a man named Gil (Owen Wilson) who travels to Paris with his fiancée’s parents in order to expand his imagination and he ends up embarking on a journey to the 1920s while walking the streets of Paris at night. Not only is this film engaging and witty, but it also manages to provide both, overt and covert examples of postmodernism in film. By analyzing Woody Allen’s 2011film Midnight in Paris, we can identify the presence of many underlying motifs in both the narrative and the characterization of the film when using some of Frederic Jameson and Jean Baudrillard’s concepts on postmodernism.

In Wes Anderson's The Grand Budapest Hotel, I believe the movie's design has a unified feel. By understanding Anderson's approach to cinematography, we can tell that the costume and visual designs ensemble a true Wes Anderson's film. In fact, he is indulged with patterns and lively colors. His plot mainly reflects an old- fashioned, nostalgic feel and he is a bit playful with camerawork. On the other hand, the Grand Budapest really feel like a lively, happy hotel. The use of colors and contrasting hues made the setting almost looks like a painting. For example, the frame narrative where the Grand Budapest Hotel became the setting, the mise-en-scène and the lighting of the film become almost too symmetrical and mannered, especially during the

Children of Men is a film that forces the viewers to take notice of how the future is born out of the present, and to be conscious of the misguided implications of the choices we make or accept today. The director, Alfonso Cuarón, visually applied the background to tell the story and warn us of a world that is not too far from our own without fully distracting the viewers’ attention from the foreground.

Movie adaptations are widely produced in our modern cinematic world. Many book lovers criticize movie adaptations, proclaiming that it kills the spirit of the story, misses out on critical key themes, and eliminates the reader's and viewer’s imagination. The Great Gatsby movie, directed by Baz Luhrmann and released on May 1st, 2013, is a film adaptation of the book The Great Gatsby, written in 1922 by F. Scott Fitzgerald. The time lag between the movie and the book made some things unacceptable in our society. These changing societal proprietorship motivated Baz Luhrmann to alter the movie to be more suitable for current viewers. Consequently, there are many differences to be found between the book and the movie adaptation, which ultimately led to Luhrmann's movie being critiqued many times by the book’s fans, saying it was nothing like the actual book. Despite the fact that the movie adaptation of the Great Gatsby book follows the overall plot, it fails to show the racism, sexism, and abuse some of the characters withhold. The movie also fails to show the significance of the American dream, the condemnation of the lifestyle of the very rich, and it also annihilates reader’s imagination.

The beautiful silent film released in 1927, ‘Sunrise: a Song of Two Humans,’ is directed by the famous German director, F.W. Murnau, and is starred by George O’Brien and Janet Gaynor who take the main characters as the Man and the Wife respectively. It is a story of married couples that have conflicts over the husband’s immoral actions, but however, they become reconciled through their journey in the City. Apart from love, another underlying theme of this film is the experience of human with modernity. Similar to ‘Sunrise,’ ‘The Notebook,’ the all-time famous love novel written by Nicholas Sparks, is adapted into a film by Nick Cassavetes, and is starred by Hollywood popular actress and actor, Rachael McAdams and Ryan Gosling

Undeniably, ‘The Great Gatsby’ by F. Scott Fitzgerald and its film adaptation, which follows the storyline of Nick Carraway during the 1920’s, were both great successes, with readers widely recognizing the book as an American classic, and the film making a worldwide gross of about $351 million dollars, while also winning two Oscars. Although the movie is a satisfactory adaptation there are still some minor and major differences between the two that stand out. Separately both versions of the story are very impressive and entertaining, but some of the differences make the movie fall short in terms of these examples.

Scott Fitzgerald was set in 20s time period. The era of the novel captures the liquor fueled parties as well as Charleston dancing and not to mention music such as the Waltz and common 1920’s pop hits. Unlike the novel Baz Luhrmann’s interpretation of the roaring 20’s was nothing but amazing, filled with graphics and visual entertainment. He covers the screen with feathers, fireworks, dancers, gymnastics and uses his signature of sparkles and digitized color. Baz Lurhmann’s attention to detail when adapting this story was not only evident in the execution of his production but also he studied F. Scott Fitzgerald’s novel to the point where he made sure everything placed in the film was based on documentary research from the 20’s. Baz demonstrates this with the use of his modern day artists such as Jay-Z, Lana Del Ray and Will- I –Am, just to name a few in order to make a modernization of the film and make it relate to our present times. Recognized popular hits of the 2000 played such a fundamental part in the art of Baz’s adaptation. It also corresponded to Fitzgerald love for all things modern in cinema. And that is why “I wanted to take the leap into 3D”( Baz Luhrmann ( 2013 ) ‘DP/30: The Great Gatsby, co-screenwriter/director Baz Luhrmann). Baz has directed his interpretation diversely for example setting the story in the 20’s to quote one of Jay’s rhymes “History Doesn’t Repeat Itself, It Rhymes.” (Fitzgerald and Bruccoli,) Baz has taken something from the novel and made it original of “ Red Curtain Cinema” and has adapted it to fit in with today’s present

The Great Gatsby is a classic American novel that provides the readers with insights into people’s minds, a unique decade, and the American Dream. With such a classic novel, there are, understandably, many movies based on it. Movies aren’t often accurate representations of the novel. As such, it is a good experience to analyze the many movies based on a classic novel in order to better understand the story and the many ways that it could be interpreted. Although every movie about the Great Gatsby wasn’t watched, a comparison of even two to the novel in question may prove to give deeper insights to the story. Here we shall analyze the main elements of the Great Gatsby and compare the two movies, from 1974 and 2013, in order to determine

The Grand Budapest Hotel revolves around Europe of the 1930s and 1960s while it was in time of the war, through the adventures of The Grand Budapest Hotel's doorman Zero and the Hotel manager Gustave. The saga is linked to a burglar and a Renaissance painting, a great family's wealth war, and the sudden change of war in Europe. It reflects the vicissitudes of political history in Europe for half a century. This article will analyze The Grand Budapest Hotel from two aspects: artistic style and film theme.

What makes for a classic Hollywood film? Increasingly, films have evolved to the point where the standard by which one calls a “classic Hollywood film” has evolved over time. What one calls a classic film by yesterday’s standards is not the same as that of today’s standards. The film Casablanca is no exception to this. Although David Bordwell’s article, “Classical Hollywood Cinema” defines what the classical Hollywood film does, the film Casablanca does not exactly conform to the very definition that Bordwell provides the audience with in his article. It is true that the film capers closely to Bordwell’s definition, but in more ways than not, the film diverges from Bordwell’s definition of the typical Hollywood film.

Lee Daniels’ ‘The Butler’ is a biographical drama depicting the story of Cecil Gaines, a man who escaped a life of slavery and oppression to serve for eight presidents as a butler in the White House.

No Exit, a play written by Jean-Paul Sartre that debuted in 1944, has many similar themes to the movie The Breakfast Club, written and directed by John Hughes. The play No Exit is perceived as taking place in literal Hell and describes the interactions between those who have died and have been placed in a room together. In The Breakfast Club, students have been put in a metaphorical “hell,” detention, and spend a full day together in the school’s library. For characters in No Exit, trying to deal with other creates a living hell and ends with each of the characters hating one another because they do not help each other; while in The Breakfast Club the characters end up accepting each other after going through the same “hell” because they learn and accept each other.

‘The Grand Budapest Hotel’ (Wes Anderson, 2014) combines a perfect mix of nostalgia and history. The film explores the themes of war as it recreates history through mise-en-scene. Anderson also incorporates other themes such as racism and elitism during pre-war Europe. The film widely explores Europe from many viewpoints, one of which is of Mr Moustafa. His nostalgia is seen through flashbacks of when he was a lobby boy that went by the name of Zero. As an audience the depth of his nostalgia is seen through mise-en-scene. With the help of cinematography and props we see can see the time and place that Moustafa acknowledges. Anderson shows how history is reimagined through ones nostalgia. Mr Moustafa recalls events, which he was not present in yet he explains them as if he were there. This also shows how one reimagines history from another due to emotions and personal attachment. Despite the outcome being the same there are many viewpoints it can be seen from.

In the Film The Pianist directed by Roman Polanski. We witness a scene where Szpilman is injured, filthy and starving he rummages around looking for anything to sustain himself. He finds a can of gherkins which he struggles to open he finds some fire stoking equipment and begins opening the can however due to the state of Szpilman he drops the can and the contents falls and drains at the soldier 's feet. In the Hosenfeld scene Points which will be covered are the visual aspects, the aural elements, the mise en scene aspects and post production elements and how all these elements relate to the “big Idea” of having something or someone to hold onto can make you stay focussed and not give up.

The comedy- romance movie “Midnight in Paris”, directed and written by Woody Allen, portrays a story of a nostalgic writer on his vacation with his wife in the beautiful city of Paris. The character, played by actor Owen Wilson, is a successful writer from Hollywood having major setbacks in his current working novel. Gil has deep feelings to the remarkable and beautiful feature of the city. He takes a car on midnight to the adventures 1920s that he claims he will get inspiration. There he meets all the people that are legendary poets, artists, and writers. However, the theme of the movie has some confusing misdirection than the way Allen wants to interpret his work. Moreover, the movies lightning and cinematographic effects contribute to the confusion.