The Grandmother Symbolism

     Dee believes she is more cultured than her family. She may have more knowledge about different cultures and religions that she learned in school, but she does not know as much about the family heritage as she thinks she does. For example, when Dee changes her name to “Wangero Leewanika Kemanjo” she destroys important links to her heritage that she will never understand. Her mother tries to explain to her that her name is significant because it belonged to particular beloved ones. However, Dee seems to reject the names of her ancestors, yet she is eager to seize their handmade goods. When Dee realizes she is not going obtain possession of the quilts, she storms out of the house without saying a word. It is apparent that the only reason for her visit is to get the family heirlooms, not to see the house, her mother, or Maggie.

Dee is a controlling person who always wanted everything to herself only and don't want anybody to take something more than her. And that appeared when mama said that the quilts which were handmade by their grandma Dee, that she would give it to Maggie, Dee was very angry for that and she wanted to take the quilts herself not because she wanted, just because she don't like anybody to take something more than her and wants everything for herself only. Dee was well educated and didn't liked her mother's and sister's way of living so she traveled and when

In the story, she introduces two sisters with almost opposite personalities and different views on heritage: Maggie and Dee. She uses the contrast between the two sisters to show how one should accept and preserve one's heritage. Beyond the contrast between two sisters there exist the judge figure mom, the narrator and the Dee's irony. The irony on Dee's opinion is the key to understand the story and why the mother let Maggie keep the quilts, which symbolize the heritage.

Phoenix Jackson, the main character, is a small, old African American woman who goes on a journey for a purpose that is unknown at the beginning of the story. Although Phoenix has made this trip many times, something is different about this trip. Throughout her journey, Phoenix faces many obstacles and hardships. The author uses symbolism and, later, gives the reader awareness of Phoenix’s character while, hopefully, teaching a lesson about life. In “A Worn Path”, Eudora Welty uses the symbols of the name “Phoenix”, life and death, and the main characters’ age throughout the story.

In Eudora Welty’s “A Worn Path,” the character Phoenix Jackson is introduced. Phoenix Jackson is an uneducated, African-American woman without any family besides her sick grandson. Phoenix is the hero of this story and fits the role well by delivering much-needed medicine to her grandson. Phoenix shows many distinct traits that reveal her to be a hero to her grandson. The heroic feats she accomplishes pave a path that leads to her satisfaction as well as protection of her most beloved asset, her grandson. Throughout the story, Phoenix’s humble, caring, and determined character is displayed through her actions.

Mama had been so excited for Dee’s visit because she hadn’t seen Dee in years, “You’ve no doubt seen those TV shows where the child who has “made it” is confronted, as a surprise, by her own mother and father, tottering in weakly from backstage,” Mama had dreamed of this day to come because she knew she had done something good for her child, something to be proud of. But upon Dee’s arrival both Mama and Maggie had noticed her change as if she was better then them and understood more of African culture because she had an education, “ I couldn’t bear it any longer, being named after the people who oppress me.” Dee had converted not only her name but her clothes and jewelry to make a statement of what “real” heritage is. This quilts led to a controversy between the meanings of their heritage. Ironically for Dee, Mama had offered her the quilts a long time ago but was too interested in appearance rather than the legacy left behind, “ I had offered Dee a quilt when she went away for college. Then she had told they were old- fashioned, out of style.” Then when she comes back, she wants to hang them as décor and doesn’t want Maggie to have them because she’ll ruin them, ““Maggie can’t appreciate these quilts!” she said. “ She’d probably be backward enough to put them to everyday use.”

In “A Worn Path,” Eudora Welty uses setting, characterization, and tone to illustrate the progresses of Phoenix, in a physical and emotional sense. The author illustrates the progress of Phoenix’s social, physical, and emotional sense to describe changing times and social norms. This allows the reader to get a clear and vivid out reach of what they are going to read about phoenix journey.

Dee?s character in the story is a direct relation to any number of people in society that do not know or are confused about their heritage. She is struggling to create an identity for herself, and is confused as to what it encompasses. She grasps at African tradition and culture, yet fails to acknowledge her own African American culture. This happened all over America, particularly in the North, in the 1960?s, following the civil rights movement. Dee is misconstruing her heritage as material goods, as opposed to her ancestor?s habits and way of life. This may be due in part to her leaving her hometown and becoming an educated, sophisticated young woman. Dee?s direct heritage is that of African Americans.

He further explains how as a result of people focusing on her status as a grandmother rather than how she behaves, most people dismiss her annoying nagging and racist comments (1). In the text of A Good Man is Hard to Find, when the grandmother and the children are dancing, O’Conner emphasizes how one may see the grandma as a harmless happy person when the grandma asks her son Bailey to dance. He refuses, claiming he does not have a sunny disposition like his mother who is able to just get up and dance. Unfortunately, I must agree with Bandy because it is something most people tend to do, and it is important to beyond a person’s outward appearance.

Phoenix Jackson and The Young Man embarked on their journeys for different reasons. Phoenix’s journey was a necessary journey; her grandson needed the medicine in order to be healthy. She took the journey because of her sense of responsibility and love for her grandson. Like any grandmother,

As we first meet Manley Pointer he is trying to sell Mrs. Hopewell a Bible. When she is not interested, he apologizes and plays on her sympathy by saying, “I’m just a country boy….People like you don’t like to fool with country people like me!'; When confronted with this Mrs. Hopewell exclaims “good country people are the salt of the earth!'; and “there aren’t enough good country people in the world';. Seeing that he has found Mrs. Hopewell’s weakness for “Good Country People,'; Manley proceeds to play up his being a country boy. “Not even from a place, just from near a place.'; Then in what I believe to be just another attempt to gain sympathy, Manley tells Mrs. Hopewell that he has a heart condition and may not live long. This gains him an invitation to dinner, which he gladly accepts. Yes Manley Pointer is a fine example of “Good Country People.'; NOT! And we are only just getting to know him.

With this statement, the author clearly depicts Phoenix’s determination to continue down this path despite the challenges of the wild animals. She is determined not to let anything come between her and getting to town for her grandson’s medication. Phoenix may be old and worn, but her determination motivates her to continue.

Although Phoenix Jackson is old, tired, dirty, and poor, nothing can stand in her way. In Eudora Welty’s “A Worn Path,” Phoenix jumps off the page as a vibrant protagonist full of surprises as she embarks on a long, arduous journey to

including the white hunter and black dog, Phoenix runs into in the story represent different individuals of all colors which present obstacles in a person such as Phoenix’s life. When the hunter comes along, the author describes him as white. She could have left his color out of the description, but she obviously felt it important to mention to her

Dee is the afro-centric, ego- centric and eccentric pseudo-intellect. She values her culture in a more materialistic aspect. She respects the artifacts of her history rather than the usefulness. Dee’s earthly-mindedness sets the stage for conflict throughout the entire story, from her arrival until the central conflict when there is a battle amongst the other two main characters Mama and Maggie, about who is truly entitled to the hand-stitched quilts. The quilts were works of art that have been passed down throughout