The Great Gatsby And A Streetcar Named Desire Analysis

A Streetcar Named Desire is focused almost completely on its three protagonists: Blanche, Stella, and Stanley. It could be suggested that this play was influenced by Williams’ own upbringing: his sister Rose was mentally ill, and Williams’ was a doting older brother. Potentially, Blanche was inspired by Rose and that this play uses his unique perspective to comment on the treatment of the mentally ill. Williams may be using Stella’s conflict to highlight this.

Jay Gatsby was viewed as a big dreamer and he has accomplished most of his dreams, but one. His idealistic vision of him and Daisy is an illogical concept that he has invested so much time into. He reinvented his whole life, changed his name, worked hard to earn the money, bought a house close to Daisy's, threw lavish parties just to achieve his dream to be with her. The only fault that ruined his plan was the fact that Gatsby lacked self knowledge and identity, which lead to deception throughout his life. In the novel, Nick Carraway illustrates his idea of Gatsby after he found out the truth about him.

The Great Gatsby is set in the 1920s while The Catcher in the Rye is set in the 1950s. Despite the time periods being 30 years apart, both novels depict the American Dream in similar ways through the protagonist. The Great Gatsby follows the story of young man, Jay Gatsby, trying to win back his former love interest, Daisy, through his acquisition of wealth. The Catcher in the Rye is narrated by a male teenager, Holden Caulfield, and follows the story of how he ended up in a mental hospital. The concept of the American Dream is displayed in each novel. The authors of The Great Gatsby and The Catcher in the Rye use the American Dream to motivate the protagonist to try and achieve unattainable dreams. However, only Holden realizes his dream

Bridge: This is a truth that is found in F. Scott Fitzgerald’s The Great Gatsby, novel full of unlikable characters, two of which are unhappily married women having affairs. The Great Gatsby is about a guy named James Gatsby. He buys a house in front of a woman named Daisy. He throws parties hopping she will come over but never does. It's a person named Nick that helps him out with Diarys. Daisy and Gatsby have history together, way back even before Daisy meet Tom. Gatsby does everything in his power to win back Daisy.

Both Capote’s Breakfast at Tiffany’s and Fitzgerald’s The Great Gatsby illustrate that when one centers their life upon the propriety and luxury that a traditionalistic lifestyle supports, they will repress into the comfort of their money and fail to progress towards the American Dream. Fitzgerald argues that the modernist’s ambition towards a singular focused dream will lead to feelings of unfulfillment, though Capote counters that the modernists inability to find satisfaction within their life will allow opportunities to pass them by.

Jay Gatsby, the title character of the novel is an incredibly wealthy young man, living in a medieval mansion in West Egg on an imaginary area of Long Island. Gatsby has many laudable traits. For example, he is filled with optimism and the ability to transform his dreams into reality. Jay is also extremely faithful to his true love, Daisy Buchanan, even to the point of death. When we first meet Gatsby, he is the aloof host of the fantastically opulent parties thrown every weekend at his mansion. It appears he is surrounded by wondrous luxury and is courted by beautiful women and the rich and powerful men of the time. Jay is also a very admirable character due to his status of wealth and being a hero of War World I, “In the Argonne Forest I took two machine gun detachments so far forward that there was half a mile gap on either side… I was promoted to be a major, and every Allied government gave me a decoration- even Montenegro”. However, Nick who narrates the book views Gatsby as a flawed man who is dishonest, deceitful, a liar, and a dreamer whom is searching for answers in the past, “he talked a lot about the past, and I gathered that he wanted to recover something, some idea of himself, perhaps, that had gone into loving Daisy… if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was…”

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

In the classic fairytale of Cinderella, the main character is trapped in an abusive household. However, Cinderella’s self-perception of optimism and hope, enables her to believe that ultimately, her life will naturally improve with these attributes. True to her convictions, Cinderella gets her happily ever after by going to the ball where the prince falls in love with her. Cinderella is saved from her evil. On the other hand, Cinderella can be viewed as a victim who does nothing to enable herself to escape her abusive reality, insteads helplessly waits for fate to intervene. She does not confront the situation nor independently strive to improve her circumstances. Correspondingly, how individuals act when faced with conflict is strongly influenced by their self-perception. It is possible to become confused between reality and illusion, which is determined by their level of self-awareness. In Tennessee Williams’ play, A Streetcar Named Desire, the character of Stella struggles between the control of her husband and sister. Throughout the play, this conflict is demonstrated as she struggles with becoming aware of her abusive household and the contrast to the fairytale illusion she desperately clings to. Ultimately, Stella’s choice to maintain her illusion, rather than confronting her reality, is due to the self-perception of her need to depend on others and desire for idealism, which overall controls her fate.

In A Streetcar Named Desire Blanche’s flaws that lead to her downfall are abundant. If we are to view Blanche Dubois as a tragic heroine, then it is in scene six that her tragic flaws are especially evident, and in particular desire. They are so prevalent here as it is arguably the beginning of Blanche’s demise and as in Shakespearean tragedy; it is in the centre of the play that we see the beginning of the protagonist’s downfall. Desire, as her harmartia, is represented in several ways in scene six.

Throughout Tennessee Williams’s play, “A Streetcar Named Desire” one can learn a large portion about his personal life. In the play the character, Blanche has a mental illness the same as his sister Rose had in her lifetime. Blanche’s ex-husband was also homosexual and he made the point to say that he left her for a man and Williams himself was also a homosexual. Tennessee chose for the story to be based in New Orleans, which was a crumbling town at the time and Williams was living a crumbling life, due to he was battling depression. In his plays a reader can see that he has different views than most men of his time, he developed many of these views due to his travels throughout his life. ““Streetcar” tackled themes of desperation, sexual

Everyone has fantasies but most know that is not the true reality. Defining dreams and reality are two different things. Some want to escape the real world and make their own dreams become true, due to seeking happiness. The author portrays Blanche, Stella, and Stanley as characters that are fixated on what they want to believe is the truth; however, the reason being is because they do not want face their fears. Stella and Blanche both desire to make their past non-existent and live in a perfect world, rather than accept the truth and move forward. Stanley does not let his fantasies take over his life as much as the two women. In Tennessee Williams’ A Streetcar name Desire the three protagonists Blanche, Stella, and Stanley exist in a fool’s paradise by using denial and fantasy to display a public facade in desire to obscure the truth; however, the characters want to escape their undesirable reality through their more desirable fantasy.

Both Gatsby and Blanche are vulnerable because of the illusions they create that form part of their identities. In the beginning of their respective novels, The Great Gatsby and A Streetcar Named Desire, they are cunning, calculating, and self-aware of their illusions. They try to escape from their barren pasts and create entirely new, magical lives for themselves, ones that they are able to control. Gatsby exudes power, status, and confidence, “picking his words with great care” at his party so that he can attain Daisy. Blanche is equally careful, telling herself to “ keep hold of [my]self” and restraining the amount of alcohol she drinks. But as the novel progresses and they unravel their true selves, they forget where they stem from and begin to believe in the magical world they are creating. Gatsby becomes so infatuated with Daisy that he completely forgets about the impracticality of their relationship as Daisy is already married to Tom; he thinks that he can “fix everything just the way it was before” with the power of his persona. Similarly, Blanche begins to believe that she can marry Mitch and achieve her dreams of being wealthy, being respected, and having an ideal relationship but without telling anybody about her past. But once they are close to achieving their dreams, their illusions are shattered by more powerful characters in the novel. Daisy openly admits her love for Gatsby, and they begin to regain the love they once shared, but Tom shatters both Gatsby’s

From youth, individuals have been told what has happened in the past is behind them and they can move on with their lives. In the novel The Great Gatsby by F. Scott Fitzgerald, and the play A Streetcar Named Desire by Tennessee Williams, the past is a key element. First of all, in both text forms Gatsby and Blanche go against their values to get back a part of their life that has been lost. Furthermore, both characters create an image of wealth to mask the tragedies of their past. Lastly, characters past has a major effect on their current lives, however, both characters have different intentions depicted by their past. Similarly in The Great Gatsby and A Streetcar Named Desire the author and playwright uses

This 1950's theatrical presentation was directed by Elia Kazan and written by Tennessee Williams. It is about a southern bell by the name of Blanche Dubois who loses her father's plantation to a mortgage and travels to live in her sister's home in New Orleans by means of a streetcar called Desire. There she finds her sister living in a mess with a drunken bully husband, and the events that follow cause Blanche to step over the line of insanity and fall victim to life's harsh lessons.

The Great Gatsby is a movie set in the 1920’s. The main character Nick Carraway lives next to the mysterious Jay Gatsby. Throughout the movie you experience the roaring 20’s first hand. They take you to the lavish countryside, through the struggling “valley of ashes”, into the bustling cites, and down into the bootlegging speakeasies. Gatsby is a secretive man and no one knows the truth about him. By the end of the film you find out his past and his secrets are revealed to us by Nick. Nick was like Gatsby’s best friend through the film. Nick was like a middle man between Gatsby and Daisy. Daisy Buchanan was a woman who lived, with her husband Tom, across the bay from Gatsby. Tom had been sleeping around behind Daisy’s back and nick was the only one who knew who it was although everyone suspected he was. Although there are many characters to follow the main one was Gatsby his life was the main purpose of the film.