The Great Gatsby By F. Scott Fitzgerald Essay

F. Scott Fitzgerald is one of the popular novelists of twentieth century America. He is the representative novelist of the age because his novels deal with the American life in 20th century.

We begin our introduction to Gatsby in a fantasy of mansions and money. However, the film 's progression unravels Gatsby’s superficial layer of wealth to reveal a delusional man who has built himself on a futile dream. Together we will explore the religious and sociological views upon Gatsby’s failure as dictated by McLennan (2014) and Islam (2014).

F. Scott Fitzgerald uses his life experience in his works. He explains, ‘that was always my experience-- a poor boy in a rich town; a poor boy in a rich boy 's school; a poor boy in a rich man 's club… However, I have never been able to forgive the rich for being rich, and it has coloured my entire life and works.’ The short story of Winter Dreams was written around the same time that Fitzgerald was developing ideas for The Great Gatsby. Whilst this wasn’t published until 1925, Winter Dreams débuted in 1922 and the similarities between the novel and short story were intentional. Winter Dreams became a short draft, which Fitzgerald based The Great Gatsby on. Both resemble Fitzgerald’s real life; although both were written before most of the comparable events occurred. Preceding this, The Jelly Bean, a short story from Fitzgerald’s Tales of the Jazz Age (published in 1922) invited the reader to follow Jim Powell through his dreams of social advancement and love, which parallel Fitzgerald’s later stories and life experiences. In addition, Fitzgerald’s The Rich Boy, a short story published in 1926 in All the Sad Young Men suggests that the author’s life experiences shaped his work up to and even after The Great Gatsby, which is considered to be Fitzgerald’s greatest work.

Thesis: The pursuit of the American Dream is a dominant theme throughout The Great Gatsby, which is carried out in various ways by F. Scott Fitzgerald, how the author represents this theme through his characters and their actions is one small aspect of it.

In F. Scott Fitzgerald’s novel, The Great Gatsby, a man named Jay Gatsby dreams of winning the love of a Daisy Buchanan, an upper-class woman who is married to Tom Buchanan. Before the current time present in the novel, summer of 1922 in Long Island and New York City, Gatsby and Daisy meet during October 1917 when Gatsby was a military officer who was stationed in Louisville. They fell in love, but Gatsby had lied about his social class to present himself as someone who was good enough for her. Gatsby had to go overseas and Daisy said she would wait for him but by the time he came back, Daisy was already engaged to Tom. Five years later, Gatsby and Daisy meet again and the two lovers act as if the five years in between never happened. Daisy and Gatsby drive to Long Island and on their way, Daisy runs over Myrtle Wilson, Tom’s mistress. Gatsby takes the blame for her leading to Mr. Wilson shooting Gatsby. Nick tells Gatsby, “You can’t repeat the past.” Gatsby responds saying, “Can’t repeat the past? Why of course you can!” Throughout the novel and the last five years, Gatsby tried to win back the love of Daisy but never rekindled the relationship they had in Louisville and although at the surface it seems as though Daisy loves Gatsby as he loves her, Gatsby never truly had a real chance of getting her back.

The 1920s is the decade in American history known as the “roaring twenties.” Scott Fitzgerald’s novel The Great Gatsby is a reflection of life in the 1920s. Booming parties, prominence, fresh fashion trends, and the excess of alcohol are all aspects of life in the “roaring twenties.”

When Cody died, he left the boy, now Jay Gatsby, a legacy of $25,000. Unfortunately

In the novel, The Great Gatsby, by F. Scott Fitzgerald, many of the characters live in an illusory world and only some can see past this. In the novel, West Egg and its residents represent the newly rich, while East Egg represents the old aristocracy. Gatsby seeking the past, Daisy is obsessed with material things, Myrtle wanting Tom to escape her poverty, George believing that T.J. Eckleburg is God, and Tom believing he is untouchable because of his power and wealth are all examples of the illusion v. reality struggle in the novel and Nick, the only character aware of reality, witnesses the fall of all the characters around him to their delusions.

1. We see all the action of The Great Gatsby from the perspective of one character whose

Any American is taught a dream that is purged of all truth. The American Dream is shown to the world as a belief that anyone can do anything; when in reality, life is filled with impossible boundaries. In the novel, The Great Gatsby, F. Scott Fitzgerald gives us a glimpse into the life of the upper class during the roaring twenties through the eyes of a moralistic young man named Nick Carraway. It is through the narrator's dealings with the upper class that the reader is shown how modern values have transformed the American Dream's pure ideals into a scheme for materialistic power, and how the world of the upper class lacks any sense of morals or consequence. In order to support Fitzgerald's message

The belief that wealth and luxurious materialistic possessions can capture true happiness is yet again disproven in this tragic love story revolving around Jay Gatsby and his ambitious pursuit of happiness. Jay Gatsby, arguably the central character in the novel, perseveres and overcomes his poverty-stricken life. By keeping a low profile and participating in the illegal bootlegging of alcohol for several years, Gatsby acquires an immense amount of wealth and exhibits it, his grand mansion for example, in a hope to manifest a wealthy and respectable image. Fitzgerald intertwines Gatsby 's mansion along with the residences of the other major characters, with the intentional use of symbolism, to reveal more about their individual identities. In F. Scott Fitzgerald’s 1925 novel, The Great Gatsby, the different residences owned by the major characters in this novel, aid to carve out the ways in which their separate identities are constructed.

During the early part of the twentieth century, the American culture fantasized about achieving a successful future with financial stability and the opportunity to thrive in a world that it only dreamed about in the past. In the novel The Great Gatsby, the main character Gatsby, is not worried about money, which he has accumulated through the years, but instead has created an intense attachment to a woman whom he had once loved, and never has stopped loving. His “American Dream” does not involve monetary stability; instead the only thing that he wishes to attain is the love and control over Daisy. His fantasy has developed into an unreachable love that destroys his life at the end. In the case of Tom, his attachment to Daisy has also became a way to prove his male dominance, he might love Daisy, but he only needs her to feel secure. This attachment to the past and the love that both Tom and Gatsby is completely contrary to what the “American Dream” many times signifies. Although The Great Gatsby was written during this time, the “American Dream” for both Tom and Gatsby, is not involved with financial stability, instead it is focused on a love fantasy and attachment to Daisy, a fantasy which has been used to prove their male dominance and superiority.

F. Scott Fitzgerald’s novel The Great Gatsby exemplifies his mastery of style in the portrayal of a segment of American society in the 1920’s. Fitzgerald introduces us to moneyed Northeastern society through characters primarily concerned with extravagant displays of wealth through bottomless supplies of champagne and opulent parties that might exist only in dreams. Fitzgerald brings the frivolity of the 1920’s to life through the experiences of his brilliantly imagined protagonist, Jay Gatsby. By skillfully employing vivid imagery and calculated metaphors, Fitzgerald draws the reader into the world of East and West Egg, where ostentatious, music-filled, alcohol-soaked parties illustrate how wealth endangers the formation of meaningful

An Austrian physician by the name of Sigmund Freud, a well renowned psychologist, aside from his studies, was once rumored do have done enough cocaine to kill a baby horse. Other than his cocaine addiction he also developed the theory of Psychoanalysis, which in short means that he studied the longstanding difficulties in the ways that people think and feel about themselves, the world, and their relationships with others. Sigmund Freud’s ideals of psychoanalysis was translated to in a way where we are able to analyze media in all it’s shapes and forms. Psychoanalytic media analysis argues that literary texts, like dreams, express the secret unconscious desires and anxieties of the characters within a movie, and the literary work is a manifestation of the Id, Super-Ego, and Ego. The text that I will analyze using the psychoanalytic media theory will be the film The Great Gatsby, originally a novel by F. Scott Fitzgerald. I will be using Freud’s primary psychoanalytic theory of the ID, Ego, and Super-Ego to analyze the movie The Great Gatsby, and also analyze the potential cultural and societal impacts of an authors use of psychoanalytic theory.

How came people did not respect Fitzgerald’s writing in the twentieth century, but why people are respecting and valuing Fitzgerald work in the twenty-first century? Fitzgerald had a hard time to profiting from his writing, but he was not successful after his first novel. There are three major point of this essay are: the background history of Fitzgerald life, the comparisons between Fitzgerald and the Gatsby from his number one book in America The Great Gatsby, and the Fitzgerald got influences of behind the writing and being a writer. From childhood to adulthood, Fitzgerald faced many good and bad experiences that inspired him to achieve his own American dream in a short amount of time.