Simrandeep Farma
ENG3U1-02
Ms. Vitelli
1/10/2015
The Great Gatsby The roaring twenties was the period known for its exuberant, overwhelming and free pop culture of all time. F. Scott Fitzgerald’s, The Great Gatsby, represent the past historical modernization of a male subjugated social system. The Great Gatsby is a mysterious love tale, and a social interpretation towards the American Life. This story explores the journey for happiness and wealth through the American Dream, and shows how perfectionism, deteriorated relationships, and deceitfulness occur during the Jazz Age. The Great Gatsby, however, is not the story about a woman’s journey for happiness and improperly shows the representation of females during 1920. F. Scott Fitzgerald’s novel The Great Gatsby shows the historically male controlled social system through women being portrayed as shallow beings, which are dominated by men, and seen as flawed individuals. The novel’s key female character, Daisy Buchannan, represents the role of Tom’s shallow trophy wife who is idolized as the “ideal” individual within the consciousness of Jay Gatsby. Subsequently it was never Daisy’s knowledge or character type that attracted Gatsby; it was more based upon her wealth, “That was it. I 'd never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, [and] the cymbals ' song of it” (Fitzgerald, 99). Although Daisy is far from being flawless, Gatsby interprets
Sometimes in a passionate relationship, one is willing to give up their own selfish desires
“The past is never where you think you left it” (Katherine Anne Porter). People intentionally not willing to leave their past due to the prehistoric memories because the good memory they had. Relevant to Porter’s evince in the novel of The Great Gatsby by F. Scott Fitzgerald, Jay Gatsby a guy who cannot leave his past, constantly wanting to change everything back to the past with his former lover Daisy but never succeeds due to people’ desire of meliorate their lives. During this process the novel also reveals that there’s no distinction of careless between people in the 1920’s and the corruption of American Dream. Fitzgerald uses color symbolism to reveal the unfaithful condition of living and the loss of purity also the descended moral
The story of The Great Gatsby is a novel that consists of a historical American context during the Harlem Renaissance. This was an excellent novel published in the 1920’s and was considered one of the best novels of its time. The author F. Scott Fitzgerald was an incredibly talented poetic author. Fitzgerald was able to emphasize and create the mood of the generation in a political time. The novel The Great Gatsby is a remarkable novel but also a very sad one. The novel took place during an age or era known as the “Roaring Twenties” which was a time of American wealth. Politics and corruption at the time is possibly what made Gatsby to be the business man he was.
“Be careful what you wish for.” It’s too bad the characters in F. Scott Fitzgerald’s The Great Gatsby didn’t heed this warning. Set in the 1920’s, The Great Gatsby tells the story of how the narrator, Nick Carraway, moves to Long Island and befriends the mysterious millionaire next door, eventually joining him on an adventure to help reunite him with his long-lost love. With the extravagant parties and riches beyond compare, the book soon takes a turn for the worst. However, the tragic ending could have been avoided if only the characters hadn’t been blinded by what they wanted. Although each character was driven by their desires, the character most blinded by his dreams was Jay Gatsby, the namesake of the novel. All Gatsby ever wanted was for Daisy Buchanan to love him. Everything Gatsby did was to win Daisy’s love, but his efforts were ultimately in vain. As the book progresses, the reader begins to learn and to understand Jay Gatsby’s motivations, eventually seeing that his dreams of being with Daisy were the driving force behind his quest for wealth.
Everyone has heard of the phrase “stalker,” and everyone has heard of the concept of “love.” While these two are separate terms, what happens when the two become mistaken for one another? When does admiration become obsession? When is the line crossed from lover to stalker? In the novel The Great Gatsby by F. Scott Fitzgerald, the main character, Jay Gatsby, is a very wealthy man who has once had a fling with Daisy Buchanan. Gatsby and Daisy were once in love but time came and went. Gatsby went to war, and Daisy married another man. When Gatsby gets back from war, he makes himself into a new persona to capture Daisy’s attention in hopes of rekindling their love. However, Gatsby takes his love to the point of obsession. He makes unrealistic rumors about himself, wastes money on luxuries to capture her attention, and expects too much from the woman he claims to love. Gatsby’s love for Daisy is not real love. He has many stalker-like qualities, rather than the romantic love so many are accustomed to.
On the surface, The Great Gatsby is a story of failed love between Jay Gatsby and Daisy Buchanan. The main theme of the novel, however, is comprised of a much larger, less romantic scope. Fitzgerald portrays the roaring twenties as a time of corroded social and moral values. This is shown by the empty pursuit of pleasure, gluttony, and pure shallowness of the rich. Some of these materialistic views of the societal decay of today can be seen by the rich and famous in everyday life.
The Great Gatsby entails of a story of a bright young man, Nick Carraway, who moved to New York City in search of a successful life in the bonds business, but becomes suffocated by the lifestyles of those in wealth and power at the time. As Nick settles himself in a new job and new city, in the only cottage among mansions on West and East Egg, he finds himself neighbor to a mysterious, wealthy man known for his extravagant parties and elusive persona. This neighbor, Jay Gatsby, emerges to be one of the main characters of the novel and the only person in all of New York that Nick can call a friend. The Great Gatsby, written by F. Scott Fitzgerald, encompasses the hollowness of the upper class as well as the deterioration of the “American Dream” within the plotline of the lives of Nick, Gatsby, and the Buchanan’s. Because of the themes Fitzgerald created, it prompts people, such as Bruccoli, to make the claim “The Great Gatsby does not proclaim the nobility of the human spirit; it is not politically correct; it does not reveal how to solve the problems of life; it delivers no fashionable or comforting messages. It is just a masterpiece.” While the Great Gatsby is a masterpiece, Bruccoli correctly examines the text in revealing no nobility of the human spirit, no solutions to the problems of life, and it is politically incorrect. However, despite the dismal themes, Fitzgerald does deliver fashionable/comforting messages to the audience. Bruccoli’s claim brings to light the
The book The Great Gatsby by F. Scott Fitzgerald has been read in schools for decades. The experience is different for everyone. Some may love this book while others just purely hate it. I have to say I am in between loving and hating this book. I do like the look into the lives of the rich of the 1920s and I did enjoy the overall story. However the cheating I wasn’t fond of. I do understand that is what happens with the rich so I do enjoy the fact that it historically accurate. Another topic that I will touch upon is the drunkenness and reckless driving portrayed, quite accurately, for this time period.
(A major theme in The Great Gatsby is the pursuit of what you make of the American dream.)
In his novel The Great Gatsby, F. Scott Fitzgerald describes the moral decay of the Lost Generation in the aftermath of World War I. He does this through the interactions of Nick Carraway and his associates, Jay Gatsby, Jordan Baker, and Tom and Daisy Buchanan, describing through Nick the attempts of Gatsby to try and rediscover his relationship with Daisy. Gatsby ultimately fails to do so and ends up dying thinking he could still pursue a lost dream. Fitzgerald uses Gatsby as an example of the Lost Generation ideals failing in the novel. To help show the “lostness” of the Lost Generation, which include moral bankruptcy (lack of morals) and indecisiveness on what to do with their lives, Fitzgerald employs many motifs throughout the novel,
She lured men into her trap, such as Tom and Gatsby, to build herself up and to achieve her lavish goals. She manipulated each of them into obeying her every command, both to get her way and to allow her to have some power in a society otherwise wholly under male control. The only pleasure she gets out of life is in living a glamorous lifestyle surrounded by wealthy people and extravagant material goods. She has come to fully rely on the life built for her by Tom, the primary male figure in her life. This is proven when she chooses to stay with him even after he cheated on her for months and after she is reunited with Gatsby, the man she may have truly loved. She fears taking the risk of leaving her comfortable, lavish lifestyle. She is painstakingly aware of the blatant sexism that she faces, and she is quite pessimistic because of it. “ She told me it was a girl, and so I turned my head away and wept. 'All right, ' I said, 'I 'm glad it 's a girl. And I hope she 'll be a fool – that 's the best thing a girl can be in this world, a beautiful little fool '” (Fitzgerald, 17). Daisy is intelligent enough to realize how the society they live in values beauty far more than brains in women. She conforms to this rigid societal expectation and attempts to live the carefree, unsuspecting life of the average young woman in the 1920s and avoids confrontational issues for the most part, such as her complex history with Gatsby. Her pessimism did
In the novel The Great Gatsby by F. Scott Fitzgerald, photography is used as a mechanism of superficial representation in the early 20th century. Throughout the novel, photographs and their illustration personify the characters in a light that may be deceitful of their true depth. In the novel, characters such as Myrtle, Jordan, and Gatsby use photographs as a blanket to cover the true extent of their individuality, but also as a token of their past, present, and future endeavors. Each character is inevitably distinct in their relationship to the superficial representation that photographs produce. Myrtle’s infatuation with celebrities and their lifestyle leaves her gaping at the thought of living a luxurious lifestyle herself. Jordan is
been educated there for many years. It is a family tradition" (F. Scott Fitzgerald 65). Here he tells
Many people dream about achieving the American Dream, especially immigrants from around the world hoping to start a new life. F. Scott Fitzgerald’s The Great Gatsby tells the story of one man’s journey, Nick Carraway’s, in obtaining the American Dream. His decision to leave the midwest and move to the east enables him to be able to learn stocks and make a living. Nick has not yet achieved the American Dream, but is eager to obtain this feat. Nick’s friend, Tom Buchanan, lives in East Egg and inherits money from his parents. Jay Gatsby, who lives next to Nick in West Egg, has worked for his money and was inspired to become wealthy. In The Great Gatsby, three main characters look for opportunities to gain the American Dream with numerous obstacles in their path. Jay Gatsby strives for opportunities to work for wealth and uses it to demonstrate his opulence; conversely, Tom Buchanan is the opposite of Gatsby, obtaining wealth from his parents and using his money to make a living. Nick Carraway is neither of the other characters, but instead is looking to possess the American Dream.
In the book, The Great Gatsby, written by F. Scott Fitzgerald, Gatsby is exemplified through many symbols and idols. Fitzgerald uses cars to represent wealth, success, status, and glamour. As Friedrich Nietzsche states, “There are more idols in the world than there are realities.” Nietzsche’s quote shows how idols and symbols are used to create impressions. Images are powerful and set a stage for others to judge one’s character, enabling human beings to avoid seeing what realities are. Idols are potent enough to mask the truth. In the novel, despite Gatsby 's own insecurities, he is viewed as an idol in society. Idols impact and influence Gatsby’s life and those living around him. Gatsby’s car represents an idol, illustrating his wealth, capturing attention, creating impressions, and covering misconceptions throughout life in the West Egg.