The Great Gatsby By F. Scott Fitzgerald

At first glance, F. Scott Fitzgerald's The Great Gatsby appears to be a tragic love story about Jay Gatsby and Daisy Buchanan. But upon closer examination, readers will see that their love wasn’t love at all; rather, it was an obsession on Gatsby’s part. He had built up Daisy as he’d remembered her, negligent of the fact that they had both grown and she had changed. Gatsby hadn’t been in love with Daisy, but the idea of Daisy. However, Gatsby isn’t the only one guilty of romanticism. The book’s seemingly reliable narrator, Nick Carraway, is just as culpable as the title character when it comes to idealizing someone beyond their true nature. In his case, the target of his idealism is none other than Jay Gatsby. Nick’s romanticism of the

The novel’s key female character, Daisy Buchannan, represents the role of Tom’s shallow trophy wife who is idolized as the “ideal” individual within the consciousness of Jay Gatsby. Subsequently it was never Daisy’s knowledge or character type that attracted Gatsby; it was more based upon her wealth, “That was it. I 'd never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, [and] the cymbals ' song of it” (Fitzgerald, 99). Although Daisy is far from being flawless, Gatsby interprets

Parents always warn their children to steer clear from shady and unreliable characters. Real life situations are the target of this notion, but such a claim also stands true for literature. In F. Scott Fitzgerald’s novel The Great Gatsby, Nick, the narrator, is a shady character who disclosed no personal information about himself and expected the viewer’s trust in return. As a result, Scott Donaldson, in his article “The Trouble with Nick” deliberates his opinion over what a terrible person Nick is, however later determines that regardless of how shady Nick may be, he is still the only one fit to narrate The Great Gatsby. Some of Scott Donaldson’s views of Nick as an unreliable narrator may stand true; however, it is definitely agreeable that Nick Carraway is the only acceptable narrator for The Great Gatsby.

Lying has deadly effects on both the individual who lies and those around them this concept is demonstrated in F. Scott Fitzgerald’s book The Great Gatsby. The Great Gatsby is one of many great American Novels. It has a perfect mixture and combination of mystery, romance, and heartbreak needed to capture a reader’s attention and pays close attention to the small details to keep them there. The essence of this book is based on the American Dream, moreover the decline of the American Dream of the 1920s. At the onset of this book, the reader is introduced to the narrator, Nick Carraway, who relates the past happenings that construct the story of Jay Gatsby. In the novel, Gatsby, a wealthy socialite pursues his dream, Daisy Buchanan. Daisy is Gatsby’s long lost love, essentially she will fulfill his “American Dream.” In the process of pursing Daisy, Gatsby betrays his morals and destroys himself.

The story of The Great Gatsby is a novel that consists of a historical American context during the Harlem Renaissance. This was an excellent novel published in the 1920’s and was considered one of the best novels of its time. The author F. Scott Fitzgerald was an incredibly talented poetic author. Fitzgerald was able to emphasize and create the mood of the generation in a political time. The novel The Great Gatsby is a remarkable novel but also a very sad one. The novel took place during an age or era known as the “Roaring Twenties” which was a time of American wealth. Politics and corruption at the time is possibly what made Gatsby to be the business man he was.

“‘Gatsby?’ demanded Daisy. ‘What Gatsby?’”(11). F. Scott Fitzgerald created “The Great Gatsby” with great craft. The reader understands the story through Nick’s eyes. Nick encounters many parties, family gatherings, and a funeral. The scenes are so in depth that the reader feels as if they are reliving the events in Nick’s life. The reader can take out characteristics, thoughts of the society, and themes in each scene that emphasizes the the themes of the book as a whole. Tom’s Character and the way society thinks of Tom leads to the theme of once a cheater, always a cheater. Gatsby’s characteristics and the way society portrays him demonstrates the theme of gossip altering Gatsby’s true qualities.

In The Great Gatsby, F. Scott Fitzgerald displays society’s role in transforming one’s identity by creating complex and realistic characters. Jay Gatsby is a prime example of how one will change themselves to accommodate society. Once a poor son from a farming family, Gatsby puts up an extravagant facade to hopefully win a woman over, however in the process, puts aside morals and values. Fitzgerald demonstrates the importance of social expectations, wealth and the perception of the American Dream are in determining one’s identity.

Transforming his name and developing new life values are only parts of the lifecycle in which Jay Gatsby participates in order to follow his dreams. Although not always successful in creating new individualities, Gatsby’s attempts are fully genuine.

"Never has symbolism played such a crucial part in the very foundation of a novel as it does in Scott Fitzgerald's masterpiece, The Great Gatsby." Harold Bloom has written about this book. The author used several types of symbolism in The Great Gatsby. The colours are probably the easiest to be recognized and guessed what they symbolized. According to the definition “symbolism” is "the practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or relationships."

Life is not always what it seems, but is constantly fooled by metaphorical masks people wear. The appearance of many of the characters in F. Scott Fitzgerald’s The Great Gatsby differs greatly from their actual selves. The use of illusion in the novel is used effectively to portray the nature of people in the 1920 's, and the “artificial” life that is lived in this modern age. There are many incidences in which the appearance of characters is far different than what lurks inside them. Several of these incidences are shown in the appearances of Gatsby himself, Daisy Buchanan, and Gatsby’s true love for Daisy. Gatsby goes through a dramatic transformation from his old self to his new self, even changing his name and buying a faux mansion in

Daisy, Tom’s wife and the object of Gatsby’s romantic quest, for example, possesses a voice “full of money,” (144) which blatantly associates her character with wealth. Fitzgerald makes Daisy seem desirable, but never describes her physical features, which is odd considering she is the force behind the profound obsession of Jay Gatsby. Perhaps Fitzgerald chooses to ignore Daisy’s physical description to purposefully display her as a bare character. In essence, he dehumanizes her to better reveal her shallowness. One of the few times a physical description of Daisy appears comes in conjunction with Miss Baker, another character under the spell of wealth, when Nick comments on their white dresses with “their impersonal eyes in the absence of all desire” (17). With

In the book, The Great Gatsby, written by F. Scott Fitzgerald, Gatsby is exemplified through many symbols and idols. Fitzgerald uses cars to represent wealth, success, status, and glamour. As Friedrich Nietzsche states, “There are more idols in the world than there are realities.” Nietzsche’s quote shows how idols and symbols are used to create impressions. Images are powerful and set a stage for others to judge one’s character, enabling human beings to avoid seeing what realities are. Idols are potent enough to mask the truth. In the novel, despite Gatsby 's own insecurities, he is viewed as an idol in society. Idols impact and influence Gatsby’s life and those living around him. Gatsby’s car represents an idol, illustrating his wealth, capturing attention, creating impressions, and covering misconceptions throughout life in the West Egg.

The world that Nick recounts is full of idealizations. When Nick first encounters Jordan and Daisy, “They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house” (8). The women here sound like something out of a fairy tale. They come off as fantastical but are not as good of people as they may seem. Their false presentation brings up the lies behind everyone’s presentation. Gatsby, as well, is not what he presents himself as. He is said to be an “Oxford man” but only visited Oxford with Dan Cody. The façades are a part of society’s attempt to be something it is not and to present itself as something better than it is. The truth is that they are all, in their own ways, like Tom and Daisy

The Great Gatsby, written by F. Scott Fitzgerald, provides a dark and pessimistic outlook into the American life style in 1922. Jay Gatsby, an American wealthy social identity, appears to have it all. But wealth, stature and an extravagant lifestyle seems not to be enough for Gatsby; he still yearns for his old idealistic love Daisy. In an ideal world this has the making of a great love story with a happy ending, but Fitzgerald chose to carry the story as a reflection of the American era the book is set in. An era consumed by appearances and excess and overall pursuit of the American dream.

After World War I, America offered the potential for boundless financial and social opportunities for those willing to work hard—an American Dream. The American Dream is defined as someone starting low on the economic or social level, and working hard towards prosperity and or wealth and fame. Establishing fame, becoming wealthy, having lavish luxuries, and a happy family would come to symbolize this dream. For some, however, striving for and realizing that dream ruined them, as many acquired wealth only to pursue pleasure. Even though the characters in F. Scott Fitzgerald’s, The Great Gatsby appear to relish the freedom of the 1920s, their lives demonstrate the emptiness that results when wealth and pleasure become ends in themselves. Specifically, the empty lives of three characters from this novel— George Wilson, Jay Gatsby, and Daisy Buchanan—show that chasing hollow dreams results only in misery.