The Great Gatsby Catherine Quotes Analysis

When Nick receives Wolfsheim’s message that Wolfsheim, who was one of Gatsby’s only friends, will not be coming to the funeral, Nick feels that it is he and Gatsby against them all. Nick realizes that no one truly cares about him and his friend. After reaching out to people to encourage them to come to the funeral and finally being rejected by someone who Nick thought Gatsby called a true friend, he experiences “a feeling of defiance, of scornful solidarity.” Because of Wolfsheim’s close connection to Gatsby and his friendship and relationship with Gatsby, Nick believes that he will at least be able to bring someone to Gatsby’s funeral. However, when Wolfsheim says that he doesn’t want to get mixed up with Gatsby’s murder, Nick senses that no one has really cared for Gatsby or for him. Nick feels that he is all alone, that everyone is against him and that there is no one left who cares.

she got older, she came to feed off of others validation. The youthful beauty, that others so longed for, became her downfall.

“In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since. Whenever you feel like criticizing anyone, he told me, just remember that all the people in this world haven’t had the advantages that you’ve had” (Fitzgerald 1).

Fitting with the common theme between the two novels of the judgment of others, each heroine falls victim to a horrible misjudgment of the character of another. After discovering that the engagement between her brother and her friend Isabella has been broken, Catherine finds she has grossly misjudged her friend’s character, and thinks, “She was ashamed of Isabella, ashamed of ever having loved her” (Northanger 150). Elizabeth, on the other hand, finds her attachment the Wickham wholly inappropriate after receiving her letter from Mr. Darcy. After digesting the shocking contents of the letter, Elizabeth “grew absolutely ashamed of herself.—Of neither Darcy nor Wickham could she think, without feeling that she had been blind, partial, prejudiced, absurd” (Pride 156). And indeed, as suggested by Elizabeth’s mention of Darcy, this misjudgment goes on to affect each girl’s attachment to her future husband.

Austen’s representation of reading epitomises the excesses of the imagination exhibited by sentimental readers which effectively led to their disconnection from reality. Austen’s employment of the gothic reflects Catherine’s transition from the excesses of her gothic fantasies to reality, which fundamentally enables Catherine to develop independent judgement through her exploration of human experience and to reject her projection of idealist imaginations influenced by her gothic readings (move up). Although Austen satirizes the excesses of sensibility through the characterisation of Catherine’s absorption of the gothic, Austen does not completely ridicule or dismiss the truth behind the gothic or the imagination. Richardson (2005:399) explains

In the film of The Great Gatsby, based on the novel, Director, Baz Luhrmann shares the elaborate tale of the infamous Jay Gatsby. Taking place in the era of the 1920’s, also known as the roaring twenties, Luhrmann is able to bring the film to life by constructing breathtaking scenery creating a glamorous environment full of ecstasy in order to make the modern day audience get a feel for what life in that time period would have been like today. Though the story is about the main character, Jay Gatsby desperately trying to rekindle the spark he once had with his past love Daisy, Luhrmann infers that this is more than just another film about hopeless love. Throughout the film Luhrmann there is much evidence that reveal the overall theme of the story. Through the overdramatic characters, who seem oblivious to consequences of their actions, as well as the events that take place toward the end of the film, Luhrmann looks to show the audience the destructiveness of money, wealth, and the American Dream. As the film concludes, the narrator, Nick Caraway, solidifies that the purpose of telling the story of The Great Gatsby is to reveal how hopes of achieving the American Dream can corrupt and degrade the human spirit.

Speaker 2: “I’m sorry, ____, but I have to say that I don’t particularly agree with what you believe Fitzgerald was trying to tell his readers. Your view seems to be with the more… uninformed masses; the audience is clearly positioned to believe that the pursuit of the American Dream is futile. Now, I absolutely adored the Great Gatsby, I think that it has to be one of the best novels to come out of this time. To me, it is obvious that the American Dream is elusive, due to a flawed social system and the corruption that dominated the time. These are both most obviously seen in Gatsby’s status and how he acquired his wealth, although almost all the characters in this novel are representations of the same.

Imagery: “It’s small and red with tight steps in the front and windows so small that you’d think they were holding their breath. Bricks crumbling in places, and the front door is so swollen you have to push hard to get in. There is no front yard just, only four elms the city planted by the curb. Out back is a small yard that looks smaller between the two buildings on either side” (Cisneros 4).

The novel is set in the twenties, following World War I. The economy is booming, which is crucial for the ability to convey the themes of the American Dream and post-war moods. Set in New York City, the book opens in the West Egg, a new money part of the upper class neighborhoods.

There is nothing like sitting on a beach with a beach bag full of books. You don't have a care in the world, at least in the real world. If you are anything like me, you can get emotionally attached to characters. You feel what they feel, whether it's hope, joy, or sadness. You have more time in the Summer, to completely get lost in the book. If you need some help finding your summer reading list, I'll give you mine to find some inspiration.

Austen has set out to save the rising art form of the novel. In this address to the reader she glorifies what a novel should be: the unrestrained expression of words conveying the wide range of raw human emotion. This veneration of the novel is necessary to the development of Catherine's fiction-loving character as it justifies the narrator's right to remain fond of this flawed heroine.

Much to Catherine’s pleasure, she has a walk scheduled with her sweetheart, Henry Tilney, and her dearest friend, Eleanor Tilney. However, on the morning of the walk, it rains. Austen uses the rain to foreshadow the upcoming unpleasant events. In the afternoon, the rain subsides leaving a muddy mess. Unexpectedly, Isabella Thorpe, John Thorpe, and James Morland arrive at her house. They request that Catherine go along on their trip to neighboring cites. However, Catherine feels obligated to stay in the house and await Henry Tilney and Eleanor Tilney. In his typical self-centered manner, John Thorpe declares that he saw Tilney engaging in other activities, “I saw him at that moment turn up the Lansdown Road, - driving a smart-looking girl” (Austen 53). Although perplexed as to why the Tilneys did not send word that their engagement should be broken, she consents to the proposed carriage ride. While riding out of her neighborhood, Catherine spots Eleanor and Henry Tilney walking towards her house. Catherine, exclaims, “Pray, pray stop, Mr. Thorpe. - I cannot go on. - I will not go on. - I must go back to Miss Tilney.” (Austen 54). John Thorpe disregarding Catherine’s plea, “laughed, smacked his whip, encouraged his horse, made odd noises, and drove on” (Austen 54). During this scene, Austen magnifies the villainy of John Thorpe by whisking away with innocent Catherine.

F. Scott Fitzgerald is arguably one of the greatest writers to ever come to earth. In the 20th century, he wrote far beyond his time, and wrote about topics that others were afraid to bring up. “Genius is the ability to put into effect what is on your mind.” (Fitzgerald) One of his better known novels, The Great Gatsby, brings up several diverse and arguable topics, but also presents many messages too. The three main messages presented in The Great Gatsby are about self creation, love, and friendship.

Soon after her own arrival in Bath, Catherine is followed by her brother James and Isabella’s brother John Thorpe. At the initial meeting with the boys, Catherine is mistaken on two different points, still being ignorant in her perceptions of other people. Although slightly thrown off by John’s manners, Catherine is unable to formulate her own negative opinion of him, too affected by the opinions of Isabella and James, and “her judgment was further brought off by Isabella’s assuring her…that John thought her the most charming girl in the world” (Austen 48). For Catherine, it is easier and more natural to accept the opinions of someone like Isabella, a mentor figure. Also, in the same scene, Catherine makes the assumption that her brother James has journeyed “so far on purpose to see me” (49). Catherine hastily jumps to this false conclusion, not having the experience to detect James’ continuous questions and compliments of Isabella as a sign of his true motives for coming to town: to visit the “prettiest girl in Bath” (49).

For Catherine’s “…situation in life, the character of her father and mother, her own person and disposition were all equally against her” (Austen 1). She was fairly normal and did not have any of the commonly used characteristics of heroines working in her favor, despite being a heroine herself. Austen writes Catherine this was to parody the way women are written in novels. There normally has to be some catalyst that makes the heroine special, different than the average women. However, Catherine wasn’t incredibly poor, had two well-tempered parents, and preferred other hobbies “…to the more heroic enjoyments…” (Austen 1) that heroines were normally fond of. By completely disregarding the characteristics normally attributed to heroines, Austen creates a character that would not fit into the normal novel. She essentially gives Catherine the character of someone who is almost the antithesis of what a heroine normally is, and by doing this critiques the