The Great Mosque Of Cordoba Vs. Hagia Sophia

The mosque can be identified by its elaborate squinch-supported domes. The Great Mosque of Cordoba is one of the finest surviving examples of Umayyad architecture in Spain. The mosque has marble capitals and columns in the hypostyle prayer hall. A person enters the hall through an open courtyard called a sahn. Its famous horseshoe arches have an alternated pattern of pale stone and red brick voussoirs

For a great many years, architecture has been a breaking point for different artisticeras in history. Some of the most famous “works of art” have been chapels, temples, and tombs. Among the most dominant and influential eras of great architecture are the sophisticated, stoic Greeco-Roman periods and the more mystical, elemental Japanese eras. These two very distinct and very different eras have more in common than you may realize.

Ever since man began building structures and settling land, art has manifested itself in our architectural creations. Whether it be to celebrate or worship a God or Gods, a grand sculpture to bury a powerful leader or remember them by, or to show a culture’s dedication to specific values, our architectural constructions have led to some of the finest art this Earth has ever seen. The Taj Mahal and Palace of Versailles are two great examples of such art. By examining each of these individually, and then comparing and contrasting them, it will become clear that no matter how different looking these buildings may be, they still serve the same purpose to the civilizations that erected them.

Religion is sacred, the cradle of the sacer, the faith that we intertwine within our reality, our profanus. It’s within our churches, our cathedrals, our temples, our synagogues, or our mosques that we connect the sacer and the profanus, the home of our prayers. Among the diversity of religions and beliefs there brings a multitude of holy sectors, each with their own composition of devoted art and architecture, their own contrivance to communicate and praise the godly. The construction of

Every religion has its own approach to art and architecture. An assessment between different traditions can offer an illuminating insight into the varying religious outlooks and theologies. Architecture, as well as art, is influenced by a number of forces in society, in the environment, in the psychology of the people who produce it, and in different institutions. It is an expression of inner feelings and beliefs and so naturally is influenced by religion in many societies. Religious architecture is created to experience the sacred, to provide a place into which spiritual energies flow and reflect a sense of the divine. Some

The three structures chosen to be discussed come from many different but intertwined styles of architecture. All of theses being centered around religion shows how in the past religion played a major role even down to the building and what was inside them. These three structures are each beautiful in their own way but the differences in them are what makes them even more wonderful. From the Romanesque style of the Abby Church of Sainte-Foy, to the French Gothic style of Chartres Cathedral, and to the Renaissance style of Tempietto these building are immaculate.

The Hagia Sophia was very important to the society of Constantinople, now known as Istanbul. It was rebuilt twice after the original was destroyed. This first church was a wooden-roofed basilica with a nave flanked by two or four aisles, each carrying a gallery store. It was preceded by an atrium. The one the world knows now was the third construction and was completed in 537. It was first dedicated in 360 by Emperor Constantius, son of the city's founder, Emperor Constantine and it served as the cathedra, or bishop's seat, of the city. It was the center of Orthodox Christianity until 1453 when the city was taken over by the Ottomans. After that, it become a focal point for Islam until it was made into a museum. The original Hagia Sophia, called

Since the emergence of Christianity in the Eastern Roman Empire, the Byzantines have been very influential in the art and architecture of religious buildings and their main propaganda tactic was art and architecture. Byzantine architecture features significantly in Constantinople ‘Istanbul’ buildings. Some prominent structures include the dome of the Hagia Sophia ‘Holy Wisdom’, Hagia Irene or Saint Irene church, Chora church and Pammakaristos Church. The Hagia ‘Saint’ Sophia was constructed in 360 BC under the reign of Emperor Justin which employed two creative and brilliant designers ‘Isidore of Miletus and Anthemius of Tralles’ and at that time was the largest church in Constantinople before its destruction in 404AD due to riots but was later rebuilt

At a point in history a lot of moors occupied a great portion of Spain and they created some beautiful architecture with a Spanish twist to it which includes the great mosque of Cordoba which has a church embedded in it. Throughout history the Spanish architecture has been shaped by the changing trends in Europe. In the start of the 12th century the gothic style was introduced which greatly influenced the styles in the buildings like the cathedral of Toledo, Burgos and Leon. The renaissance trend in Europe greatly influenced the Spanish architecture. Spanish architectures were not just about buildings they were also a means of communication. Each architecture that was created reflected the community’s values, pursuits and culture. Each Spanish building erected showed the dominance of a cultural group in the community and the geographical area it was erected in showed the extent of their power and dominance. Such buildings often bore an identifying sign for example the sign of a church was different from that of a mosque. The church’s sign was significantly that of a cross while that of a mosque bore that of a crescent moon and a star and it signified the significance or dominance of a religious group or cultural group in that area. The middle ages were an exciting period in the history of Spanish architecture and it was at that time there was the entrance of the moors which means Muslim in Spanish. And there was a clash between Muslims and Christians in that time of history. At that time the Christians and Muslims emerged their cultures together to form the Mozarabic architecture. It was not uncommon to see a church being converted to a mosque and vice versa. The great church of Cordoba with a church embedded in it was a good opportunity to see how Christians and Muslims saw their relationship with

Hagia Sophia represents Byzantium. Reconstruction of the great church of the byzantine capital Constantinople happened during the emperor Justinian l era. The architecture structure represent values, beliefs, perfect proportions, industrial confidence and spirituality. It is said that the building is not structurally sound.

Hagia Sophia was a Greek Orthodox Christian (church), then an imperial mosque, and is now a museum in Istanbul, Turkey. The Roman Empire's first Christian Cathedral was constructed in 537 AD, and until 1453, it served as an Eastern Orthodox cathedral. Betweem 1204 and 1261 it was converted to a Roman Catholic cathedral. The building was later converted into an Ottoman mosque from 1453 until 1931. It was then secularized and opened as a museum in 1 1935. it is famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and is said to have "changed the history of architecture". It remained the world's largest cathedral for nearly a thousand years, until Seville Cathedral was completed in 1520.

From the Golden Age of Byzantium, this once Christian church is one of the most extraordinary buildings in the history of architecture. It played a very important role in the Byzantine Empire, and later as a mosque during the Ottoman Empire. The word "Hagia" in Greek means "Divine" and "Sophia" means "Wisdom". "Divine Wisdom" is one of the attributes of Jesus Christ and this church is devoted to his divine wisdom.

Hagia Sophia was created in Constantinople, or modern day Istanbul, circa 532-537 C.E. Anthemius of Tralles and Isidorus of Miletus crafted this grandiose architectural site, using brick and ceramic elements with stone and mosaic veneer. As a symbol of the Byzantine empire, this church attracts praise and harbors numerous stories of miracles and religious events. Furthermore, it is made up of different sections and styles of art that embody different aspects of culture. In Hagia Sophia, the artist uses a multitude of elements and principles of art to create a cohesive and meaningful work of art.

A large pile of ancient stone is no different than a giant stack of old stone, right? To look closely into an argument, sometimes a zoomed-out perspective is needed. In this case, its important to look at every detail to find out if the construction of pyramids and cathedrals were similar or different. On one hand, there are the ancient Egyptian pyramids, construced under the authority of the pharoahs through the use of many laboring workers. On the other, there are gothic cathedrals, built over a long period of time, employing several construction methods. Through the analysis of historical accounts and evidence, it is apparent that the similarities between the Great Pyramids and gothic cathedrals greatly endorse the use of techonological systems as fuel for societies that are constantly improving.

Hagia Sophia One of the main tourist attractions in Istanbul, the Hagia Sophia known as Ayasofya in Turkish, is also referred to as the Church of St Sophia. The building started as a church and was built based on the orders of the Byzantine Emperor Constantine II in 360 AD. It was destroyed in 404 AD by a mob and was rebuilt to grander proportions by Theodosius II in 405 AD only to be destroyed again in 532 during the week of riots known as the 'Nika Revolt'. Rebuilt under Emperor Justinian who was to construct a larger and more majestic building than its predecessors, which resulted in him shipping marble columns to Constantinople for the project from Baalbek in the Lebanon, when completed it was to remain one of the foremost churches despite being damaged by a series of earthquakes in 553, 557 and again in 558. The