The Great Proletarian Cultural Revolution

The setting is in Muji, China during the Cultural Revolution in the 1960s. The leader of the communist party at the time is Chairman Mao and ruled based on a Marxist model by the story mentioning the concrete statue of him in the center of the square. The author states that “the Cultural Revolution was over already, and recently the Party has been propagating the idea that all citizens were

The Memoir Spider Eaters by Rae Yang is her personal account of her life during the Maoist revolution. In addition, she reminisces about her trials and tribulations during her active participation in the culture revolution and the great North Wilderness. Her family also had various misfortunes due to these changing ideological beliefs spread by the revolution. This memoir illustrates in great detail what Yang experienced under communist rule. Spider Eaters opened up a door to a young girl and her families struggle to be good Samaritans under communist rule and their final disillusionment of the revolution they whole heartedly believed in. Yang and her family struggled with the vast ideological changes during the Maoist Revolution, in turn,

The Cultural Revolution was a time of much confusion in china. The memoir Red Scarf Girl by Ji-li Jiang illustrates the chaos of that time. Ji-li’s experiences during this time period led to her point of view changing. Ji-li starts the Cultural Revolution full of progressive thoughts, but this quickly turns to confusion, and leads to an important choice, something that impacts the rest of her life.

The novel, “Mao’s Last Dancer”, was written by Li Cunxin. It tells his riveting tale of growing up in a poor family of six boys, living in a village in China under Mao’s reign. It goes on to share his eventual defection to the United States as an artistic dancer. His childhood was filled with both hardships and joys. But both helped him to grow as a resilient person to achieve once-thought impossible goals.

According to the Online Dictionary, the “Chinese Cultural Revolution” is defined as “a movement in China, beginning in the year 1966 and led by Mao Zedong, to restore the vitality of communism in China.” To begin, the Chinese Cultural Revolution performed a significant role in establishing the setting and conflicts in the novel of “Red Scarf Girl”. The setting of the story took place in the city of Shanghai, specifically throughout the course of two and a half years from the year 1966 to 1969. The protagonist and narrator of the story, Ji Li Jiang, was a 12-year-old Chinese girl who lived as a wealthy resident in the brownstone apartments of Shanghai. As the story progressed, Ji Li developed alterations in her relationships with her peers at school, the perception of her goals and responsibilities in life, and knowledge of her family history in relation to her class-status in the community. Therefore, throughout the course of the story, it was evident that significant changes and development of the relationships, perceptions, and knowledge of Ji Li Jiang occurred as a result of the events that she experienced.

When Jan Wong first arrived in China, she was filled with the complete belief that China’s totalitarianism way of government was the best way of governing, and that no other way would do. While natives smiled behind false expressions, she failed to realize the true extent of the miserable lives under the Maoist regime until she herself experienced the injustices faced by the Chinese citizens. In Red China Blues, author Jan Wong writes of her experiences during her life in China and after, and how her whole journey led to the realization of the harsh reality that Maoism really was. As Wong learned more and more about the truth behind the totalitarian government, her own experiences helped her to transform

This memoir of Ma Bo’s sent shock waves throughout China when it was published and was even first banned by the Communist Government. This passionate story paints a clear picture for what the Great Chinese Cultural Revolution was really like. Many Chinese living today can attest to similar if not identical ordeals as expressed in Ma Bo’s story. The toils of being a young Red Guard in inner China were experienced by many if not millions. The horrors and atrocities were wide spread throughout the country, not just in Inner Mongolia. The experiences illustrated in Blood Red Sunset uniquely belong to Ma Bo’s entire generation of mislead Chinese. As expressed in the books dedication the Cultural Revolution

Liang Heng and Judith Shapiro's "Son of the Revolution" is a comprehensive story of Liang Heng's life on growing up during the chaotic times of the Chinese revolution. The purpose of this novel was to depict the horrors and hardships of life during the revolution period in china during Mao Zedong's reign. In the beginning of the book, the author portrays that news and ideologies always stated that the government was working for the good of the people of the country. However, as the book unfolds the author reveals that the government is actually exploiting the people through misuse of people's trust. The book also provides insights into the Chinese life during the period of 1954-1978. This 24 year period saw major

The book is a written as conversational memoir between two women, Ye Weili and Ma Xiaodong about their experience during the first three decades of Mao’s era. The two women had gone through almost similar position and situations in their life, faced equivalent hardships, their approach or attitude towards those experiences in a completely different manner. This book is meticulous in its historical detail, making it a standout among similar memoirs of twentieth-century China. It also tries to add another dimension of the general perspective of historic events. The events are described in a chronological sequence and with the right amount of proper relevant information so the reader can understand the conversation.

In Jan Wong’s entrancing expose Red China Blues, she details her plight to take part in a system of “harmony and perfection” (12) that was Maoist China. Wong discloses her trials and tribulations over a course of three decades that sees her searching for her roots and her transformation of ideologies that span over two distinctive forms of Communist governments. This tale is so enticing in due part to the events the author encountered that radically changed her very existence and more importantly, her personal quest for self-discovery.

The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When

He feared the Soviet Unions “deviationism” ha tainted his Maoist communism. So he mobilized young people in china, forming the Red Guards and shutting down schools. These kids were encouraged to attack “bourgeois” and root out enemies of the system, including family members. The results of this were devastating. The economy was left struggling to survive, people and elders were mistreated for things they didn’t do, and there were as many as 30 million casualties. After explaining this and how Maos death practically saved china, the author makes this statement. “On July 28, 1976, twin earthquakes struck near the city of Tangshan…the death toll…may have exceeded 700,000 people…The chairmen for life died on September 9, just six weeks after Tangshan. It probably was no coincidence.” This quote suggests that a political reaction was connected to Maos death. Practically a conspiracy theory, the author never backs it up with any evidence, proof, or reason. This weakens the overall topic and distracts from his main

Over the course of history different revolutions have come and gone, bringing along promises of social, economic, and political change. However, the price of change isn 't always smooth and effortless. Revolution doesn 't bring change at the blink of an eye, it takes time for the achievements of a revolution to come to full fruition. It is almost inevitable that a revolution will have its failures along the way, but these failures don 't overshadow the success of a revolution. It is not until the common good is met that a revolution is deemed successful. When I talk about the common good, I mean that which benefits society as a whole rather than an individual or a minority. The waves of revolution and presidents in Mexico from 1910 to 1946 aimed at achieving the common good, and some presidents succeeded more than others. This can be anything from social services such as free health care and education, to freedom of speech and free elections. When it comes to quantifying the success of a revolution, one must keep in mind the larger scope, not whether a revolution brings immediate change but rather change felt down the road. The most important outcome of a revolution is identifying whether or not it brings forth change. Did the waves of revolution bring change to Mexico or was this change just a mere illusion?

Mao’s Cultural Revolution was an attempt to create a new culture for China. Through education reforms and readjustments, Mao hoped to create a new generation of Chinese people - a generation of mindless Communists. By eliminating intellectuals via the Down to the Countryside movement, Mao hoped to eliminate elements of traditional Chinese culture and create a new form Chinese culture. He knew that dumbing down the masses would give him more power so his regime would be more stable. This dramatic reform affected youth especially as they were targeted by Mao’s propaganda and influence. Drawing from his experiences as an Educated Youth who was sent down to the countryside Down to the Countryside movement, Ah Cheng wrote The King of

They Did Not Expect Him is Repin’s most notable painting on the theme of political prisoners, and is the only significant piece of this time that brings the effects of the revolutionary movement into the domestic sphere. Stripped away is the exile’s grandeur of idealistic Populism featured in other paintings on the theme, and in its place are the realistic effects of his absence and incarceration. In the initial sketches the main character oscillated between a man or woman, and while the title becomes gendered when translated into English: the original Russian title, Не Ждали, carries no gender expectations.  The countenance of the exiles in the initial sketches were calm intelligent expressions, with the woman’s face resembling Yaroshenko’s 1883 piece; Kursistka. Similarly to Refusal, the expression of the revolutionary goes through distinct changes. In adherence to his previously mentioned works on the theme, the original exhibited in 1884 presented an ambiguity that allowed liberal critics to paint the exile as a, ‘chipped but not yet crushed force’, while conservative newspapers celebrated Repin’s depiction of his, ‘beloved exile’ with such a ‘semi-idiotic face’. After undergoing two more workings the final expression of the revolutionary is one of estrangement, uncertainty about the reaction of his family and guilt over his absence. While the exile was presumably dwelling on this reunion during the long journey home; by presenting the exact moment of his reappearance,