The Guerrilla Girls: Feminism's Wonder Women

The question of “why feminism?” has been presented to a number of female artists who deal with strong constructions of gender in their work. The answer, overwhelmingly, has been the desire to modify stereotypes about women that have prevailed in male-dominated art history. In the 1960’s, women who explored “feminist” issues in their art were criticized, causing mass mobilization and conscious raising as to what, exactly, was the purpose of feminist art (Crowell, 1991). Since that time, women have been trying desperately to overturn the art world and rescind the traditional stereotypes and images that have plagued them. Feminist artists created somewhat of a unified front during that

While some issues are not given the amount of attention needed, others are given no time at all. Also, the movies less than positive relationship with transgender women is unfortunately absent. Even though the film is not as intersectional as it should be, it is still a fairly accurate portrayal of the Women’s Liberation Movement. This documentary is great for anyone who is new to intersectional feminism, as well as the history of the Women’s Liberation Movement. However, there is further research needed if one wants a full understanding of either

“Pussy Riot: A Punk Prayer” is a documentary about three women who are involved in a feminist group. The documentary is located in Moscow, Russia. Based on the location, one can a conclude that feminists views are very different than the United States. In order to express how the feminist group feels, they create many protest disturbances around the area. The three women try to fight for their rights throughout the whole documentary. They want to stand up for all the women in the Russia area, and also around the world. The feminist group wants women to feel powerful and useful to the world. The movie involves many techniques including conflict theory, rebellion, police discretion, and criminal justice system.

The Guerrilla Girls are a group of women formed in 1984 after an art exhibition hosted by the Museum of Modern Art in New York City where it became clear to them that the art industry was gender bias with women artists not being acknowledged. Since then they have been devoted to fighting sexism and racism within the art world, their mission to bring gender and racial inequality within the arts into focus. They have done this by producing factual and humorous posters that comment on these issues and that challenges and confronts society to realise the injustice.

Kerber, Linda K., Jane Sherron De Hart, Cornelia Hughes Dayton, and Judy Tzu-Chun Wu. Women's America: Refocusing the Past: Rosalyn Baxandall and Linda Gordon, “The Women’s Liberation Movement”. 8th ed. NY, NY: Oxford University Press, 2016.

“Because of countless millions of women, who planned, organized, lectured, wrote, marched, petitioned, lobbied, paraded, and broke new ground in every field imaginable, our world is irrevocably changed. Women and men in our generation, and the ones that will follow us, are living the legacy of women’s rights won against staggering odds in a revolution achieved without violence” (para.1)

In the lecture titled “Dismantling Injustice”, the speaker talked about the relationship between risk and empathy, in that artists take incredible risks by putting themselves out there, yet they need to understand someone else’s experiences and empathize with those who hold different opinions than them. In order to explain the risks they take, the speaker gave many examples of artists working to fight against injustice. One example was the Guerrilla Girls: a sarcastic group that aimed to bring awareness to social injustices such as sexism and racism. In order to do this, this group of women wore gorilla masks around New York City, posting stickers on art galleries that didn’t feature a high amount of female artists, and creating billboards with facts on how

Major Claim: In the Second Wave of Feminism, a group of feminist artists enacted the group entitled the "Guerrilla Girls". In addition, this group of activists fight against the discrimination amidst the world of art by creating various medias of the Arts through literature, studio art, advertisement, public and public display. This is to counteract their oppressors within the field of art. In Anne Teresa Demo's Essay "The Guerrilla Girls' Comic Politics of Subversion", she analyzes the rhetorical approaches the association utilizes in aid towards resistance.

According to Guerrilla Girls website, “We undermine the idea of a mainstream narrative by revealing the understory, the subtext, the overlooked, and the downright unfair. We believe in an intersectional feminism that fights discrimination and supports human rights for all people and all genders…. We also do projects and exhibitions at museums, attacking them for their bad behavior and discriminatory practices right on their own walls, including our 2015 stealth projection about income inequality and the super-rich hijacking art on the facade of the Whitney Museum in New York” (Guerrilla Girls). I perceive the Guerrilla Girls movement to be fierce and funny, but yet impressive, and effectively as a whole. Their messages allowed them to have

The study of why women artists have systematically been erased from history and why currently the exhibition of women's art is not valued as much as the male artists' continues. There have been many theories behind the eradication of women artists from history. At the beginning of the Women's Liberation Movement, an art historian by the name of Linda Nochlin published an article called, "Why have there been no great women artists?" In here article, she addressed her own question offering one of the first consciously feminist challenges to the established canons of art history. Her query proved to be a rallying cry for women artists in the fervent days of the Women's Liberation movement and offered fragments of a manifesto to women artists, and others, intent on reexamining and ultimately restructuring the discipline (Morse, 1992). Nochlin argues that contemporary feminists contend that there is a different "greatness" between men's art and women's art. This view of art undermines the general discipline. It categorizes its value in order to give it a higher classification among gender. Many women are trying to delve back into history and recapture any trace of artistic women in order to document and arrange their

After reading a book on various feminist philosophies, I evaluated Annie Liebovitz's book and collection of photographs entitled Women according to my interpretation of feminist philosophy, then used this aesthetic impression to evaluate the efficacy of feminist theories as they apply toward evaluating and understanding art.

The Guerilla Girls are a women’s activist art group. They are masked women who came together to make change in the world of art and women’s involvement in society. GG emerged in 1985 and still are active today in New York after 30 years of the emergence of the group. The Guerilla Girls used posters with real statistics to show awareness of sexism in the art world and the discrimination of women in politics as well as in the mass media. The Guerrilla Girls spread awareness of sexism in art, discrimination in politics and the mass media through their workshops, performances, and posters.

So this is how feminists’ work towards shaping the individuals particularly women as show in the case study and addresses the injustices of all kinds and other problems such as discrimination, racism and more that impacts the lives of individuals as well as that of

Chinese Feminist Art is not only different from traditional Chinese female art as it clearly emphasises on female characteristics, but also distinctive from western feminist art in the way that it embraces Chinese culture to the greatest extent. Unlike Western Feminist Art which is tightly

Through Civil War, there exist a lot of differences between the world of government and superheroes. Many talented super heroes outdistanced the laws and were not under the control of the government. In order to let the superheroes work for the government and to control their power, the powerful government enacts the Superheroes Registration Act. This act divides the Avengers in to two sides; one is Iron Man, who stands on the government’s side, and the other one is Captain America, who supports freedom and the common people. This war not only represents Iron Man and Captain America, or even other Avengers’ freedom, but also represents many social problems and relationships in society today. These questions lead me to think of one question: